Movie Music
Birgit Nilsson and Jon Vickers star in this filmed record of the Theatre Antique d'Orange's acclaimed 1973 production of Wagner's epic tale of doomed love in the Middle Ages. Tristan und Isolde also features the Orchestre National de R.T.F., under the direction of Karl Bohm.
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Tristan & Isolde
An affair between the second in line to Britain's throne and the princess of the feuding Irish spells doom for the young lovers.
Tristan & Isolde
Who's afraid of giants and dragons when you've got love and a couple of magical mischief-makers on your side? In a magical land, the brave knight Tristan and the beautiful Princess Isolde meet and fall in love. The evil schemes of envious Baron Ganelon threaten their love, but they'll get by with a little help from their friends-the wiley, wood-sprite Puck and a feisty fairy called Teazle.
Heart and Sword
After the death of his father, prince Tristan is living in Cornwall at the court of his uncle, King Marke, who treats him like a son. When the Irish king sends his son Morold over to demand high tax payments, Tristan challenges him to combat. He manages to kill Morold but is very badly injured, and is placed in a boat to be healed by the magic powers of the sea, which takes him across to Ireland.
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The story has been told before, but never like this. An occupied desert nation. A radical from the wilderness on hunger strike. A girl whose mysterious dance will change the course of the world. This charged retelling turns the infamous biblical tale on its head, placing the girl we call Salomé at the centre of a revolution. Internationally acclaimed theatre director Yaël Farber (Les Blancs) draws on multiple accounts to create her urgent, hypnotic production on the stage of the National Theatre. ‘Epic. A near-perfect production.’ Guardian (on Les Blancs)
Orpheus and Eurydice
The Ballet de l'Opera National de Paris mounted this production of the late Pina Bausch's dance-opera Orpheus und Eurydike, which Bausch had adapted from composer Christoph Willibald-Gluck and Ranieri de' Calzabigi's 1762 opera Orfeo ed Euridice. As the title suggests, it takes its basic narrative from the myth of Orpheus, and his courageous but ill-fated attempt to rescue his lover Eurydice (also known as Eurydike) from the jaws of the underworld. This particular production finds Yann Bridard dancing as Orpheus and Marie-Agnès Gillot dancing as Eurydike , with mezzo-soprano Maria-Riccarda Wesseling accompanying Bridard and soprano Julia Kleiter accompanying Wesseling. Pina Bausch did the choreography and stage direction, while Rolf Borzik designed the sets, costumes and lighting. The Balthasar-Neumann Ensemble & Choir, under the direction of Thomas Hengelbrock, lend musical accompaniment.
Tristan und Isolde
Inspired by Wagner’s own tortured affair with the wife of his patron, this searing masterwork is based on Arthurian legend and tells of an illicit romance between a Breton nobleman and the Irish princess betrothed to his uncle and king. The composer’s larger-than-life sensibilities are on full display throughout the score: Along with intoxicating orchestral music that surges in tandem with the couple’s burgeoning passion and a chord left symbolically unresolved until the last moments of the opera, the opera also features one of the repertory’s most soaring and ecstatic final climaxes, as Isolde surrenders to a love so powerful that she transcends life itself.
Ermione
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Wagner: Tristan und Isolde
Glyndebourne's celebrated production of Nikolaus Lehnhoff's Tristan und Isolde is a supremely intelligent achievement; gravely beautiful, haunting and meditative, it is deeply reflective rather than visceral, fortified by Roland Aeschlimann's stunningly effective set, a womb-like space through which the protagonists move like gods. Conductor Jiří Bělohlávek mirrors Lehnhoff's approach in his sophisticated plumbing of the score's depths, with every shift in texture carefully laid bare by an inspired London Philharmonic Orchestra. Nina Stemme's Isolde and Robert Gambill's Tristan, both gloriously lyrical, are matched by superb performances from René Pape as the betrayed and vulnerable King Marke and Bo Skovhus as Kurwenal, deeply touching in his helpless devotion to Tristan. This High Definition recording of a production of uncommon intimacy reveals the opera's music and drama in a new light.
Aïda
Verdi's opera was filmed during a performance at the Theatre Antique (The Roman Theater) in Orange, France in July 1976. This highly lauded production is marvelously translated to the screen by Pierre Jourdan. The story of an Ethiopian princess' love for an Egyptian general in the age of the pharaohs stars Gilda Cruz Romo as Aida, Grace Bumbry as Amneris and Peter Gougalov as Radames. The ancient Roman Theater is photographed in its sweeping grandeur, the spacious stage imaginatively employed.
Don Carlo - ROH
Rolando Villazón Triumphantly Returns To The Stage As Don Carlo In The 2007/2008 Royal Opera House'S Producton Of Don Carlo. National Theatre director Nicholas Hytner's new staging of Verdi's grandest-- and arguably greatest -- opera, Don Carlo, was the highlight of the 2007/2008 Royal Opera House season. This new production marked Rolando Villazón's much anticipated and triumphant return. Set amidst the political, religious and sexual intrigue of the 16th century Spanish court, this epic work tells the tragic story of Don Carlo, a virtuous young prince who is pitted against the powers of a dominant, corrupt society. First staged at The Royal Opera House in 1886, this new production is the first new version of the 5-Act complete opera to be staged at Covent Garden in 50 years. With sets and costumes by Bob Crowley, direction by Nicholas Hytner, and an enviable cast, this production of Don Carlo is worthy of the greatness of Verdi's original, masterful work.
Wagner: Das Rheingold
Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first new Met production of the complete cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. In this first part of the epic, the theft of the Rhinegold treasure sets in motion the course of events that will change the world and end the rule of the gods. Met Music Director James Levine conducts a cast of some of the greatest Wagnerian singers of our time, including Bryn Terfel as Wotan, Stephanie Blythe as Fricka, and Eric Owens as Alberich.
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