Best movies like Theodor Hierneis oder Wie man ehem. Hofkoch wird

At the dawn of WWII, several men escape from a Russian gulag—to take a perilous and uncertain journey to freedom as they cross deserts, mountains and several nations.

Documentary on mainland Chinese life. Directed, produced, written, and narrated by Shirley MacLaine, the film follows her First American Women’s Friendship Delegation to China. The delegation consisted of all women, including a four-woman film crew.

Michel and Guenther, working in dead-end jobs, are obsessed with going to Peru to find buried treasure, using a map of the Rio das Mortes. Michel's girlfriend, Hanna, humors their plan, but really just wants to get married.

Nazi historical drama about Duke Karl Alexander of Württemberg and his treasurer Süß Oppenheimer.

Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.

Baal explores the cult of the genius, an anti-heroic figure who chooses to be a social outcast and live on the fringe of bourgeois morality.

A 1983 stand-up comedy film featuring the comedy of Bill Cosby. Filmed before a live audience at the Hamilton Place Theatre, in Hamilton, Ontario. Cosby gives his comedic views on people who drink too much and take drugs, going to the dentist, marriage and parenthood.

Everyweek Newsmagazine editor Richard Kurt pursues famous free-spirited portrait artist Marion Forsythe on her return to the states from Europe, seeking to convince her to write her biography as a feature for his magazine. One of Marion's old beaus, now running for U.S. Senator from their home state, also comes calling.

The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.

Film version of the Neil Simon play has three separate acts set in the same hotel suite in New York's Plaza Hotel with Walter Matthau in a triple role. In the first, Karen Nash tries to get her inattentive husband Sam's attention to spruce up their failing marriage. In the second, brash film producer Jesse Kiplinger tries to get his former one-time flame Muriel to see him for what he stands for. In the third, Roy Hubley and his wife Norma try and try to get their uncertain-of-herself daughter out of the bathroom before her approaching wedding.

The film follows Kaspar Hauser (Bruno S.), who lived the first seventeen years of his life chained in a tiny cellar with only a toy horse to occupy his time, devoid of all human contact except for a man who wears a black overcoat and top hat who feeds him.

This grim German psychological drama unveils the process by which an innocent man can be so damaged by interactions with the criminal justice system that the smallest incident can trigger a murderous fury. Matthias (Matthias Eysen) is already a misfit and has trouble meeting society's expectations. When he is picked up by the police for a minor crime, the brutal indifference with which he is treated wounds him in ways which are not healed by his being found innocent and being released.

Jesus (played by the director) returns to present-day Bavaria, walks around Munich in a somewhat dazed manner and strikes up an affair with a nun, arguing that they are married anyway. Therefore, he refers to himself as "Ober" (waiter), obviously the male form of "Oberin" (Mother Superior). He occasionally transforms into a snake when being afraid and is finally carried up into the sky by the nun, who transforms into a bird of prey. (IMDB review)

This inventive, exhaustive seven-hour film looks at the rise, reign and demise of Adolf Hitler. German director Hans Jürgen Syberberg, who was a child during World War II, doesn't try to recreate history to the letter. Instead, he places his actors -- many of whom play several roles -- on a stage and has them reenact events based on and inspired by Hitler's life. The action combines traditional narration and historical characters, but also idiosyncratic tweaks, like the use of puppets.

This ethereal, three-hour biopic is the middle film in Hans-Jürgen Syberberg’s “German Trilogy” on the mythological foundations of the Third Reich. By fusing theater, music, and cinema, Syberberg conjures up Karl May (1842-1912), the immensely popular German author, who set many of his adventure novels in an idealized version of the American Wild West. His tales of the cowboy and the Ubermensch alike were beloved by many, including (Our) Hitler, who supposedly ordered his generals to read May works after defeats in the Russian campaign.

Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German figures and traditions are stripped of their mythology and interpreted by the Germany of 1972.

Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin Elisabeth of Austria, abandoned by her, tormented by his homosexuality, he will little by little slip towards madness.

Old Nat Moyer is a talker, a philosopher, and a troublemaker with a fanciful imagination. His companion is Midge Carter, who is half-blind, but still the super of an apartment house. When he is threatened with retirement, Nat battles on his behalf. Nat also takes on his daughter, a drug dealer, and a mugger in this appealing version of a really 'odd couple'.

Lola Montes, previously a great adventuress, is reduced to being the attraction of a circus after having been the lover of various important men.

A dramatic retelling of the life of Ludwig II, King of Bavaria, one of the most fascinating monarchs of modern times. From his accession to the throne at the age of 18 to his passionate support of Richard Wagner and his music. From his ingenuous political commitment to his obsessive construction of extravagant palaces and to his gradual withdrawal into a lonely dream world, an epic narrative of breathtaking grandeur.

Director William Dieterle's 1956 film biography of classical composer Richard Wagner stars Carlos Thompson, Yvonne De Carlo, Rita Gam, Alan Badel and Valentina Cortese.

British hunter Thorndike vacationing in Bavaria has Hitler in his gun sight. He is captured, beaten, left for dead, and escapes back to London where he is hounded by German agents and aided by a young woman.

Dorothea Angermann the daughter of a clergyman is accused of the murder of her husband, a brutal man that she was obliged to marry because she was pregnant and he was the father of the baby.

A divorced woman in her thirties fights a losing battle in Munich to attain belated self-fulfillment. The die is cast in a briskly impersonal society geared to male dominance and early training for career women.

