Movie Drama
![Tout Va Bien (1972)](/media/img/movie/poster/m/28/6fb7cbc8a27f30a4bc2caf3e.jpg)
A strike at a French sausage factory contributes to the estrangement of a married filmmaker and his reporter wife.
Yves Montand Jane Fonda Vittorio Caprioli Elizabeth Chauvin Castel Casti Éric Chartier Yves Gabrielli Anne Wiazemsky Louis Bugette Pierre Oudrey Jean Pignol Didier Gaudron Hugette Mieville Marcel Gassouk Michel Marot Luce Marneux Natalie Simon Cristiana Tullio-Altan Ibrahim Seck Éric Charden Guy Lelarge
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1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail at the police. He smokes opium and talks about revolution with his friend, Antoine, who has an inheritance and a flat where François can stay. François meets Lilie, a sculptor who works at a foundry to support herself. They fall in love. A year passes; François continues to write, talk, smoke, and be with Lilie. Opportunities come to Lilie: what will she and François do?
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Drunk, Betty is feeling worse and worse, the previous evening is slowly coming back to her: her husband and her husband's family had criticized her harshly, had sent her away. But Betty hadn't wanted to get married in the first place. She knows that she always ruined everything, that she drinks to much, that she has had several affairs. Laure, who is taking care of her, suggests that Betty stay with her in the hotel where she lives, as long as Betty would like. Laure, too, finds solace and companionship in alcohol.
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Something in the Air
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26 year-old Karl Marx embarks with his wife, Jenny, on the road to exile. In 1844 in Paris, he meets Friedrich Engels, an industrialist’s son, who has been investigating the sordid birth of the British working class. Engels, the dandy, provides the last piece of the puzzle to the young Karl Marx’s new vision of the world. Together, between censorship and the police’s repression, riots and political upheavals, they will lead the labor movement during its development into a modern era.
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"A", a member of a student protest organization, becomes disenchanted by his group's inability to effect real change. Emboldened to pursue more radical methods by the older, experienced leftist organizer Despard, "A" unwittingly becomes party to a labor strike that turns violent. Ultimately held responsible by the authorities for the fracas, "A" allies himself with terrorist Leonard, who intends to avenge those jailed in the protest.
L'Établi
A few months after May '68, Robert, a graduate of the Ecole Normale Supérieure and a far-left activist, decides to get a job at Citroën as a line worker. Like other comrades, he wants to infiltrate the factory to rekindle the revolutionary fire, but the majority of workers no longer want to hear about politics. When Citroën decides to pay back the Grenelle Agreements by requiring workers to work 3 hours overtime per week for free, Robert and some others see the possibility of a social movement.
Vladimir and Rosa
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The Lorry
In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.
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A Film Like Any Other
An analysis of the social upheaval of May 1968, made in the immediate wake of the workers’ and students’ protests. The picture consists of two parts, each with with identical image tracks, and differing narration.
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