Best movies like Tsubaki Sanjuro

A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.

A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.

The famous showdown at Kagiya corner has been told many times, but never before with the realism and intensity of this version scripted by Kurosawa Akira and starring Mifune Toshiro as the famed swordsman who must face his best friend as they are forced to take opposite sides in a vendetta caused by the murder of a family member. Told mostly in flashback as the avengers await the arrival of their quarry, this film displays true heroism in the face of fear as most of the combatants, while of the samurai class are not skilled swordsmen. They contrast sharply with the true warriors involved in this battle. Araki Mataemon (Mifune), who was not only a direct student of Yagyu Munenori, but the founder of his own sword style under the Yagyu name is a powerful force ready to assist his brother-in-law against the murderer's allies that include not only another noted sword teacher, but the deadly spear of Katsumi no Hanbei.

With Ran, legendary director Akira Kurosawa reimagines Shakespeare's King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa's late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.

Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.

Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.

A group of travelers is stranded in a small country inn when the river floods during heavy rains. As the bad weather continues, tensions rise amongst the trapped travelers.

Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.

After surviving the slaughter of many Christians 350 years ago, a samurai denounces God for ignoring the pleas of believers. He sells his soul to Satan and receives the power to resurrect the dead to join him in a murderous rampage.

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone.

Yoshitsune Minamoto, disguised with his retinue as monks, must make do with a comical porter as their guide through hostile territory en route to safety.

The story tells of a group of samurai who were left leaderless (becoming ronin) after their daimyo (feudal lord) was forced to commit seppuku (ritual suicide) for assaulting a court official named Kira Yoshinaka, whose title was Kōzuke no suke. The ronin avenged their master's honor after patiently waiting and planning for over a year to kill Kira. In turn, the ronin were themselves forced to commit seppuku for committing the crime of murder.

A young boy with a troubled home life becomes "chosen," and he stumbles into the middle of a great war of yōkai (a class of mythological creatures), where he meets a group of friendly yōkai who become his companions through his journey. Now he must fight to protect his friends and free the world of the yōkai from oppression. The yōkai originate in Japanese folklore and range from the cute and silly to the disturbing.

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

Japanese peasants Matashichi and Tahei try and fail to make a profit from a tribal war. They find a man and woman whom they believe are simple tribe members hiding in a fortress. Although the peasants don't know that Rokurota is a general and Yuki is a princess, the peasants agree to accompany the pair to safety in return for gold. Along the way, the general must prove his expertise in battle while also hiding his identity.

Kameda, who has been in an asylum on Okinawa, travels to Hokkaido. There he becomes involved with two women, Taeko and Ayako. Taeko comes to love Kameda, but is loved in turn by Akama. When Akama realizes that he will never have Taeko, his thoughts turn to murder, and great tragedy ensues.

Japan, 1860. The men of the Mito clan, victims of the Ansei purge, anxiously prowl around the Sakurada Gate of Edo Castle with the intention of assassinating Naosuke Ii of Hikone, tairō of the Tokugawa shogunate and responsible for their misfortune.

The Dai-bosatsu toge trilogy is based on Kaizan Nakazato's unfinished long series of novels (41 books, written from 1913 to 1941). Set in the last period of the Tokugawa Shogunate, Daibosatsu Toge tells the story of Ryunosuke Tsukue , a nihilistic swordmaster who doesn't hesitate to kill anyone, bad or good.

The evil Hikita clan rises from the dead to fulfill a curse on the Satomi clan by restoring the face of their warlord by using the skin of Princess Shizu. In the process of trying to capture her, the clan murders her entire family, but Princess Shizu escapes their clutches. She enlists the aid of eight samurai warriors, possessors of powerful magic crystal, led by Dosetsu (Sonny Chiba!) to help rescue the remaining members of her court and revenge her family. Along the way, they must fight undead warriors, evil spirits, poisonous beauties and a giant centipede.

An accident during tests of an anti-plasma artificial magnetic shield at Japan's Ground Self Defense Force East Fuji practice range sends the 3rd Special Experimental Company, under Colonel Matoba on a time-slip 460 years into the past, into 'the Age of civil War'. At the same time an imaginary-number anomaly thought to be caused by interference from the past begins eroding the present.

Shiro Amasuka, dead leader of the Shimbara Revolt is resurrected from hell with the desire of overthrowing the shogunate for killing his companions. To do this , he resurrects an army of living dead swordsmen. Between him and his goal, only Yagyu Jubei stands...

Warlord Oda Nobunaga seeks to unite a fractured Japan. A young man trained in the arts of ninjitsu is manipulated by a ninja master into attempting to assassinate the warlord before he completes his task.

