Best movies like Tornare

Giorgio with some friends rehearses a show of Neapolitan songs financed thanks to an elderly artist. Having come to quarrel with the landlady, Giorgio rented a room with a good woman who lives with her beautiful daughter Maria. Love soon arises between the two.

When her elderly mother is found dead under sordid circumstances, Delia returns to her native Naples for the first time in years to attend the funeral. Trying to piece together her estranged mother's secret life, she has to face the hidden memories that shaped their family history.

Set in Milan, where people's lives are invisibly lead by money in its different shapes: too much, too little, stolen, earned, visible and even impalpable. The money flows from one story to the next, from one person to the other, becoming the engine of the film.Everything moves around two antagonist characters: Ugo and Rita. Ugo is a banker involved in a not really clean business. Rita, the Finance Police officer, is a strong and obstinate woman in charge of capturing Ugo. Other characters wander around them, with their weaknesses and fragility, their goodness, their evil and their contradictions. Characters meet, clash, love and hate each other, their lust for money becomes intense feelings.

The story of a man who murdered thirty-two people, gained power, and then got afraid because too many people wanted to kill him. One August morning, he disappeared. For fifteen years, everyone believed him dead.

Italian-French costume dramedy that takes place in France in the end of 18th Century during the French Revolution. It is "The Marriage of Figaro" meets "The Dangerous Liaisons" and it tells the story of two women, Mathilde Seurat, the actress and Julie Renard, the aristocratic wife and a mother (Delphine Forest plays both) with the same face who came from the different parts of society and at one point exchanged their identities and their lives. The movie also features Giancarlo Giannini and great Vittorio Gassman.

The impossible love between one prostitute, managing a bunch of handicapped prostitutes, and the homosexual Adamo. In the horrible suburb of Napoli we can follow among fantasy, mythology and reality the absurd life of the protagonists.

The complicated travails of several generations of Italian women provide the basis for this drama that is based on a novel by Susanna Tamaro. It begins with the peaceful death of Olga, the elderly family matriarch. Marta, her granddaughter returns from the US to attend the funeral and once in Olga's villa in Trieste, begins reading her grandmother's diary. Olga's story unfolds via flashback. As a young woman, Oldga had to marry Antonio a man she didn't love. Later she became passionately involved with a handsome doctor at the local spa. He impregnates her and shortly thereafter dies in a terrible car wreck. The result of their love is Illaria, who grows up to be terribly neurotic. She bears Marta and then she too dies in an automobile accident, leaving Marta to be raised by Olga.

From childhood to fatherhood, Piero learns things the hard way while growing up in a working-class neighborhood of Livorno.

Anna learns in prison that her mother has passed away in Seattle. Prison officials grants Anna a three day furlough to attend her mother's funeral. Anna embarks on a long trip to Seattle. Hoon is a Korean immigrant who works as a gigolo. Hoon is now on the run from a wealthy client's furious husband. These two seemingly lost souls are about to share three memorable days together.

Racial integration is Elena's profession and passion, not only filling her working day as a cultural mediator assisting immigrants, but spilling over into her home life as well. All too often her husband Carlo must attend charity events where he feels distinctly out of place. During one of these evenings, Carlo meets Nadine, a beautiful black woman.

After the Allies liberate Naples in 1943, life for the locals is not much easier, especially for women. Many sacrifice their dignity and morale to survive.

Sabina has a regular life. She is satisfied with her job and her love for Franco. Lately nightmares start disturbing her, and almost in the same time she discovers to be pregnant. Step by step she remembers her childhood spent within a severe middle-class family. But a big secret is hidden within her heart. Sabina wants to contact again her brother, a University teacher in the US, to try to understand what is happened in their past. What is the secret? She is determined to bring clarity and serenity in her life. She finally manages to free herself from her "beast in the heart".

An acclaimed novelist struggles to write an analysis of love in one of three stories, each set in a different city, that detail the beginning, middle and end of a relationship.

A rich Italian's shocking suicide means different things to his twin brother, mother and pregnant lover.

Ruby has been trained in martial arts by her father and now has a job safeguarding a wide range of people and their valuables. A clumsy artist named Adelmo falls for Ruby at first sight but remains clueless about her profession. Things are complicated by Adelmo’s French neighbor and sometime model having a crush on him, and Ruby’s father trying to hook up his daughter with various body builders while putting the moves on the French girl.

After the matriarch dies, an Italian immigrant family in America disintegrates. The son tries to steal their money, and the father yearns to return to a less stressful existence back in Naples.

In a Naples suspended between magic and superstition, madness and rationality, a mystery envelops the existence of Adriana, overwhelmed by a sudden love and a violent crime.

The story of two men, both named Antonio Pisapia, who are on the decline and lead strangely parallel lives. One is a pop singer whose success ends after a sex scandal; the other is a football player whose career is cut short by an injury.

An unexpected pregnancy and premature birth become a burden that Maria is unprepared for. Lacking control over events for the first time in her life, she retreats into an emotional space where she is alone, until the day arrives when she must learn to live again for the sake of her vulnerable child.

