Best movies like The World's Most Beautiful Swindlers

Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.

A collection of sketches that tells the story of prostitution through the ages.

Somerset Maugham introduces four of his tales in this anthology film: "The Facts of Life," "The Alien Corn," "The Kite," and "The Colonel's Lady."

Seven short films - each one focused on the plight of a different child protagonist.

Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.

The Men in Black have always protected the Earth from the scum of the universe. In this new adventure, they tackle their biggest, most global threat to date: a mole in the Men in Black organization.

W. Somerset Maugham introduces three more of his stories about human foibles.

Encore is a 1951 anthology film composed of adaptations of three short stories by W. Somerset Maugham: "The Ant and the Grasshopper", directed by Pat Jackson and adapted by T. E. B. Clarke; "Winter Cruise", helmed by Anthony Pelissier, screenplay by Arthur Macrae; "Gigolo and Gigolette", directed by Harold French, written by Eric Ambler. It is the last film in a Maugham trilogy, preceded by Quartet and Trio.

In this Frenco-Italian gangster parody, a shop keeper on his way to an Italian holiday suffers a crash which totals his car. The culprit can only compensate his ruined trip by driving an American friends car from Napels to Bordeaux, but as it happens to be filled with such contraband as stolen money, jewelry and drugs, the involuntary and unwitting companions in crime soon attract all but recreational attention from the "milieu".

In the first episode, Quirino tries to conquer co-worker Gabriella. In the second episode, Prof. Beozi ends up in a raid of the police in a local for homosexuals when trying to avoid a scandal. In the third episode, Guglielmo passes all tests in order to become reader of the television news brilliantly, although the commission works with all subtleness's to exclude him.

The myths of the sixties are satirized in 20 episodes.

Seven directors each dramatize one of the seven deadly sins in a short film. In "Anger," a domestic argument over a fly in the Sunday soup escalates into nuclear war. In "Sloth," a movie star would rather pay someone to tie his shoe than bend over to do it himself, and he can't be bothered to accept a starlet's sexual favors. In "Gluttony," a peasant family on its way to the funeral of a relative who died from indigestion stops regularly to eat and drink en route, arriving in time to eat some more. In "Greed," a high-class prostitute refunds the price of a cadet's lottery ticket. In "Pride," an unfaithful wife finds reason to reform. And so on through lust and envy.

Collection of short films the summaries of which include; a foreign man moving to Italy, getting married and having a child; a four split scene short involving plot-less images of old people with television sets for heads, a beautiful woman having sex, and overall confusion; and an old man reminiscing over his youth.

Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.

A group of tourists on a "once-in-a-lifetime" European vacation try to rekindle their romances with themselves.

Four short films by four different directors dealing with the principles of modern life.

An anthology of four adult tales: a young couple tries to hide their marriage and the wife’s supposed pregnancy from their place of employment; a billboard photo of a scantily clad woman comes to life to torment the local censor; an aristocratic couple comes to terms with life and marriage after the domineering husband is caught visiting sex workers by the press; a lottery is held in which the prize is to spend the night with a beautiful woman.

A collective film of 33 shorts directed by different directors about their feeling about cinema.

Four unrelated short comedies by four different directors. "Queen Sabina"chronicles the sexual misadventures of a teenage girl on the road home. "Queen Armenia" centers on a self-serving opportunistic gypsy babysitter who uses her employer's kids for her own gain. The third episode, "Queen Elena" centers on a husband who learns a lesson about the perils of infidelity after he succumbs to the wiles of the seductive wife next door. The last vignette, "Queen Marta" centers on a wealthy woman who, when drunk, uses her butler as an outlet for her lust.

This semi-amusing sex (romance) comedy has four separate stories: "The Telephone Call", written by Rodolfo Sonego, directed by Dino Risi. "A Treatise on Eugenics", written by Tullio Pinelli from a story by Luciano Salce and Steno, directed by Luigi Comencini. "The Soup", written by Rodolfo Sonego and Luigi Magni, directed by Franco Rossi. "Monsignor Cupid", written by Leo Benvenuti and Piero de Bernardi from a story by Boccaccio, directed by Mauro Bolognini.

A sex comedy anthology containing four stories, each from a different country (England, France, USA and Italy). "An Englishman's Home" "The French Method" "Armando's Notebook" "Skippy"

Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.

A triptych of short stereoscopic films by Peter Greenaway, Jean-Luc Godard and Edgar Pêra. Includes "The Three Disasters" by Godard, "Cinesapiens" by Pêra and "Just in Time" by Greenaway.

Four different directors present lighthearted stories about married Italian couples and their dilemmas with jealousy, sex and love.

Nine episodes about life in Italy in the period just before its economic boom.

"Les quatre vérités" aka "The Four Truths" is a movie anthology that consists of four segments, all loosely parodying fables from the 17th-century French poet Jean de la Fontaine. The US cut usually features only 3 segments.

Film comprised of six vignettes each illustrating one aspect of life in the French capital, each set in a different area of the city.

Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. Fifteen celebrated film-makers were invited to create their own vision of what time means in ten minutes of film.

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.

Slow-burning and smart, French director Rémi Lange's The Road to Love is a romantic tale of self-discovery that also offers a fascinating historical take on homosexuality in northern Africa. French-Algerian sociology student Karim is having trouble finding interviewees for his term project, a video documentary on homosexual relationships in Islamic cultures. As his research progresses, he meets Farid, a handsome flight attendant. In Farid, Karim believes he has found an ideal subject for his film...but he soon begins to admire more than just Farid's insight. When Karim learns that some cultures have accepted and encouraged same-sex unions, he finally begins to face his own sexuality. Set in scenic locales from Paris to Marseilles to Amsterdam (with a brief detour to Jean Genet's grave in Larache, Morocco), The Road to Love is a shrewd and sensual tale of enchantment and desire

Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.

Contre l'Oubli (Against Oblivion) is a compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.

In Passing is a collaboration between seven different filmmakers from around the world in response to Jesse Richards' 2008 Remodernist Film Manifesto.

As Gerard is shooting a documentary in Marrakesh, he turns his camera toward a young Moroccan boy: Saïd. A love story starts and it will bring Gerard all over Morocco. Through encounters, love adventures, youth's memories, Gerard tries to define his destiny so tied to Morocco.

Six stories, six films that follow on from each other; this is a glance at the childhood of renowned directors whose style has marked the history of film. A group of young directors focus their cameras on the story of these filmmakers, these childhood stories that sometimes shape an entire life and thus shed light on their cinematic works. The stories overlap to merge into one film about childhood, filled with emotional wounds, frustrations and encounters.