Best movies like The Runaround

A documentary that follows Anya, a woman residing in Ukraine during the early stages of the war, who tells her story and contemplates how countries will treat her fellow Ukrainians who were forced to flee.

The buoyant Molly Brown has survived the first crisis of her life—a flood. Sixteen years later she sets out to make her way in the world. She assures the Leadville saloon keeper that she can sing and play the piano, and learns quickly. Soon she marries Johnny Brown, who in a few years will be able to replace the original cigar wrapper wedding ring with a replica in gold and gemstones. The Browns head for Europe and bring a few crowned heads back to Denver for a party that turns into a ballroom brawl. Molly goes to Europe alone, returning on the Titanic. She didn't survive a flood as a baby for the story to end here.

A MODERN MEDIEVAL SAGA, The Wild Hunt tells the story of Erik Magnusson, a young man who decides to follow his estranged girlfriend Evelyn into a medieval re-enactment game when he discovers that she has been seduced by one of the players. As the down-to-earth Erik treks deeper into the game in search of his love, he inadvertently disrupts the delicate balance of the make believe fantasy-land. Passions are unleashed. Rules are broken. Reality and fantasy collide. The good-hearted game turns into a tragedy of mythic proportion... Capturing the culture of costume play and the potentially dangerous intersection of real and made-up worlds, The Wild Hunt is a timely and potent comment on the consuming nature of adopting another identity, even within a game, and the modern yearning for ritual.

On Broadway tells the story of Jack O'Toole, a 30-something Boston everyman, who writes a play about his dead uncle as a way to reconnect with his hard-nosed dad. With no money and just his gut to guide him, Jack quits his job as a carpenter so that he can mount a production of his play on the only stage he can afford: in the back room of his neighborhood pub, on a little street called Broadway.

An early retelling of Cleopatra’s story.

The origin story behind one of Broadway's most beloved musicals, Fiddler on The Roof, and its creative roots in early 1960s New York, when "tradition" was on the wane as gender roles, sexuality, race relations and religion were evolving.

A cross-dressing farce, adapted from "Madame Lucy" by Jean Arlette, in which to help a friend in a lawsuit, Jack Mitchell disguises himself as the mysterious "Madame Brown," a missing witness important to the case of the plaintiff. He attracts the romantic attention of two old roués and one hot Broadway showgirl.

The first of a series of six two-reel "Musical Parade" shorts produced in Technicolor for the Paramount 1943-44 production season. The series would continue into 1948, and then were reissued in the early 50's. Songs included "All the Way" and "At the Mardi Gras."

The ups and downs in the lives and careers of a group of ambitious young actresses and show girls from disparate backgrounds brought together in a theatrical hostel. Centres particularly on the conflict and growing friendship between Terry Randall, a rich girl confident in her talent and ability to make it to the top on the stage, and Jean Maitland, a world weary and cynical trouper who has taken the hard knocks of the ruthless and over-populated world of the Broadway apprentice.

Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!

The Andrews Sisters headline this musical. They play the lead act at a popular nightclub. The trouble begins when they hire a few students from a financially foundering dance school for their newest production. One of the dancers, a rich young socialite, desperately wants to be in it too, but her prurient maiden aunts refuse to allow her to disgrace their family by becoming a common chorine. She and the club owner (who must have the aunt's permission because the girl is underage) try to convince them, but it's not easy.

The famous matinee idol and blackface comedian, Don Wilson, heads out of town to escape adulation. There, calling himself Harry Mann, he accidentally joins a traveling acting troupe, and falls in love with Ginger Bolivar, who runs the troupe and stars in their Civil War melodrama. Don's producer sees the play, and thinks it's a comic masterpiece, and just what Don's Broadway show needs. But when Ginger finds out she's been played for a fool, will she forgive Don?

A chorus girl gets bad advice from her fellow chorines in handling a rich suitor who assumes she is a gold digger.

Broadway showgirl Evelyn Nesbit (Joan Collins) is the object of affection of two men: playboy architect Stanford White (Ray Milland) and wealthy but unstable Harry Thaw (Farley Granger). She marries Thaw, but White’s continued pursuit puts him in the path of Thaw’s volatile temper. Inspired by true events that occurred at the turn of the 20th century.

When a play's two producers are murdered, the playwright tries to solve the crime.

Two private eyes compete to find an heiress and bring her back, unmarried, to New York.

Bounty hunter Jack Walsh heads for a small rural community in Oklahoma to bring back a young bail jumper, only to discover that the entire town has united to defend the young man.

Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.

Based on the autobiography of Brooke Hayward, daughter of famous Broadway producer Leland Hayward and actress Margaret Sullavan, who grows up in the glamorous, cruel and emotionally unstable world of her parents.

