The Princess of France

The King of Navarre and his three companions swear a very public oath to study together and to renounce women for three years. Their honour is immediately put to the test by the arrival of the Princess of France and her three lovely companions. It's love at first sight for all concerned followed by the men's hopeless efforts to disguise their feelings.

In the 1980s, a filmmaker begins a project to record the life of an average kid. In Perry, Ohio, he picks Rich Longfellow, a shy lad, and begins filming. Soon after, he dies in Mozambique. Sixteen years later, his son continues the project, finding Rich, now 23, in L.A., with dreams of being a Shakespearean actor, getting experience in porn films. We meet Betsy, Rich's sensible girlfriend, Lee, the impatient producer, and Carmichael, a director with artistic pretensions who inspires Rich. Problems with Besty and tension on the set bring Rich to a crisis; when his boyhood friend starts a Shakespeare company that tours nursing homes in the San Fernando Valley, Rich sees a way out.

On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.

In Buenos Aires, the twenty-something Jewish-Argentinean Ariel Makaroff ditches the University of Architecture and spends his time wandering through the downtown gallery where his mother has a lingerie shop and his brother runs an importation business. Ariel has never understood why his father left him when he was a baby, but when his dad returns to Argentina, that will soon change.

A renowned author, college professor and criminologist is given a year off in order to write his latest book. His arrival in Buenos Aires gives him the opportunity to work on his true project, planning and pulling off the perfect crime.

Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare's "A Midsummer Night's Dream." Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.

Soledad, a girl tired of being a taxi driver in Buenos Aires, travels with her car to Patagonia. She stops in a village whose inhabitants live in isolation and their only contact with the outside world is a cinema where old films are projected.

When the King of Navarre and three of his cronies swear to spend all their days in study and not to look at any girls, they've forgotten that the daughter of the King of France is coming on a diplomatic visit. And the lady herself and her attendants play merry havoc with their intentions.

Summer 1914. In order to dedicate themselves to a life of study, the King and his friends take an oath to avoid the company of women for three years. No sooner have they made their idealistic pledge than the Princess of France and her ladies-in-waiting arrive, presenting the men with a severe test of their high-minded resolve.

It’s the late 1950s, and in an affluent and quietly respectable part of Buenos Aires, young Sulamit Löwenstein strikes up a friendship with her next-door neighbour Friedrich over the whereabouts of her family dog. She is the daughter of German-Jewish immigrants to Argentina, he is the son of a senior SS officer, a tragic political legacy from whose shadow both characters struggle to escape over the next three decades. Following the teenaged Friedrich to Germany, Sulamit finds him caught up in the radical politics of late-1960s student life; and she’s forced to make important decisions about her attitude to her homeland when Friedrich returns to Argentina to join the fight against the military junta.

Buenos Aires Province, a summer in the 30's. Mateo, an ex convict anarchist, travels around the Pampa in his old truck, carrying stolen hens and the illusion of finding his lost rooster, The King, which, he hopes, will lead him to glory at the cockfights. Fate faces him with Aurelia and Carmelo, two siblings in search for their father. Wandering, uncertain about his final destination, Mateo decides to give them a ride southbound.

Emilia is a young psychiatrist living in Buenos Aires with her boyfriend. She has a steady life but is not fully satisfied. She receives an invitation to go back to her hometown in Patagonia to spread Andrea's ashes, Emilia's best friend who died five years earlier.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

Ana returns to Buenos Aires to claim her inheritance. She meets her father's close friend Dr. Benedetti, a scientist, where he has discovered a doorway to another dimension which allows Ana to reconvene with the dead.

An Argentinean born Spaniard, writer and journalist, whose parents were tortured and murdered during the Military Coup, returns to finish a novel about them, with the ambiguous determination to get even with their murderer, a former Sheriff who lives nearby in Patagonia. He and the Sheriff's daughter fall in love. He takes DNA samples of the Girl's family and realizes the truth; she is not their daughter, which means she might have been abducted from her murdered parents. He indirectly feeds her mistrust. The girl travels to Buenos Aires to investigate. She finds out the truth and faces her father, who avows never agreeing on saving those children. On her question, "Who am I?" he says she is a mistake and that she is alive thanks to his decision. It is her who ultimately solves the Writer's conflict in a tragical showdown with the Sheriff.

Epitafios is a 2004 13-episode, Argentinian crime fiction TV mini-series with the tagline: El Final Está Escrito ... The End Is Written. The series, which takes place in an unnamed South American city, was shot in Buenos Aires. The series was produced by HBO Latin America and Argentinian TV/film company Pol-Ka Producciones. It was written by Marcelo Slavich and Walter Slavich and directed by Alberto Lecchi and Jorge Nisco. Although all of the actors were Argentinian, a neutral Spanish was used instead of the local Rioplatense Spanish, avoiding colloquialisms such as the local vos in favor of the more common tú. The series debuted in Australia on SBS in May 2007 under the title If The Dead Could Speak. It premiered in Poland on Cinemax on November 6, 2008. In Germany, it premiered on November 6, 2009 on pay TV channel FOX under the title Epitafios - Tod Ist Die Antwort.

