Best movies like Tosca

Using footage left over from Nemesis 2 and a very thin story line sees Alex again fighting the cyborg mercenaries in 1998 East Africa. This time, Alex finds that she has 20 half sisters who are waiting for her to return to 2077. Central Command wants Alex captured alive and scanned to see if her DNA is a strong and more powerful strain than the normal. But Alex may be too tough for Farnsworth to capture.

Over the course of one eventful evening, the anniversary celebration of the musical and romantic partners Aurelius Rex and Delia Lane, a jealous, ambitious drummer, Johnny Cousin, attempts to tear the interracial couple apart.

A neo-noir set in the New York City's corrupt contemporary art world where the art dealer John Kaplan and the ruthless head of New York's mafia, Michael Rubino, fight for money, art, power and love.

A doctor in a Watts clinic takes his own medicine and becomes a monstrous white killer of hookers.

A dictatorial film director hires an unknown actress to play the lead role in a planned movie biography of a late, great Hollywood star.

Japanese-Italian adaptation of Puccini's opera.

Chorus girl Peggy Lane, finds a small part in a new show for David North, a stages-truck country boy. At rehearsal, David meets Delerys Devore, the show's star, and she quickly offers him a larger part in her act. Quite taken with David, Delerys invites him to her home on the pretext that Peggy will be there; when Peggy does not show up, David leaves, infuriating his hostess. Derelys has Peggy fired the next day, and in reprisal Peggy goads her into a Carmenesque fight backstage just before the show. Derelys is unable to go on stage, and Peggy takes her place, becoming the hit of the show. Peggy and David are later married and give up show business, finding contentment living on a farm.

After Nina Leeds finds out that insanity runs in her husband's family, she has a love child with a handsome doctor and lets her husband believes the child is his.

To help his actress girlfriend regain her confidence a Hollywood bigshot bankrolls a small budget film being made by a first-time producer and director pair. Despite the hand-to-mouth way it has to be made the film starts to come good, as does the off-set relationship between the actress and her unknown male lead.

Produced in Italy in breathtaking Technicolor, this biographical story of Puccini (played by L'avventura's Gabriele Ferzetti) spans his creative life from early student days to the height of success, including his early flop Madama Butterfly and his incomplete Turandot. Along the way he encounters three women who change his life, including a sexy, beautiful singer (Two for the Road's Nadia Gray) whom he drops for a small town girl (Sirocco's Marta Toren), and a servant girl who commits suicide over him. Well-selected excerpts from Manon, La Boheme, Madama Butterfly and Turandot are featured along with other Puccini music, including the voice of Beniamino Gigli. Sets, costumes and production values are first class, all sumptuously filmed by Claude Renoir.

Three short stories full of absurd Italian humor. Episode 1: Oddjobs man Elia is hired to be a waiter and soon finds himself caught up in a plot to knock off his mistress (in more ways than one). Episode 2: Della is convinced that aliens are on their way to consume the world and before long ends up a guinea pig on a spaceship from the planet Phobos. Episode 3: Roberto becomes a Bersaglieri in the Italian army and nearly causes a war between Italy and Switzerland over a packet of cigarettes.

The documentary aims to tell the story of a director who managed to capture the attention of the whole world and, due to his political and aesthetic coherence, was able to work much less than he deserved. It's the story of a film professor who earned the gratitude and affection of all his students. The tale of a cinephile who successfully combined social and civic commitment with a spectacular talent worthy of Hollywood.

What begins as a routine investigation quickly escalates into a heartstopping race to save millions from certain death in this taut and gripping thriller. Michael Crichton (Jurassic Park, ER) "makes an impressive directorial debut" (The Hollywood Reporter) in this deadly cat-and-mouse game in which the stakes couldn't be higher! When government agent Steven Graves (Ben Gazzara) investigates political extremist James Wright (E.G. Marshall), he uncovers a diabolical plot to blast lethal nerve gas into San Diego during the Republican Convention. What's worse, a computer hacker (Martin Sheen) has provided Wright with a psychological profile to help him outwit Graves. As Wright ingeniously eludes Graves, can Graves find a way to stop him before the ultimate nightmare begins?

Benoit Jacquot's acclaimed 2002 film of Puccini's opera stars Angela Gheorghiu in the title role, with Roberto Alagna, Ruggero Raimondi and the Chorus and Orchestra of the Royal Opera House, Covent Garden, under Antonio Pappano.

Rome, 1800. Napoleon threatens the power of the Church and executions of Jacobins are constant. Angelotti, the most famous of them all has escaped from prison and the chief of police is on his tail. Angelotti is being helped by a painter, lover of "La Tosca", a famous singer. The police chief suspects the truth and tries to arouse the jealousy of "La Tosca" to catch the escapee.

The original film featured the then unknown Rudolph Valentino. To cash in on his rise to stardom, it was re-edited to feature more of him. Various shots were repeated several times; long shots were blown up into close-ups and inter-cut with other footage; some scenes were projected on a loop, so that Rudolph Valentino repeated the same motions several times over; one scene was used as a flashback; and out-takes from the original were inserted into the new film. In addition, the locale of the new picture was switched from World War 1 Germany to a desert island by the simple expedient of inserting shots of bathing beauties on a palm-fringed beach throughout the film.