Returning to the village where a year before he had killed Hirate, a much-admired opponent, Zatoichi encounters another swordsman and former rival in love.

Remake of Kurosawa's films Sanshiro Sugata and Sanshiro Sugata part 2. A young man, Sanshiro Sugata, troubled by personal problems, takes up judo. His teacher, Shogoro Yano, is a devout man who has aroused the enmity of the local practitioners of jujitsu, the older and more accepted of the two sports. Sugata uses his newly learned prowess to gain a measure of respect from others; however, Shogoro insists that the sport has a spiritual side, a lesson Sugata has yet to learn. Eventually, in hand-to-hand combat with the father of a young woman he loves, he comes to understand the true meaning of judo.

Lord Taro must deliver a money chest but is robbed by brigands led by Jibu. One of Jibu's men, Rokuro, steals the money from Jibu, but after meeting and befriending Taro, Rokuro decides to return the money to Taro. But Taro's unscrupulous brother Jiro falsely accuse Taro of the theft, and Taro reactively joins the outlaw band and encourages them to steal from the nobles and give to the poor.

Witnesses of a murder. Remake of Akira Kurosawa film Rashomon.

In 1985, Chris Marker traveled to Japan to attend the filming of Ran, directed by Akira Kurosawa. Marker analyzes the progress of filming; the infinite patience of a team under the orders of a meticulous director down to the smallest detail; the antithetical mixture of the modern with the traditional; of the real with the fictitious; of life with cinema… and literature.

Adapted from the successful play, the film takes place in 19th-century Japan, where a war between demons and their slayers is fought. Izumo, a kabuki actor with a demon-slaying past, meets and falls in love with Tsubaki. However, something is not right, as mysterious marks appear on her body as time progresses. At the same time, it is announced that Ashura, the queen of all demons, will be resurrected and bring destruction to the universe.

Reprising his role from the popular TV series "Koya no Suronin" (The Lowly Ronin), Mifune Toshiro stars in this full-length, stand-alone made for TV movie. The wandering ronin is reminiscent of his most famous role as the samurai without a name in Kurosawa's "Yojimbo" and "Sanjuro". He travels about Japan, and while he may seek happiness, violence and tragedy always cross his path. This time it is a woman carrying a young infant who he encounters on the road that leads him into a tale of violence, intrigue and a village in uproar. A great story and cool action scenes, a movie not to be missed!

In this sweeping swordplay saga from Korea, a dedicated band of warriors from the Baekje Dynasty travel to Japan in hopes of mending the broken Heaven's Sword and restoring Baekje to its former glory. 30 years later, the only surviving warrior Woo-do vows to complete the task by seeking out Kanemaru, the master of swords, and bring the Heaven's Sword back to life. SAULABI is a spectacular Samurai epic with action choreographed by longtime Akira Kurosawa collaborator Eizi Takakura (Samurai Fiction).

Nagisa Oshima interviews Akira Kurosawa, leading him to share his thoughts about filmmaking, his life and works, and numerous anecdotes relating to his films and his various film activities.

Reality is a perception and it changes with perspective. Every individual who falls victim to a fatal accident is a character in their own right, but reduced to a mere number in the media! Inspired by Akira Kurosawa’s ‘Rashomon’, ‘Testimony of a Thread’ is a monologue collage in search of a face behind the numbers of the deadliest structural failure accident in modern human history.

Iwane Sakazaki returns to his homeland and gets caught in the middle of an incident that results in the tragic death of two of his best friends from childhood. He decides to leave his domain, parting with his fiancée Nao, and becomes a vagrant masterless samurai with nothing more to lose. Iwane drifts to Edo, filleting eels during the day and working as a bodyguard at night for Imazuya, a reputable money exchanger. He gradually wins the trust of the people around him because of his mellow nature, the chivalrous way he treats everyone with courtesy, and his skills of swords. One day, he learns that Imazuya is being targeted in a conspiracy to sabotage a new monetary system implemented by the government, and Iwane decides to protect the people who have given him support.

In the year 995, due to a secret talk between Michinaga Fujiwara (Akira Emoto) and Seimei Abe (Terunosuke Takezai), Yorimitsu Minamoto (Kanji Tsuda) is ordered to subjugate ghost Shutendoji, who lives in Oe Mountain. Yorimitsu Minamoto and his men soon encounter difficulties in carrying out their mission due to the appearance of strangers. These strangers are handsome warriors Munechika Mikazuki (Hiroki Suzuki), Kunihiro Yamanbagiri (Yoshihiko Aramaki), Hasebe Heshikiri (Masanari Wada), and Toushirou Honebami (Fuma Sadamoto) and they are trying to protect history.