Two Bowery vaudevillians find success in producing shows on Broadway, but when one of them suddenly departs to work for a beautiful woman, a feud erupts.

The Swan (1925) is a silent film produced by Famous Players-Lasky and distributed by Paramount Pictures. The film is based on Melville Baker's 1923 Broadway play adaptation, The Swan, of Ferenc Molnar's play A Hattyu Vigjatek Harom Felvonasbarn. This film was directed by Dimitri Buchowetzki, a recent Russian immigrant working for Famous Players-Lasky. Buchowetzki had directed pictures in Russia, Sweden, and Germany. The story of this film was remade in 1930 as One Romantic Night, an early talkie for Lillian Gish, and in Technicolor as a 1956 vehicle for Grace Kelly.

A naive young dancer in a Broadway show innocently gets involved in backstage bootlegging and murder.

This documentary delves deeper into the creation of the Hamilton musical, revealing Lin-Manuel Miranda's process of absorbing and then adapting Hamilton's epic story into ground-breaking musical theater.

Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).

The history of color photography in motion pictures, in particular the Technicolor company's work.

The Final Curtain is a British film from 2002 directed by Patrick Harkins and starring Peter O'Toole. It tells the story of J. J. Curtis, ageing gameshow host played by O'Toole, who hires novelist Jonathan Stitch (Adrian Lester) to pen his biography, in the hope of sealing his immortality in the hearts and minds of the British public. This is made more difficult by his rivalry with fellow gameshow host Dave Turner (Aidan Gillen), and events from his past.

This feature film tells the true story of Charles S. Gilpin; the first black star on Broadway and his leading role in Eugene O'Neill's controversial play, The Emperor Jones.

Lulu Belle is singing in a cheap dive in Natchez, Mississippi in the early 1900's when she meets rising young attorney George Davis. He gives up his fiancée and career to marry Lulu Bell. When his money runs out, Lulu Belle goes to work in a New Orleans club run by tough gambler Mark Brady. She tries to send George back to Natchez by pretending that she has fallen for prize-fighter Butch Cooper but George, in a fit of jealousy, drives a handful of forks into Butch's face. He is sent to prison and Lulu goes to New York with millionaire Harry Randolph, who makes her the singing sensation of Broadway and asks her to marry him. She refuses when she learns that George has been released from prison, realizing that he is the only man she ever truly loved.

Lee Randon, weary of business duties and a conventional home life, acquires a long-lost sense of excitement and romance with young flapper Claire Morris. When he meets her married aunt, Savina Grove, she appears to be the woman he imagines whenever he gazes at a doll he has christened Cytherea, goddess of love -----Cytherea features two dream sequences filmed in an early version of the Technicolor color film process.

A young woman engaged to a millionaire falls for the understudy in a Broadway musical.

This was a screen version of the 1925 operetta by Oscar Hammerstein II, Otto Harbach, Herbert Stohart, and George Gershwin. The story of the movie is about a peasant who is known as "The Flame" who leads a revolution in Russia. This peasant who is in love with a Russian prince saves his life by agreeing to sacrifice her virginity to an evil fellow-conspirator. This was an all Technicolor musical which was had a sequence in Vitascope (a Warner Brother's wide screen process)

The story details the misadventures of two itinerant songwriters named Duke (Crosby) and Cliff (Foy) as they try to survive Army boot camp. Intending to boost the morale of their fellow draftees, our heroes stage a big musical show, which they eventually hope will graduate to Broadway.

Linda Strong, a bookish, frumpy co-ed, is invited to a formal dance as a sorority pledge initiation prank. Her selfish stepsister and guardian, Eileen, refuses to buy Linda a dress and decides that she is too young to attend. Katy, the cook, buys Linda a dress and with the help of Linda's cousin, Marian, conspires to get Linda to the dance. When Linda's friend Suzy tells her that she was invited as a prank, however, she refuses to go to the dance. Without her glasses and wearing stylish clothes, Linda is quite attractive, but she still rejects all the invitations from the fraternity brothers. She is crying outside the house when Chicago opera star Philip Niles arrives and offers to escort her to the dance. Eileen is at the dance with her fiancé John Gilman, who was Marian's boyfriend until Eileen stole him away.

A musical television special chronicling the early career of playwright George M. Cohan, focusing primarily on his vaudeville years as part of his family singing group "The Four Cohans."

Rosalie Lawrence, a dancing star on Broadway, falls for rich Hugh Thompson. His parents disapprove and want him to marry Barbara Royce, so he and Rosalie marry secretly. However, Hugh isn't quite the man he seems, as Rosalie is soon to find out.