Best movies like To the New Girl

It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.

Marital comedy with a dash of murder.

A café in Chicago, 1942. On a rainy night, veteran reporter Homer Howard tells an increasing audience the story of Roxie Hart and the crime she was judged for in 1927.

Two real-life lesbian actresses meet by chance when they are cast as lovers in a local stage play, and end up actually falling in love. Robin, who is married to her girlfriend for half a dozen years, and Lacie, someone who never had a lasting relationship, are both cast to play lesbian lovers in a Los Angeles stage play. Innocently, the stage director, Gabriel runs the actresses through a series of rehearsals designed to "bring out the intimacy" in each performer. Soon the two women find themselves increasingly and undeniably attracted to each other and overcome with desire. They must ask themselves whether this relationship is manufactured, created for the sake of the "girl play", or is true love.

Room Full of Spoons is an in depth documentary about the cult film that is widely accepted as the worst film ever made: The Room, and it’s eccentric creator Tommy Wiseau. Referred to as “The Citizen Kane of bad movies” by Entertainment Weekly, The Room grossed only $1800 during it’s initial box office run. Against all odds, Mr. Wiseau’s disastrous film found a new life on the midnight movie circuit and now plays to audiences around the world making it one of the most adored and important films in popular culture. Follow Rick Harper and his team on their journey across the Globe as they experience this midnight movie phenomenon, meet with the entire cast and crew of the The Room and piece together the story behind the mysterious Tommy Wiseau. The film has not yet received a full release due to legal action taken by Wiseau against the filmmakers.

This is the story of Spalding Gray and his attempt to write a novel. It is a first person account about writing and living, and dealing with success while trying to be successful.

An omnibus film featuring nine works by emerging filmmakers of color, Who Will Start Another Fire is the inaugural project of Dedza Films, a distribution initiative focused on showcasing underrepresented communities and the next wave of international storytellers.

‘Shakedown’ was a series of parties founded by and for African American women in Los Angeles that featured go-go dancing and strip shows for the city’s lesbian underground scene. Inspired by transwoman Mahogany who, as the mother of the scene, presided over queer strip shows and balls for non-heterosexual audiences in the 1980s, butch Ronnie Ron created, produced and presented the new shows. In them, the largely female clientele from the ‘hood’ slipped dollar notes into lap dancers’ panties while celebrating lesbian sexuality to pulsating hip-hop beats.

In this all-black cast short, legendary blues singer Bessie Smith finds her gambler lover Jimmy messin' with a pretty, younger woman; he leaves and she sings the blues, with chorus and dancers.

On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.

A husband and wife are forced to re-evaluate themselves and their relationship through the reality of the Covid-19 lockdown.

Seven mini-stories of adultery: "Funeral Possession," a wayward widow at her husband's funeral; "Amateur Night," angry wife becomes streetwalker out of revenge; "Two Against One," seemingly prudish girl turns out otherwise; "Super Simone," wife vainly attempts to divert her over-engrossed writer husband; "At the Opera," a battle over a supposedly exclusive dress; "Suicides," a death pact; "Snow," would-be suitor is actually a private detective hired by jealous husband.

In modern-day London, three men (Craig Ferguson, Jimi Mistry and David Morrissey) and three women (Olivia Williams, Jane Horrocks and Catherine McCormack) fall in and out of love and back again, to the Greek-chorus accompaniment of two cab drivers, who engage in an ongoing conversation about sex. A winning romantic comedy, Born Romantic is the second feature by British writer-director David Kane of This Year's Love fame.

Filmmaker Grace Lee leaves her Missouri home to travel the country and talk with an array of women who share her name.

Privilege is an intelligently conceived, boldly anarchic, and wickedly insightful exposition on the culturally ingrained and socially divisive malaise of isms that artificially define and characterize empowerment in contemporary society: ageism, sexism, economic elitism, and racism. Yvonne Rainer conveys texture through the intercutting of archival footage, video, and film - as well as compositional layering through the film-within-a-film structure, elliptical (and self-referential) fusion of past and present, and the filmmaker's idiosyncratic penchant for superimposed typed text.

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

The Anthony Newley/Leslie Bricusse London and Broadway musical hit Stop the World, I Want to Get Off is given literal treatment in this filmization. Newley stars as Littlechap, whose allegorical rise to success is countered by the instability of his private life. Like the play, the film is staged impressionistically, with Newley decked out in mime makeup and periodically stopping the action to address the audience, and with all the women in his life -- German, American and "Typically English" -- played by a single actress (Millicent Martin, taking over from the stage version's Anna Quayle). In Wizard of Oz fashion, the play itself is lensed in color, while the brief prologue, showing the actors preparing for their performance, is in black-and-white. The production includes such standards (and perennial audition pieces) as What Kind of Fool Am I? and Gonna Build a Mountain.

