Best movies like The School of Lovers

A woman tries to create a relationship with the soap star who is the object of her obsession.

A fresh young beauty becomes an old maid waiting for her suitor to return from the Napoleonic wars. When he returns, clearly disappointed, she disguises herself as her own niece in order to test his loyalty.

In the 1810s, an old maid poses as her own niece in order to teach her onetime beau a lesson.

Ron and Melinda may be happily engaged, but Melinda's scheming brother-in-law Todd doesn't like the thought of a new addition to the family business, so he plans to incriminate Ron at the ultimate bachelor bash in Miami Beach. Between Ron's party-hearty friends and Todd's tantalizing temptations, not to mention a sex addicts convention right in their hotel, it's an outrageously sinful celebration that you have to see to believe!

After tricking him into marriage, a woman tries to win the love of her philandering husband.

A millionaire's son works as a milkman for a month to win a bet with his father. While delivering milk he falls in love with a young debutante whom he mistakes for a maid.

According to the terms of a will two strangers must marry. Leila (Jessie Matthews) is a widow, and Fergus (Ian Hunter) is a Canadian bachelor. Both are bequeathed a fortune, but there is a condition to the receipt of it. The two much marry within a year. To aid matters, Leila disguises herself as Fergus' maid, and the two begin to fall in love. However when Fergus discovers the truth, he is less than pleased by the deception.

A wealthy playboy surreptitiously romances a scullery maid to gain access to her mistress with whom he is in love, but doesn't count on the maid falling in love with him.

A young security guard works the late shift at the Driftwood Inn along with a desk clerk and a married night maid with whom he is having an affair in whatever room is available. Unexpectedly, his brother and his lover, who used to be the guard's girl friend, show up at the motel. Turns out the two have been robbing convenience store and want the guard to join them to steal the motel safe after the Fourth of July when it will be at its fullest. Past history surfaces as jealousies mar the group's plans.

The Bachelor Girl

Dr. Hohner, theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer reminds Hohner of the late diva and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever.

The events that occur the night of a bachelor party are often shrouded in secrecy--until now! The night before Claire and Brad's wedding, Claire sends her friend Tori along to make sure Brad behaves himself. But before the evening is over, a stripper will make off with the cash; a loan shark will have to be paid off; the maid of honor will be kidnapped; and the groom will be held hostage by a sexy dominatrix. But the real question is: will they make it to the church on time?

A society man's loving, devoted wife, upon learning that he has been unfaithful and is planning to leave her for the other woman, strategically pretends to be having an affair of her own. The woman's friends gladly assist in the deception.

When a bachelor party and a bachelorette party cross paths in Vegas, only the best man and maid of honor can save their friends from a night of epic "mistakes."

An irreverent take on Mozart's relations with the three Weber sisters: Louisa, whom he loved, but who didn't love him; Constanza, whom he loved and married; and Sophie, who loved him but whom he didn't love. An anthology of arias from Mozart's operas, in which art comments on life through a cheeky use of back-projection and miming to records.

Alliances are tested when seven college pals reunite to watch two of their own say “I do” at a seaside wedding. But the maid of honor and the groom share a passionate history, and the bride isn’t the only one who’s wondering if it’s all in the past.

An acclaimed actor and his equally acclaimed actress wife, who have been married for less than a year, are already showing signs of strain in their marriage. The actor believes his wife is capable of infidelity and sets out to prove this is so. Disguising himself as the kind of man he believes she fancies (a Russian military officer), the actor woos his wife while she believes her husband to be out of town.

A New York playboy, Wayne Carter, dates wild women until he falls for a hard-working stenographer, Helene Andrews.

Chorus, Corpse de Ballet, Orchestra of the Minnisota Opera, the Whole Schmeer, under the direction of Professor Peter Schickele Based on several of Mozart's most famous Operas including The Marriage of Figaro, Don Giovanni, Cosi Fan Tutti and making fun of everything from Star Wars to the Maltese Falcon this is an Opera only PDQ Bach could have written.

A man who believes that love is more animal and chemical than spiritual, bets that by controlling the circumstances, he can get any man and woman to fall for with each other and get engaged within a month.

