The Ring Cycle: Siegfried

Simon, son of the king, must flee when the empire is overthrown by the evil Shurka. Schooled in the arts of magic, he must find the Ring of Magic and the Sword of Power and defeat the wizard who killed his father. He is joined in his quest by the swordmaster Kor, his faithful protector Gulfax, and the Forest Wizard Hurla.

A man named Farmer sets out to rescue his kidnapped wife and avenge the death of his son -- two acts committed by the Krugs, a race of animal-warriors who are controlled by the evil Gallian.

In a desperate attempt to save her kingdom from an advancing army of dark elves, Princess Vanir must traverse the haunted forest of Sidhe. With the help of loyal adventurers Cador and Artemir, they encounter the army of elves, a mysterious sorceress, and the powerful dragon that stands in their way.

When Geoff, an orphaned stable boy (Chris Masterson), discovers Drake (voice of Robby Benson), the world's last living dragon, he realizes that his dream of becoming a knight in shining armor can now come true. Together, they soon face challenges that turn them into heroes. But caught up in the excitement of their new lives, Geoff and Drake fail to see the hidden dangers that surround them.

Hawk the Slayer, after seeing both his father and bride die at the hands of his malevolent brother, Voltan, sets out for revenge and the chance to live up to his title. Tooling himself up with the "mind-sword" and recruiting a motley band of warriors: a giant, a dwarf, a one-armed man with a machine-crossbow and an elf with the fastest bow in the land; Hawk leads the battle against Voltan to free the land from the forces of evil and avenge his loved ones.

In Bucharest, Allison is protecting the mysterious bible, "The Prophet Lexicon", where the last chapter about the apocalypse, called Revelations, discloses the name of the Antichrist in its last page. Meanwhile, the evil and jealous leader of the renegade angels Thrones, Stark, forces the hit-man Dylan to kill Allison to get the information about the Antichrist, but Dylan mysteriously feels attracted by the woman, protecting her against the Thrones. Allison seeks John Reigart for help, but Satan tell her that he is interested in the apocalypse to gather millions of souls to Hell. Alone and betrayed, Allison discloses the truth about her origins, while protecting the Lexicon.

A man is released from prison and finds the society on the outside less than appealing. With several women as well as the police on his tail, he sets out to find an old friend.

Now Brunhild knows by which treason she was won for king Gunther of Burgund by Siegfried of Xanthen, and has been revenged by his foul murder by Hagen, more bloody revenge is inevitable. Hagen steals the Nibelungen-treasure to sink it in the stream and manages to kill Alberich and seize his invisibility-cap. Queen Kriemhild is packed of to an abbey so her son may grow up to become a prelate, but Hagen's men raid them and kill the child. She now accepts to become the wife of Etzel, king of the truly barbaric Hun nomads and invites the Burgund court nomenclature at their Danube court for their heir's baptism a few years later, but prepared a bloody conspiracy with her xenophobic brother-in-law behind her surprisingly chivalric husband's back, while Gunther accepts, hoping to avoid a far bloodier war, despite the danger for his party of knights, which materializes...

From the gorgeous scene deep in the river Rhine that opens the opera, up to the magic Rainbow Bridge that appears at the end, leading to a glistening Valhalla, Otto Schenk’s production captures the scenic world of Wagner’s Ring as brilliantly as James Levine and the Met orchestra capture the musical world. The cast is incomporable: an astounding James Morris as the young god Wotan, the great Christa Ludwig as his wife Fricka, incandescent Siegfried Jerusalem as Loge, the wily god of fire, and Ekkehard Wlaschiha as a complex Alberich.

The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)

The stupendous climax to Wagner’s four-part Ring cycle is brilliantly realized by the Otto Schenk/Günther Schneider-Siemssen production and byJames Levine’s monumental conducting. The Met orchestra, chorus, and an all-star cast make this Götterdämmerung one that truly rises to the occasion. Hildegard Behrens’s Brünnhilde must be experienced to be believed, as does Matti Salminen’s richly sung, domineering Hagen. At the center of the drama is Siegfried Jerusalem as Siegfried, who does not realize he has been drawn into a plot of betrayal until it is too late. Christa Ludwig is magnetic as Waltraute and Ekkehard Wlaschiha is a compelling Alberich.

FIRST DAY OF THE RING CYCLE. Fleeing for his life, Siegmund seeks shelter at Sieglinde's house. Her husband Hunding happens to be one of Siegmund's pursuers, and the two of them must cross swords the next day. As Siegmund laments his lack of a weapon, Sieglinde directs him to the sword Nothung stuck in an ash tree. Despite discovering they are twin siblings, the two fall in love. The King of Gods Wotan, their father, sends his Valkyrie daughter Brünnhilde to aid Siegmund. Fricka protests, and Wotan uses his spear to break Siegmund's sword during the battle. Siegmund is slain, but Brünnhilde rescues both the sword fragments and Sieglinde who is pregnant with Siegmund's child Siegfried. Wotan is angry that she intervened, but since Brünnhilde is his favorite child, he merely strips her of immortality and sends her into an enchanted sleep, surrounded by fire. Filmed at the Bayreuth Festspielhaus in June & July 1992.

THIRD DAY OF THE RING CYCLE. Günter, the lord of the Rhine people, gives Siegfried a love potion that causes Siegfried to forget Brünnhilde and fall in love with Günter's sister Gutrane. Siegfried has given Brünnhilde the Ring as a token of their love, but her Valkyrie sister urges her to destroy it, because their father Wotan has lost his spear and power and is hiding out in Valhalla. Instead, Brünnhilde keeps it, and under the influence of the potion, Siegfried steals it from her. Enraged, Brünnhilde helps Alberich's son murder Siegfried, but Siegfried's memory returns, and he dies thinking of Brünnhilde. Brünnhilde repents and orders a funeral pyre to be built. She rides into the fire herself, and the Rhinemaidens get the ring back. The story closes with flames flickering about Valhalla in the background. Filmed at the Bayreuth Festspielhaus in June & July 1991.

PRELIMINARY EVENINING OF THE RING CYCLE. Upon the banks of the ageless river Rhine, the Rhinemaidens play. Alberich, a Nibelung dwarf, tries vainly to seduce one of them. To taunt him, they reveal their secret: out of the gold they guard one can forge a Ring to rule the world, but at the cost of giving up Love forever. Alberich steals the gold, makes the ring and plans his world take-over. Meanwhile, Wotan, King of the Gods, must figure out how to finance the construction of Valhalla. He has promised his sister-in-law as payment to the giant construction workers led by Fafner, but his wife Fricka disapproves. Loge (God of Fire) tricks Alberich and brings him to Wotan, who takes the Ring. In revenge Alberich curses it: lack of the Ring will fuel desire for it and possession will only lead to misery. Wotan gives the Ring to Fafner as ransom for Fricka's sister. Filmed at the Bayreuth Festspielhaus in June & July 1991.

Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first new Met production of the complete cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. In this first part of the epic, the theft of the Rhinegold treasure sets in motion the course of events that will change the world and end the rule of the gods. Met Music Director James Levine conducts a cast of some of the greatest Wagnerian singers of our time, including Bryn Terfel as Wotan, Stephanie Blythe as Fricka, and Eric Owens as Alberich.

When they were boys, Sam and Dean Winchester lost their mother to a mysterious and demonic supernatural force. Subsequently, their father raised them to be soldiers. He taught them about the paranormal evil that lives in the dark corners and on the back roads of America ... and he taught them how to kill it. Now, the Winchester brothers crisscross the country in their '67 Chevy Impala, battling every kind of supernatural threat they encounter along the way.

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