To The Contrary

Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.

Peter Nichols adapted his own hit play to the screen, based on his experiences in hospitals. A riotous black comedy that's as timely today as ever, it contrasts the appalling conditions in a overcrowded London hospital with a soap opera playing on the televisions there. In an ingenious touch, the same actors appear in the "real" story as well as the "TV" one, thus blurring the distinctions even further. Jack Gould directs such outstanding British actors as Lynn Redgrave, Colin Blakely, Eleanor Bron, Jim Dale, Donald Sinden, Mervyn Johns, and, in only his second film, Bob Hoskins. The renowned Carl Davis composed the score.

Canadian director Catherine Annau's debut work is a documentary about the legacy of Pierre Trudeau, the long-running Prime Minister of Canada, who governed during the 1970s. The film focuses particularly on Trudeau's goal of creating a thoroughly bilingual nation. Annau interviews eight people in their mid-30s on both sides of the linguistic divide. One tells of her life growing up in a community of hard-core Quebec separatists, while another, a yuppie from Toronto, recalls believing as a child that people in Montreal got drunk and had sex all day long. Annau has all of the interviewees discuss how Trudeau's policies affected their lives and their perceptions of the other side, in this issue that strikes to the heart of Canada's national identity.

Archival footage, animation, and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.

John Cassellis is the toughest TV news reporter around. After extensively reporting about violence and racial tensions in poor communities, he discovers that his network is helping the FBI by granting them access to his footage to find suspects.

From two-time Emmy winner Robyn Symon comes an intriguing documentary which offers an intimate look at Werner Erhard, founder of the est program that sparked today's multi-billion dollar personal growth industry. In his first interview in more than a decade, Erhard gives a rare glimpse into the controversy surrounding his life and the est Training -- the program that has inspired millions of people all over the world.

A decade after An Inconvenient Truth brought climate change into the heart of popular culture comes the riveting and rousing follow-up that shows just how close we are to a real energy revolution. Vice President Al Gore continues his tireless fight, traveling around the world training an army of climate champions and influencing international climate policy. Cameras follow him behind the scenes—in moments private and public, funny and poignant—as he pursues the empowering notion that while the stakes have never been higher, the perils of climate change can be overcome with human ingenuity and passion.

This Fox Film comedy – based on a play by Argentinean writer Julio Escobar – features an international cast that includes actor and singer Raúl Roulien and his fiancée in both the movie and real life, actress and dancer Conchita Montenegro. The plot centers on Ricardo Randall (Roulien), who concocts a scheme to establish an insurance policy to protect men from their wives’ infidelity. The plot thickens when Ricardo’s secretary and love interest, Camelia Cornell (Montenegro), is faced with the return of Rita Martín (Maris), a former lover of Ricardo, whose husband Eduardo (Moreno) has purchased an insurance policy on her. The film features tango songs performed by Roulien, with lyrics by Spanish playwright Enrique Jardiel Poncela, who also collaborated on the film’s screenplay.

Documentary look at the 1996-97 effort of the dancers and support staff at a San Francisco peep show, The Lusty Lady, to unionize. Angered by arbitrary and race-based wage policies, customers' surreptitious video cameras, and no paid sick days or holidays, the dancers get help from the Service Employees International local and enter protracted bargaining with the union-busting law firm that management hires. We see the women work, sort out their demands, and go through the difficulties of bargaining. The narrator is Julia Query, a dancer and stand-up comedian who is reluctant to tell her mother, a physician who works with prostitutes, that she strips.

For more than 70 years, the UN has been at the forefront of work to uphold human rights and promote global peace. But what happens when the fixer of the world’s problems is itself faced with allegations of wrongdoing and corruption? What happens when UN staff try to call out their own managers and colleagues?

The fighting between the Sandinista government in Nicaragua and the Contra rebels backed by U.S. money and expertise is the focus of this pro-Sandinista film by Haskell Wexler. On a secret mission to help the U.S. Special Forces train Contra rebels in the jungles of Nicaragua, American soldier Eddie Guerrero begins to question the morality of the task at hand and consider how his actions may influence the fate of a nation.

