This is not an actor. This is not a scene.
New Yorker Michael Connor attempts to find the woman who left him by making a film about her, hoping that someone (maybe you?) will recognize his ex and convince her to get back together with him.
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Johnny Rizzo, is about to trade his dream job in talk radio for some snooze-ville gig that'll pay enough to please his fiance. Enter Uncle Terry, a rascally womanizer set on turning a weekend in the Hamptons into an eye-opening fling for his nephew. Nice guy Johnny's not interested, of course, but then he meets the lovely Brooke, who challenges Johnny to make the toughest decision of is life.
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A group of thirtysomethings having problems with fidelity gets an opportunity to turn back the clock.
David Holzman's Diary
A young filmmaker decides to make a movie about his day-to-day activities in an attempt to understand himself and get his life back in order. A precursor to reality television and vlogs.
The Break-up Artist
A woman who gets paid to break people up is forced to become a matchmaker when some new competition muscles her out of the break-up business. Now, in order to save her company (and keep her high-priced wardrobe) she'll have to rely on her old nemesis: love.
Free Enterprise
Young filmmakers trying to hawk a movie titled "Bradykillers" about a serial killer who goes after victims Marcia, Jan, and Cindy meet their screen idol, William Shatner. The two young men, who idolize him and in their fantasies have seen him as a shadowy fairy godfather figure, are alarmed at the reality of the middle-aged non-Captain Kirk man that they meet.
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An actress dumps her boyfriend when she gets a television show. He finally gets over the breakup and falls in love again, just in time for his ex to return -- wanting him back.
See You in September
Feeling abandoned by her therapist who's gone on an extended vacation, beautiful Lindsay gets help with her fear of commitment from an ad hoc support group formed by other New Yorkers also left high and dry by their shrinks. But when her pals dare her to date fellow group member A.J., Lindsay begins to wonder if she's finally found her match.
All Relative
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A lonely plumber poses as a movie director to meet women, and the writer whose script he's stolen builds on his ruse to get her movie made.
Puccini for Beginners
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Smiling Fish & Goat On Fire
Two brothers share a house in LA's Fairfax district: Tony's a feckless actor, Chris is an accountant. Both are in relationships on rocky ground. As these emotions swirl, Tony meets his US Postal Service letter carrier, a single mom named Kathy who's come to LA from Wyoming with her daughter, a budding actress. Chris meets Anna, an Italian beauty working in the States for a few months wrangling animals on movie sets. Chris also befriends Clive, an aging and crusty man whose longing for his recently-deceased wife is a portrait of true love. Can Clive's example help Chris sort out his love life, and can Tony grow up enough to see the possibilities with Kathy and her daughter?
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That Girl
That Girl is an American sitcom that ran on ABC from 1966 to 1971. It stars Marlo Thomas as the title character Ann Marie, an aspiring actress, who moves from her hometown of Brewster, New York to try to make it big in New York City. Ann has to take a number of offbeat "temp" jobs to support herself in between her various auditions and bit parts. Ted Bessell played her boyfriend Donald Hollinger, a writer for Newsview Magazine; Lew Parker and Rosemary DeCamp played Lew Marie and Helen Marie, her concerned parents. Bernie Kopell, Ruth Buzzi and Reva Rose played Ann and Donald's friends. That Girl was developed by writers Bill Persky and Sam Denoff, who had served as head writers on The Dick Van Dyke Show earlier in the 1960s.
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Four women juggle love, careers, and parenthood. They support, challenge, and try not to judge each other as life throws them curveballs. Whether it is an identity crisis, a huge job opportunity, postpartum depression, or an unplanned pregnancy – they face both the good and bad with grace and humour.
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In a uniquely hilarious odyssey of self-discovery and cultural observation, documentary filmmaker and self-described "anxious New Yorker" John Wilson covertly and obsessively films the lives of his fellow New Yorkers while attempting to give everyday advice on relatable topics. The awkward contradictions of modern life are eased by Wilson’s candid, unpolished commentary. Building upon Wilson’s previously released "how to" short films, each episode takes wildly unexpected turns but is grounded in John's refreshing honesty.
A Thousand Clowns
Twelve-year-old Nick lives with his Uncle Murray, a Mr.Micawber-like Dickensian character who keeps hoping something won't turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle's iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle's willingness to cave in to society in order to save the relationship.