A musically talented teenager returns to her native Buenos Aires with her father, Herman, after living in Europe for several years, navigating the trials and tribulations of growing up.

Luna Valente lives with her family in Cancún, Mexico. She goes to school, has her own group of friends, has a job, and loves to skate. However, her life changes when her parents are given a job offer that moves them to Buenos Aires, Argentina. There she finds a new skating rink (named Jam & Roller), learns freestyling, makes new friends, and even falls in love.

A young working-class man comes from Misiones (an Argentinian province) to Buenos Aires, with a fighting rooster, looking for his brother, and gets involved with low life characters, who introduce him to a world of crime.

She was working in a bridal shop in Lanús, Buenos Aires 'Til her boyfriend kicked her out in one of those crushing scenes What was she to do? Where was she to go? She was out on her fanny... So over the highway from Lanús to the Iraola's door She was there to sell makeup, but the father saw more She had style! She had flair! She was there That's how she became The Nanny! Who would've guessed that the girl we've described Was just exactly what the doctor prescribed? Now the father finds her beguiling, watch out Teté! And the kids are actually smiling, such joie de vivre! She's the lady in red when everybody else is wearing tan... The Flashy girl from Lanús, the nanny named Flor!

Chris Guthrie lives with her family on a bleak farm in North East Scotland at the beginning of the 20th century. On her mother's death, she assumes the managing of the farm with her father and her older brother, but the men fall out, leaving Chris and her father to manage it alone. When her father dies, she considers abandoning the farm, but decides to carry on alone. She marries a young farmer, Ewan Tavendale. They have a baby and are happy for the first time, then the First World War breaks out, Ewan enlists and dies in France, and Chris is left once again to carry on with the farm.

Three students have taken their lives in the last six months in a school in Greater Buenos Aires and Guillermo Reyes, the rector of the school, calls the prestigious psychoanalyst Francisco...

Two socially-awkward thirty-somethings and a young con woman start a rock band that takes the Buenos Aires music scene by storm.

This collection presents some of the world’s great capitals and international megacities (Paris, New York, Tokyo, Buenos Aires, Barcelona, Berlin, London, Los Angeles, Rome and Bangkok) from the unusual viewpoint of their rooftops! Rooftops are highly revealing of the ways in which cities address the twenty-first century’s social, economic, demographic and ecological challenges as well as reflecting the image cities project of themselves and their inhabitants. Rooftops can be places for working, living, and cultivating one’s garden…

As an heiress to her family’s business empire, Sofía lives an opulent life free of responsibilities and commitments. But when her father passes away, Sofía is forced to return to her birthplace, Buenos Aires, to confront her rivalry with her two brothers and her father's secrets. In facing her complicated family legacy, Sofía sets out to prove that she’s more than a spoiled party girl.

Amor Mío is a Spanish language comedy telecomedy, produced in Argentina by Telefe and for Mexico by Televisa. This romantic comedy features Abril Juárez and Marcos Sinclair, two singles who are forced to share an apartment in Buenos Aires even though they cannot stand each other. The show is also known as Loony Love and My Sweet Love.

Amas de Casa Desesperadas is an Argentine television series, that debuted on Canal 13 on August 30, 2006. Set in the fictional Manzanares Street, a suburb surrounding Buenos Aires, the series follows the lives of four housewives and the domestic problems and daily mysteries surrounding their husbands, friends and neighbors, which can be more sinister than they appear. The series' tone combines elements of drama, comedy, mystery, farce, soap opera and satire. Based on the American television series, Desperate Housewives, it was developed for Argentina by Buena Vista International and Pol-Ka Producciones. The show’s first season was broadcast by Canal 13 on Argentina, and also by other networks on Uruguay and Paraguay. On October 2006, Canal 13 renewed Amas de Casa Desesperadas for a second season, that will start filming on August 2007.

A middle-class young man joins the "brava bar" of a soccer club in the Buenos Aires suburbs, Argentina, and manages to ascend within the criminal structure until he reaches a place of leadership that he could never find in his own environment.

The series follows Rudy along the canals of St. Petersburg, Russia, to the Taj Mahal in India, into the jungles of Thailand's Golden Triangle and inside the tango halls of Buenos Aires.

Pete Firman and Alistair Cook, ace magicians and good friends, lead us on a mysterious tour of magic from Last Vegas to Madrid, Los Angeles to New York and Paris to Buenos Aires. On Pete and Alistair's road trip, we meet their heroes as they reveal secrets of the world's most legendary tricks.