In Pietro Mascagni's tragic opera, a soldier returns home from war to reclaim his former fiancée, only to find that she's married someone else in his absence, leading to jealousy, betrayal, and murder.

The star singers in this revival of the 2006 production were Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel; the Royal Opera Chorus and the Orchestra of the Royal Opera House were under the baton of Antonio Pappano, the Music Director of the Royal Opera House. The pageantry of church ritual, the darkness of a brooding study with its hidden torture chamber and the false optimism of the light of a Roman dawn - all throw into relief the love of the beautiful diva Tosca, the idealism of her lover Cavaradossi and the deadly, destructive obsession of the malevolent Chief of Police, Scarpia. Drama, passion and fabulous music.

La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]

2013 revival of Andrei Serban's 1984 production. Recorded live at the Royal Opera House, September 2013. Andrei Serban's spectacular and thrilling 1984 production of Puccini's final and grandest opera has long been a classic at the Royal Opera House. First filmed for BBC TV in the 80s, this new recording – of its fifteenth revival – is in stunning HD and makes this famous production available for the first time on DVD and Blu-ray. The release will rightfully take its place alongside the outstanding Royal Opera Puccini DVDs of La Bohème, Tosca (on EMI) and Trittico. American Lise Lindstrom is one of the very few contemporary Turandots who can genuinely sing this ‘killer’ role, and is supported by a touching Liù from Japanese soprano Eri Nakamura and an unashamedly Italianite Calaf from Marco Berti. The young Hungarian conductor Henrik Nánási directs the large orchestra and all-important chorus.

Puccini’s melodrama about a volatile diva, a sadistic police chief, and an idealistic artist has offended and thrilled audiences for more than a century. Critics, for their part, have often had problems with Tosca’s rather grungy subject matter, the directness and intensity of its score, and the crowd-pleasing dramatic opportunities it provides for its lead roles. But these same aspects have also made Tosca one of a handful of iconic works that seem to represent opera in the public imagination.

Alessandro Corbelli takes the title role in Annabel Arden's whirlwind production of Puccini's compact opera, in which the scheming Gianni Schicchi retrieves for himself the spoils of a disinherited family to pave the way for his daughter to marry her love.

Live from ROH 1985. Giordano's Andrea Chenier is one of the greatest of verismo operas, full of heart-stopping big tunes and powerful emotional situations. If it is not as well-known as it should be, it is because in summary it sounds a little too like Puccini's Tosca: there is a tussle between political opponents over a woman, an attempt to save a condemned man, a tenor aria about writing poetry on the eve of execution. The difference is that Gerard (Giorgio Zancanaro) is not a villain like Scarpia, he is an idealist whom the French Revolution has betrayed as much as it has his rival the poet Chenier (Placido Domingo). His temptation to abuse his power to seduce the virtuous Maddalena (Anna Tomowa-Sintow) is a momentary one, though its consequences are terrible. There is a streak of post-Wagnerian decadence in much of this--Maddalena is at least as much in love with death as she is with Chenier, and the final love duet has a deeply sinister aspect. -- From Amazon.co.uk

Le Villi is an opera-ballet in two acts composed by Giacomo Puccini to an Italian libretto by Ferdinando Fontana, based on the short story Les Willis by Jean-Baptiste Alphonse Karr.

Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. This version is conducted by Riccardo Muti at La Scala, Milan.

Non-musical account of Puccini's opera: Tosca and Cavaradossi are in love, but the tyrant Scarpia desires Tosca and oppresses Cavaradossi who is fighting for freedom.

Cio-Cio-San, the young Japanese bride of dashing American officer Lieutenant Pinkerton, finds her romantic idyll shattered when he deserts her shortly after their marriage. She lives in hope that one day he will return. Three years later, Cio-Cio-San and her little son see Pinkerton’s ship in the harbour. She excitedly expects his visit – but Pinkerton and his American wife Kate have come only to take the boy away, to raise him in America. Cio-Cio-San bids her son farewell and then takes her own life.

Opera at La Scala Milan

In a future present, a rebellious Veronique finds herself working for an inventor who has dedicated himself to the cause of a positive darkness; he is working to counter the tide of a bright, diffuse, and technologically oriented time as represented in the film by man-made light. Veronique's brother Alix works for an agency that is attempting to thwart the process.

Years ago Fred was in a nasty car accident that killed him and his son.Ten seconds after Fred died he came back to life. Since that day he has been able to see the dead. He became a medium detective and along with his assistant he is on a murder case in Flint Michigan.

A serial killer who specialises in killing teachers is on the loose and Andrea becomes accidentally involved when he decides to lend a hand to one of the victims and catches a glimpse of the nocturnal predator.

Following the deaths of the actors of a film, terrible events occur when the production company decide to release the film and earn lots of money.

A ghost from the 1920s refuses to leave the home just listed by Anna, a new real estate agent. Worse, the spirit is convinced she cannot "pass over" until she gets Anna back together with her ex.

After Porn Ends 3 continues to explore whether a career as an adult performer is inherently damaging to the balance of a perfomer's life once retired.

Grammy® winner singer-songwriter Olivia Rodrigo takes a familiar road trip from Salt Lake City, where she began writing her debut album “SOUR,” to Los Angeles. Along the way, Rodrigo recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life. Through new live arrangements of her songs, intimate interviews and never-before-seen footage from the making of the album, audiences will follow Olivia along on a cinematic journey exploring the story of “SOUR.”