Randall Zimmerman (Eric Starkey) is a simple man who loves his job as a parking enforcement officer. When he discovers he is dying, he just wants everything to stay the way that it is. Unfortunately for Randall, his friends and family have other ideas. His best friend Jay (Topher Owen) urges him to "live life to the fullest" by going on crazy adventures. His girlfriend Sasha (Carrie Slaughter) wants to have his baby. And his mother Corinna (Rebekah Turner) tries to save his life with home cooking, yoga, and smothering love. Randall must find a way to help all of them fulfill their needs if he's going to have any chance of achieving his own dying wish -- fixing a meter that's been broken for more than a year!

David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.

For Lauren Daniels, life is good. She is happily married to her husband, Tommy, whom she watches excel in the practice of law. But, after learning about his casual fling with his alluring assistant, Cassandra, everything changes. Triggered by Tommy's deceitful actions, Lauren's emotions become unstable and her behavior escalates from bitterness to pure rage. Her plan is to get rid of Tommy, whom she blames for ruining her life. Her scheme takes a dramatic turn when she comes face to face with the killer.

A dramedy about relationships and fidelity, or the lack thereof. A group of old high school friends, now in their late thirties, get together for the weekend to celebrate the 4th of July, for better or for worse.

The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)

Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.

The stupendous climax to Wagner’s four-part Ring cycle is brilliantly realized by the Otto Schenk/Günther Schneider-Siemssen production and byJames Levine’s monumental conducting. The Met orchestra, chorus, and an all-star cast make this Götterdämmerung one that truly rises to the occasion. Hildegard Behrens’s Brünnhilde must be experienced to be believed, as does Matti Salminen’s richly sung, domineering Hagen. At the center of the drama is Siegfried Jerusalem as Siegfried, who does not realize he has been drawn into a plot of betrayal until it is too late. Christa Ludwig is magnetic as Waltraute and Ekkehard Wlaschiha is a compelling Alberich.

A delightful fairy tale, Mozart's final operatic legacy remains a great work in the spirit of the Enlightenment. Intertwining music of awesome purity and beauty with the conventions of musical comedy, it explores Man's search for truth and his confusion between the forces of light and dark. This production from The Drottningholm Court Theatre is conducted by Arnold Ostman and played on authentic period instruments.

This production was originally staged for the Pepsico Summerfare Festival, The International Performing Arts Festival of the State University of New York at Purchase. Leaving the lyrics in their original Italian, acclaimed American director Peter Sellars transports Wolfgang Amadeus Mozart's "Don Giovanni" to a modern-day metropolis, nestling the opera's beloved characters among the brownstones of New York City's Harlem. Sellars's contemporary retelling of a classic musical tale is one of three performances in a Mozart series that also includes "Le Nozze di Figaro" and "'Così Fan Tutte."

Live performance, new production season 1984-5. BBC 2 Television relay on 30 March 1985 of performance of February 11.

Michael Morda, a young sculptor living in San Francisco, is madly in love with Elinor Hunter, and they plan to be married. When Elinor becomes jealous of Julie Stressman, an old friend of Michael's and one of his models, Michael reluctantly asks Julie not to visit him at his studio. They agree to meet only at the construction site where he is working on a sculpture for which Julie is modeling. When Elinor also shows up at the site, Julie leaves so as to avoid a confrontation, but she is killed by some falling materials. Julie's dying request is that Michael adopt her daughter Mitzi, whose father died years earlier. In order to prevent Mitzi from being taken to an orphanage, Michael lies and says he is her father. Elinor hears this, and without asking questions, leaves him and marries another man the same night.

This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)

DON GIOVANNI is one of the timeless classics of all opera. Mozart’s music, and the words of his great collaborator Da Ponte, are brought to life in Francesca Zambello’s engrossing production with its rich and colourful designs by Maria Bjornson. The music is memorable, dramatic and enjoyable: from the seductive solo voices of the famous ‘La ci darem la mano’ to the fabulous ensemble as Don Giovanni’s infatuated conquests, vengeful victims and their outraged relatives join forces for justice. And retribution does finally come to Don Giovanni, a serial womanizer and a murderer, with the searing flames of Hell ready to engulf him. Simon Keenlyside heads the outstanding cast at the Covent Garden Royal Opera House, conducted by renowned Mozart expert Charles Mackerras.

Mozart's genius in setting to music da Ponte's comic play of love, infidelity and forgiveness marks COSI FAN TUTTE as one of the great works of art from the Age of Enlightenment. Nicholas Hytner's beautiful new production, with its sure touch and theatrical know-how, lives up to its promise to be "shockingly traditional" as Iván Fischer teases artful performances from an outstanding international cast of convincing young lovers.

Pre-code melodrama about high society marriage and fidelity.