A lonely man with an intention of documenting every important detail is planning to kill his ex-girlfriend within 72 hours only to realize things are not as easy as he previously imagined.

Joan Lyons and her friend Patricia Drew are autograph hounds spending most of their day bumping into, and having tea, with the likes of Greer Garson and Walter Pidgeon. Based on misinformation from a meddling old-maid governess, Miss Featherstone, Joan also devotes some time to working on the no-problem marriage of her parents to the extent of hiring Dr. Hercules, the strong man from a side show to pay attention to her mother in order to make her father jealous, despite the good advice received from Walter Pidgeon.

The snow is staying away from the Bavarian ski village of Haunzenberg, and so are the skiers. Business is failing and so is Georg's relationship with Emilie. During his attempt to reignite the fires of passion, the wooden cross in the next room falls down, crushing Emilie's very Catholic mother Daisy. Wracked with guilt, Georg and his drinking buddies hatch a plan to have Daisy canonized by the Church, hoping to save both the village and his relationship. Everything goes according to plan until the Vatican sends a Priest to examine the miracles of Saint Daisy... Written by Anthony Parkhurst

Can a small group of people start a proletarian revolution, asks the "Black Monk" in a leather jacket. The medieval shepherd, Hans Boehm, claims to have been called by the Virgin Mary to create a revolt against the church and the landowners. The "Black Monk" suggests that he would have more success if he dressed up Johanna and had her appear as the Virgin Mary.

Something unthinkable is happening among Hollywood's elite power players... and Oliver Wright is in the midst of it all. A struggling actor, Oliver gets the lead in a movie for a well-known producer. But what starts out as the role of a lifetime turns into a role others would "kill" for!

Hans-Jürgen Syberberg’s epic interview with Winifred Wagner in 1975.

Inspired by the real life events of Mathias Kneißl, a marginal man, son of poor farmers from Bavaria, in the late XIX Century. Mathias stole from the riches to give to the poor, becoming a hero for the rural people, and a popular social rebel. He was chased by the police until his unfortunate sentence.

Life and death of King Ludwig II of Bavaria.

In 1881 Ludwig of Bavaria goes on a cruise on a Swiss lake. He takes with him a famous actor, Josef Kainz, to act out the scenes from a story which took place on the lake, at the actual locations.

A bearded director named EVA, a fictive Rainer Werner Fassbinder, lives in a large house with his cast and crew as he films Dumas' Lady of the Camellias. His accountant informs him he has many unpaid bills and little cash on hand. EVA throws a fit and fires him. He then proceeds to play one person off against another, dismiss with cruelty his recent lover Ali, sleep openly with his leading lady Gudrun, and make a direct and public play for his leading man, Walter. He's mercurial, dictatorial, and manic. Will he finish the film, having drawn great performances from his actors through his manipulations, or will his antics set events in motion that spin out of his control?

In the last years of his life, Bavarian king Ludwig II (1845 – 1886) devotes himself to ambitious architectural projects, which strain the state coffers to the extreme. The monarch, who is afraid of people, also withdraws more and more into a dream world at his various castles. His brother is already in a psychiatric institute and Ludwig is also eventually put under the care of psychiatrist Bernhard von Gudden. The king attempts to get out from under this guardianship at Starnberg lake…

Young women come to Munich for fun and work during the '72 Olympics and invariably wind up naked.

Berta, a naive young maid, searches for love when the army engineers come to town to build a bridge.

A German-language film loosely based on the 1883 operetta Eine Nacht in Venedig (A Night in Venice) by Johann Strauss II. The film was also made into separate Hungarian-language version Egy éj Velencében based on the same screenplay. The two versions were shot simultaneously. The Hungarian version was co-directed by Wiene and Géza von Cziffra and used a separate cast of Hungarian actors. From Wikipedia.

A maniac is loose in London, decapitating his victims and sending the heads to Scotland Yard.

On a cold September morning in 1844 a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world. He is joined by his two brothers and an American epic begins. 163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, and triggers the largest financial crisis in history.

Film adaptation based on the memoir about 29 year-old American-Nigerian chef Kwame Onwuachi.

A psychological interpretation of the opera mixing in references to the history of Germany, Wagner’s life, German literature and philosophy. The action is centered on Wagner’s death mask. Kundry is the main character – one might read the film as the story of her redemption rather than that of Amfortas.

A Teutonic lecher on vacation has a wager with some local peasants that he can't make a walking circle from sunrise to sunset to secure some coveted land. The middle-aged businessman embarks on his journey only to be slowed down by the beautiful reporter Scarabea. With thoughts of drunkenness and sex on his warped mind, the man tries to circumnavigate the parcel of property. The story is a retelling of an ancient folk tale told by Tolstoy where the initial victim bets his soul to Satan against the land he desires.

Die Nacht ("The night") is a 1985 West German installation film directed by Hans-Jürgen Syberberg. It consists of a six hours long monologue performed by Edith Clever, who reads texts by Syberberg and many different authors, such as Johann Wolfgang von Goethe, Heinrich von Kleist, Plato, Friedrich Hölderlin, Novalis, Friedrich Nietzsche, Eduard Mörike, Richard Wagner, William Shakespeare, Samuel Beckett and chief Seattle. The film was screened out of competition at the 1985 Cannes Film Festival. (from: https://en.wikipedia.org/wiki/Die_Nacht)