Best movies like Twelve

After getting into a car accident while drunk on the day of her sister's wedding, Gwen Cummings is given a choice between prison or a rehab center. She chooses rehab, but is extremely resistant to taking part in any of the treatment programs they have to offer, refusing to admit that she has an alcohol addiction.

A young black lesbian filmmaker probes into the life of The Watermelon Woman, a 1930s black actress who played 'mammy' archetypes.

Djata is a care-free 12-year-old growing up in a brutal dictatorship shut off from the outside world. When the government imprisons his father, Peter, and Djata and his mother Hannah are labeled traitors, the boy will not rest until he sees his father again.

Eliza and Debbie are two sisters who don't always get along. But their relationship is put to the test when Debbie's life is in danger, and Eliza might have to give up her power to talk to animals....

A paedophile returns to his hometown after 12 years in prison and attempts to start a new life.

In this film made over ten years, filmmaker Barbara Sonneborn goes on a pilgrimage to the Vietnamese countryside where her husband was killed. She and translator (and fellow war widow) Xuan Ngoc Nguyen explore the meaning of war and loss on a human level. The film weaves interviews with Vietnamese and American widows into a vivid testament to the legacy of war.

A social event choreographed in the manner of a dance, illuminated by concepts drawn from Greek legend; one of filmmaker Maya Deren’s most intriguing works.

Through an immigrant cab driver, our world collides with a nervous filmmaker, a lawyer whose new breasts her ex-boyfriend wants to see, a mystery man, a gay man who might or might not have AIDS, and a birthday girl who got stood up. It is a mixture of laughter and sadness, all floating on a sea of philosophy.

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

The first part depicts the heroine's toothache consequent to the loss of a very valuable watermelon, her dentistry and transportation to heaven. Next follows an elaborate exposition of the heavenly land, in terms of Israel and Montreal. The second part depicts the return to Earth from being eaten by Max Müller on the day Edward VII dedicated the Great Sewer of London.

Awkward, shy and delightfully funny, Polly Vandersma is an "organizationally impaired" temporary assistant who finally gets her first permanent job at the age of 31. While she works for the curator of an art gallery, Polly narrates her own story, sharing the comical and bittersweet pretensions of the art world. At the same time, she reveals a special part of her own private world, taking the viewer to enchanted places in this quiet assault on the notion of authority everywhere.

This offbeat comedy about love and romance won writer, director and actress Heidi Van Lier top honors a Grand Jury Prize at the 1999 Slamdance Film Festival. Heather Green (Van Lier) is a journalist with an alternative newspaper in Chicago who is obsessed with her ex-boyfriend. Randy (Joe Kraemer) is in turn obsessed with Heather. A would-be documentary filmmaker, Randy constantly films her, sometimes without her knowledge. When Heather takes up a challenge from Randy and announces she can seduce the next man she meets, her desperation makes it clear she's had bad luck with men for a very good reason. When Heather finally does meet the man of her dreams, a good-looking attorney named Cliff

Mixes documentary interviews of memories of lesbian adolescence with the story of the 12-year-old girl Lou discovering her sexuality in 1960s America.

In 1999, filmmakers Joe Brewster and Michèle Stephenson turned the camera on themselves and began filming their five-year-old son, Idris, and his best friend, Seun, as they started kindergarten at the prestigious Dalton School just as the private institution was committing to diversify its student body. Their cameras continued to follow both families for another 12 years as the paths of the two boys diverged—one continued private school while the other pursued a very different route through the public education system.

THE AUTEUR follows formerly renowned porn director Arturo Domingo (Five Easy Nieces, Requiem for a Wet Dream) through a bizarre weekend as he receives a lifetime achievement award at a film festival in Portland, OR. Encountering crazed fans, former collaborators, bitter enemies and free-loving hippies, Arturo attempts to put the pieces of his broken career and personal life back together.

Privilege is an intelligently conceived, boldly anarchic, and wickedly insightful exposition on the culturally ingrained and socially divisive malaise of isms that artificially define and characterize empowerment in contemporary society: ageism, sexism, economic elitism, and racism. Yvonne Rainer conveys texture through the intercutting of archival footage, video, and film - as well as compositional layering through the film-within-a-film structure, elliptical (and self-referential) fusion of past and present, and the filmmaker's idiosyncratic penchant for superimposed typed text.

An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.

Some crew members of a company shooting a horror film begin to suspect that the "killings" in the movie are real, and that they are actually making a "snuff" film.

A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.

Filmmakers at the Sundance Film Festival discuss what it is like to be an independent filmmaker, and what Sundance has done for them.

Inspired by the transformation of the sex-trafficking survivors whose lives she follows, the filmmaker finds the courage to break the silence about sexual abuse in her own life.

A documentary about the hearings of President Nixon's Commission on Obscenity, featuring adult-film producer David F. Friedman (one of the producers of this film) testifying before Congress, and involved in the production of one of his films, "Trader Hornee."