A dramatic look at the inner workings of the Kennedy administration.

The Grand Hotel formula that was so overworked in the 1930s made an encore appearance in 1940's Escape to Glory. The story is given timeliness by placing the characters on a British merchant ship on the very day that World War II is declared. The ship is attacked by a Nazi U-Boat, resulting in a variety of reactions from the diverse passengers--one of whom (Erwin Kalser) is a German doctor. Constance Bennett is glamorous, Pat O'Brien is boozy, John Halliday is pensive, and everybody else (except for the German medico) is plain fearful.

Why do over 1,000 New York City schoolchildren audition for a modern dance program that requires them to sacrifice free time and involvement in sports and music? For a chance to study with the charismatic Jacques d'Amboise at the National Dance Institute. His philosophy--that creativity exists within everyone and that trying one's best ensures success--forms the foundation of a unique dance program. This documentary chronicles one school-year-long program including initial auditions, rehearsals, and the creation of an exclusive "SWAT" team, and culminates in an amazing, year-end performance at New York's Felt Forum. D'Amboise's enthusiasm is infectious--children, parents, teachers, professional dancers and musicians, and even local law enforcement officers find themselves involved in his productions. This Academy Award-winning documentary details the inspiring story of how one talented dancer's vision flourished into a coveted New York City dance program.

Filmed over the last six months of the 2000 Presidential election, Phillip Seymour Hoffman starts documenting the campaign at the Republican and Democratic National Conventions, but spends more time outside, in the street protests and police actions than in the orchestrated conventions. Hoffman shows an obvious distaste for money politics and the conservative right. He looks seedier and more disillusioned the campaign progresses. Eventually Hoffman seems most energized by the Ralph Nader campaign as an alternative to the nearly indistinguishable major parties. The high point of the film are the comments by Barney Frank who says that marches and demonstrations are largely a waste of time, and that the really effective political players such as the NRA and the AARP never bother with walk ins, sit-ins, shoot-ins or shuffles. In the interview with Jesse Jackson, Hoffman is too flustered to ask all of his questions.

The sparkling notes of a trumpet fanfare and the familiar logo of the sun alert viewers that it's time for CBS's Sunday morning staple. Journalist Jane Pauley helms the show, taking over hosting duties from Charles Osgood, who spent 22 years on the job. A morning talk show, this program airs at a different pace and focuses much of its attention on the performing arts. After a quick update of the day's news and national weather, correspondents offer longer-length segments on a variety of topics, from architecture to ballet to music to pop culture to politics.

A series that delivers a timely thought-provoking, eye-opening and inspiring block of programming designed to help viewers awaken to their best selves and discover a deeper connection to the world around them.

Special Report with Bret Baier is an American television news and political commentary program appearing on Fox News Channel, currently hosted by Bret Baier. It airs live each Monday through Friday at 6:00pm ET. The show focuses on both reporting and analysis of the day's events, with a primary focus on national political news. The show has been a part of the Fox News program lineup since 1998 and is the number one cable news broadcast in its time slot. Brit Hume hosted the show from its debut in 1996 until his retirement in December 2008. He has since appeared on the program as a panelist commentator.

Examines how politicians have used our fears to increase their power and control over society.

A United States daily progressive, nonprofit, independently syndicated program of news, analysis, and opinion.

The BBC News at Ten is the flagship evening news programme for British television channel BBC One and the BBC News channel. It is presented by Huw Edwards, and deputised by Fiona Bruce. It is the final comprehensive news programme of the day on BBC One. The programme was controversially moved from 9:00pm on 16 October 2000. It is broadcast Monday to Sunday at 10:00pm. It features twenty-five minutes of British national and international news, with an emphasis on the latter. On weekdays, it incorporates around seven minutes of news from the BBC regions around the country at approx 10:25pm to 10:30pm, which is then followed by a national weather forecast. During the first three months of its revival, ITV News at Ten averaged 2.2 million viewers compared with an average of 4.8 million viewers watching the BBC bulletin over the same period. The BBC News at Ten is currently the most watched news programme in Britain, averaging 4.9 million viewers each night.