All seems normal with Joseph and Joanne. Joanne is pregnant with their first child. Life in their little urban house is cozy and familiar. But something is off about Joseph. He doesn’t seem excited about the baby. Work on his documentary is becoming increasingly untethered. As Joseph struggles to maintain the routines of his domestic life, his mask begins to slip. Late at night, while Joanne thinks he is working, Joseph prowls the streets of Los Angeles, deliberately courting danger. Joanne is growing worried about Joseph’s odd behavior. But not as worried as she should be.

College student Ella is completely focused on her ambiguously romantic relationship with her dorm-mate, Chris. She is so consumed by trying to understand his behavior that she's neglecting the screenplay she is supposed to write in order to graduate. When she does sit down to work on the script, her increasingly awkward social life bleeds onto the page and her work begins to express her true feelings about her own situation.

A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.

Iris is broke after her divorce and takes a job working as a housekeeper for a wealthy woman named Paula. When Paula and her husband separate, an unlikely friendship blossoms between the women.

Three stories of murder and the supernatural: A museum worker is introduced to a world behind the pictures he sees every day. When two lifelong friends fall in love with the same woman and she is killed, they are obvious suspects. Is their friendship strong enough for them to alibi each other? When a young politician is hurt by the arrogant Secretary for Foreign Affairs Lord Mountdrago, he uses Mountdrago's dreams to get revenge.

Mary Haines's life falls apart and her social circle shatters after her husband's affair is revealed. Filmed version of the 2001 Broadway revival with the original cast reprising their roles.

Locked away in the Jewish ghetto of an occupied Ukrainian town in 1941, a mother revisits her life in a last letter to her son.

This controversial work, created and performed by Eve Ensler, debuted off-off-Broadway in 1996 and soon rode a wave of national acclaim. Now, the intimacy of Ensler's original show has been lovingly brought to the screen. Capturing her unique performance, the film also follows Ensler as she explores the creative impetus behind the monologues and conducts a series of new interviews as inspiring as those that brought about the original work

A hybrid doc/narrative following Tony winning performer and comedian Sarah Jones. As a mixed-race Black woman in America, Sarah, alongside the multicultural characters she's known for, explores her own personal relationship to one of the most relevant issues in our current cultural climate: the sex industry, and the surprisingly diverse range of people whose lives it touches. Through interviews and monologues, this film poses the question: how can we as a society have a healthy relationship to sex, power, race and our economy, without exploitation or stigma? The goal is not to prescribe solutions, but to highlight the human faces and voices at the center of this subject.

Julia Sweeney tells the viewers the monologue about the hard time in her life when her brother fought with cancer and she was also diagnosed with a rare form of cancer.

Giving creatives the chance to step outside the box while being confined to their own homes, the filmmakers behind With/In range from seasoned directors to first-timers, all provided with the same iPhone and basic gear to bring their visions to life.

With a case of writer’s block, a children’s author escapes to small town Mitford for a change of scenery. She soon finds the heart and soul of the southern town in a priest as they work together to care for a young boy who’s lost his family. With heartbreak in their pasts, each must find the courage and faith to grab an unexpected chance at true love.

A feature-length multimedia performance in which filmmaker Zia Anger interacts with media on screen and the audience using real-time text, spontaneous Google searches, audience directives and AirDrops. Through the performance, Anger probes and dissects her “abandoned” works to re-imagine the relationship between the audience, the filmmaker, the movie theater and cinema and erases the line between a filmmaker’s corporeal body and their body of work. A vital, singular, innovative work that explores what it means to be a woman and an artist, the project showcases Anger’s sensibilities and pushes the boundaries of cinematic experience.

A monologue of a woman talking on the phone with her longterm lover who is about to marry another girl.

Three first-time filmmakers, Justin, Dana and John set out to make a documentary about the hardships of inner-city life. Justin follows two NYPD officers while Dana and John focus on Thomas (a black youth poised to move up from his hardships). Stories merge, relationships corrode and the filmmakers become participants in the underground world they set out to document.

Suzie, a 58 year old depressed taxi driver on the night shift. On Halloween, she finds a 10 year old autistic boy in the back seat of her taxi with 50$ and an address. As Suzie arrived at the father's address, she realizes the mess this family is in. This child and her own troubled past lead her down a surprising road. In French with English subtitles.

Meant primarily as TV fare, this standard, song-filled romantic drama stars Louis Prima as himself, and his real-life wife Keely Smith as Dorothy Spencer, a devout woman with a good singing voice. Dorothy is active in her local parish which like all parishes, is constantly thinking of ways to raise funds. One of the needy projects is a boys' camp, so when Dorothy is approached by Louis Prima to sing with his band she agrees only on one condition -- that he perform a concert benefit for the parish church and boys' camp. The interactions between Dorothy and Prima lead toward romance and a happy ending, as well as a popular album with the same title song featured in this film. ~ Eleanor Mannikka, Rovi (NY Times Review).

FrackNation is a feature documentary that aims to address what the filmmakers say is misinformation about the process of hydraulic fracturing, commonly called fracking.