The Devil Never Sleeps is a “whodunit” documentary about family secrets. Filmmaker Lourdes Portillo received a phone call informing her of the mysterious death of her wealthy Mexican uncle Oscar. Officially ruled a suicide, Portillo’s relatives claimed murder, offering several possible suspects including a business partner, a ranch hand, and Oscar’s young widow who stood to inherit everything. Traveling to Mexico, Portillo attempts to learn the truth about her powerful uncle. Using interviews, old snapshots and home movies, she finds a complicated web of family secrets, intrigue, rumor and betrayal that makes her enigmatic uncle’s murder seem ever more likely, yet ever more obscure. As the Mexican saying goes, “When evil is lurking, the devil never sleeps.”

The Ties That Bind is an experimental documentary about the filmmaker's mother, who was born and lived in southern Germany from 1920-1950. Through a mixture of personal anecdote and social history, she describes the rise of Nazism, the war years, and the Allied occupation, during which she met her future husband, an American soldier. The Ties That Bind breaks with the usual format of war documentaries, thus allowing a different portrait of the individual to emerge, while it reflects on the current political situation in America and the filmmaker's activities in relation to those issues.

Kidnapped and tortured, elite call girl "#12" must overcome her attackers and fight through a post-industrial hell to avoid the brutal filming of her own death. Last Girl builds to a shattering conclusion you won't soon forget. Previously available only in the Detroit underground, Renegade Video brings the extreme vision of reality filmmaker Jorje Krippe to a mainstream audience for the first time.

Dennis Hopper plays Nick Twain, a Hollywood Producer whose latest film is rejected by every film festival in the world except one- in Ohio. Nick will do anything to get his film distributed, including manipulating his dysfunctional cast into attending the festival. Hollywood egos and small town politics inevitably collide.

After turning 40, filmmaker Anna confronts her future. She has no job and it's been ten years since her last girlfriend. No goals, plans or any idea of what she wants. And she's living in a garage. Just when she's about to give up, she meets Katia, who inspires her to set out on a new path of creativity.

After 12 nights of insomnia and feeling like her life is unraveling, Rebecca travels to the Ukraine in a desperate attempt to find a magic cure. There she finally sleeps and discovers the meaning of life through an outrageous cast of characters including a man who is truly happy despite having nothing.

Filmmaker Catherine Sweeney is determined to make her zombie horror romantic comedy. However in order to get the funding she need to put a talking dog in it...

Eight hundred German filmmakers (cast and crew) fled the Nazis in the 1930s. The film uses voice-overs, archival footage, and film clips to examine Berlin's vital filmmaking in the 1920s; then it follows a producer, directors, composers, editors, writers, and actors to Hollywood: some succeeded and many found no work. Among those profiled are Erich Pommer, Joseph May, Ernst Lubitsch, Fritz Lang, Billy Wilder, and Peter Lorre. Once in Hollywood, these exiles helped each other, housed new arrivals, and raised money so others could escape. Some worked on anti-Nazi films, like Casablanca. The themes and lighting of German Expressionism gave rise in Hollywood to film noir.

A group of young friends convene in the countryside to shoot a horror movie. But an experiment with LSD sees normal boundaries between them collapsing, and tragedy subsequently striking.

A hyper-realistic diversion from the usual rom-com, 12 Months candidly portrays moments that are commonly experienced but rarely shown as it follows the story of Ellie and Clark, a millennial couple, navigating the peaks and valleys of a new relationship.

Ever since she was a little girl, Iris has wanted to be a filmmaker. For the last five years though, she's been trapped working in reality television, directing episodes for a series that's barely able to compete with Ghost Hunters. Iris sees her big chance to prove herself when gets sent on assignment to her hometown of Black Falls, a small town harboring an abandoned insane asylum that has a dark history of excessive shock therapy. Filming inside the asylum brings back childhood memories for Iris, memories of sneaking into the asylum with her friends to shoot homemade horror movies. Little does Iris know, her life is about to imitate her art.

A young filmmaker documents the murder confessions of three young women who seduce him into their strange world of spiritual "dimensions" and "transcendence." The ringleader, Raven, holds everyone in her psychological grip, until her secret is exposed and a power struggle ensues.

The Man Without a World is credited to the legendary (and imaginary) 1920s Soviet director, Yevgeny Antinov. But the film is anything but old. In fact, Antinov himself is the creation of contemporary filmmaker Eleanor Antin. Her film is a moving, comic melodrama set in a typical shtetl (village) in Poland. The Jews’ struggle against poverty and racial hatred is complicated by their own division into hostile political factions of the religious orthodoxy, assimilationists, socialists, Zionists, anarchists and survivors. While the Jews of the shtetl pursue their loves, politics, religion, business and dreams for the future, the Angel of Death is ever near...