One of the key factors in Italian unification was the overthrow in 1860 of Francesco, the King of Naples and the two Sicilies, who went into elegant but impoverished exile in Rome with his Queen, Maria Sofia. This seriocomic drama follows the deposed royals as they adapt to their new lives. The former king has recognized the political finality of his deposition, but his queen has taken to traveling in men's clothing all over Italy trying to foment an uprising to restore them to the throne. She is also frantic to have a baby, an heir, but the king has become celibate as a kind of homage to his beloved mother; he spends all his time lobbying the Vatican to get her declared a saint.

A drug deal goes bad and the heroin is stolen. One mob boss doesn't have his drugs and the other doesn't get his money. People are going to die until they discover who double-crossed them. Into this backdrop, Inspector Dario Mauri arrives from Milan to help clean-up Naples. His mission – find the drugs and stop the killing.

An American lawyer's wife is reunited with her child and his father, an English nobleman.

Martina lives in the Rome's zoo, because her father is the guardian. She becomes friend with a young Slavic escaped from a gypsy camp. When the police arrives searching for the kid, they run away riding an elephant!

Through the childhood and the adolescence of Giacomo Casanova (from his memoirs), this is a description of how people live in the Venice of the 18th century: customs, habits, medicine, religion and most of all - the omnipresence of hypocrisy. Written by Yepok

Lucia and Maria are two best friends, who have known each other from the beginning of their life, but have very different tastes and behaviors. Lucia is done with men, Maria, on the contrary, cannot be without one. One night, the perfect man shows up in Maria's bed: handsome, sensible, mature and passionate.The next morning brings up misunderstandings and lies which make the two friends split up and take a break for themselves. Maybe that young man met by chance is really the one every woman is looking for, because with his simple theories he manages to paint the perfect picture of the two women's lives.

Three sexy and comic episodes.

This movie is based on the true story that made headlines all over the world: the story of a relationship gone sour between a Japanese man very much in love with a French model. Some time later, it was discovered that the woman was turned into "sushi." At that time the man had already eaten a few body parts. To the arresting officers in Paris, he justified his acts as a proof of profound passion. In the late 80's many books and films find inspiration by the sinister love story.

A middle-aged artist (Ben Gazarra) sketching on the beach witnesses a young woman (Ornella Muti) being rescued from drowning. He loans her a blanket. Later she returns the blanket and they have sex several times, but she always leaves right afterward, leaving the man to wonder who she is and where she goes. Things become more complicated as he begins to fall in love with her, and after his regular girlfriend (Mimsy Farmer), with whom he has a curiously open relationship, returns. He eventually begins to realize his mysterious new lover may be very much insane.

In 1838 in the kingdom of Naples and the Two Sicilies, Malacarne, gamekeeper of Baron San Germano, kills the bandit Caruso, whose widow gives birth to Giovanni and at the same time becomes the nurse of Costanza, San Germano’s orphaned daughter. Thirteen years later, Giovanni and Costanza fall in love to the jealousy of her uncle, who shuts her in a convent, ordering Giovanni to be killed by Malacarne who has meanwhile become a bandit. Barely alive, Giovanni is taken away by Bourbon soldiers. After Garibaldi’s arrival in Sicily and its union with Italy, Costanza is freed from the convent and returns to San Germano. She is visited by Giovanni and although still loves him, rejects him since she wishes to become a nun. In the meantime, Giovanni kills Malacarne and takes his place. Costanza marries the rich Lo Turco and the next day departs for Naples, but during the journey the carriage is attacked by Giovanni’s band. Costanza flees with him and they leave for America.

Thirty years of Neapolitan history (from 1942 to 1972) through the ups and downs of the Cavioli and Pagano families.

The lively goings-on of a modern family seen trough the eyes of a young girl just about to receive her first Communion.

Every Thursday a group of ladies would gather to play cards and discuss their loves, lives and children while their daughters played in the next room. Thirty years later, the daughters meet at a funeral for one of the mothers. Like their mothers, they discuss their hopes, dreams and fears.

After many years of living abroad, a troubled young man returns home due to the death of his father (who he suspects was actually murdered). He attempts to untangle that mystery while still carrying an unhealthy obsession toward his mother, who committed suicide ten years ago. This obsession then draws in his attractive cousin and takes a sexual turn.

In recent days, Rome has been the scene of an unusual event: when it rains, the manholes exhale a dense steam of unknown origin and composition. No one knows that those who breathe in the mysterious substance will have to deal with what they repress, their darkest instincts, their anger. Not even the Morel family. Since Cristina’s death in an accident a year earlier, the love of her husband Thomas and their son Enrico has given way to a forced cohabitation, while the youngest of the family, Barbara, would only like to see them united again as they were before. The accident could have been avoided, both Thomas and Enrico know it. Instead of taking responsibility and moving on, they stopped talking to each other. Now they are two souls full of rage, trapped in a Rome that resembles them: dark, nervous, on the verge of exploding.

William Friedkin attends an exorcism with Father Gabriele Amorth, as he treats an Italian woman named Cristina for the ninth time. Prior to filming, Cristina had purportedly been experiencing behavioural changes and “fits” that could not be explained by psychiatry, and which became worse during Christian holidays.