Hosted by Nicolle Wallace, this program provides in-depth reporting and dynamic discussions on the political stories driving the news cycle. Nicolle Wallace brings viewers the latest political developments of the day, in addition to interviews with leading newsmakers and influential politicians. Drawing on her years of experience as communications chief for President George W. Bush and senior advisor for the McCain-Palin campaign, Wallace provides political insight and clarity on where key decision-makers stand on complex issues.

The Five is an American talk show on Fox News Channel featuring a rotating panel of contributors who discuss current political issues and pop culture. The show premiered in July 2011, replacing the Glenn Beck program, and airs on weekdays at 5:00 p.m. ET with replays at 2:00 a.m. ET. On October 3, 2011, after successful ratings and high popularity, Fox News announced that The Five would become the permanent 5p.m. series, as the program was previously announced to last only during the summer. The Five is currently the second-most-watched program in all of cable news in the United States, placing only behind The O'Reilly Factor.

This five-part series traces the story of Asian Americans, spanning 150 years of immigration, racial politics, international relations, and cultural innovation. It is a timely, clear-eyed look at the vital role that Asian Americans have played in defining who we are as a nation. Their stories are a celebration of the grit and resilience of a people that reflects the experience of all Americans.

Abby Phillip leads an in-depth conversation on some of the week's important political story-lines, with a diverse set of analysts and news-making interviews.

The Wright Stuff is a British television chat show, hosted by Matthew Wright, and airing on Channel 5 each weekday morning from 9:15 to 11:10am. The series characterises itself as "Britain's brightest daytime show", which "gives ordinary people the chance to talk and comment on everything from the invasion of Iraq to social, emotional and even sexual issues back at home", as well as featuring "showbiz stars and media commentators". The Wright Stuff has been nominated as "Best Daytime Programme" at both the Royal Television Society and the National Television Awards. The show first aired on 11 September 2000 and was created at Anglia Television who produced it for two years until their takeover by Granada. It is now produced by Princess Productions who also produced the short-lived The Vanessa Show.

Each week, ABC News’ correspondents will leave the anchor desk and studios behind, taking viewers on a journey straight to the source of the stories everyone is talking about, plus the ones no one has even heard of yet. The program’s timely reporting will dive deep into the issues driving the conversations across America and spotlight real people affected by current events featuring hard-hitting investigative reports and profiles of newsmakers from around the globe.

AMERICAN MOMENTS introduces hot topics and focused issues through in-depth conversations with experts and authorities in various and diverse fields.

In the midst of unprecedented national prosperity in the 1960s, poverty was "rediscovered" by American policy makers, media and the public. This series examines how the poor fared during these years and the resultant evolution of foundation and public sector programs addressing the challenges of poverty.

The Journal Editorial Report is a weekly American interview and panel discussion TV program on Fox News Channel, hosted by Paul Gigot, editorial page editor of The Wall Street Journal. Prior to moving to Fox News, the show aired on PBS for 15 months, ending on December 2, 2005. Opening with a newsmaker of the week, Gigot usually interviews a guest for the first half of the program, asking questions related to the writings of the guest or a current event of interest to the guest. Following the guest segment, the program becomes a panel discussion of Wall Street Journal editorial writers giving their opinions on the political, economic, and cultural issues of the current week. The final segment labeled Hits and Misses lets the panelists comment on the best and worst stories or events of the week. The program is broadcast Saturdays at 2:00 p.m. and 11:00 p.m. and Sundays at 6:00 a.m. The transcript of each show appears on OpinionJournal.com on the following Monday. The political point of view of the panel is primarily libertarian, reflecting the "free markets and free people" philosophy of the editorial page of the Wall Street Journal.