Best movies like Una mujer de cabaret

When a plane carrying the daughter of a millionaire crashes in an African jungle, two pilots set out to collect the reward. They discover that she has become the goddess of a primitive tribe. An insurgent witch doctor and fierce wild animals make escape from the jungle difficult for the trio.

A news story in the newspapers announces the investigation by the police of a major scam. Precisely, following the steps of the author of that crime, we will know the cabaret where the whole action of this drama will take place. A place where the paths of a multitude of characters cross and where it is possible to find men and women of great humanity.

José Maria is a seventeen year old boy; his father is a successful restaurant owner in a town some distance from Barcelona, in Spain. The boy is intelligent and sensitive, but his mannerisms and habits, and lack of masculine drive, lead him to get bullied at school. The school principal decides that José is the disruptive influence, and asks for him to be removed from the school. The father berates the boy, and his mother, for his failure to be a red-blooded young man, and sends him away for a while to live with a friend in the country. Father visits the boy, and takes him to a strip club in Barcelona, run by a lady friend of his, intending that this will "cure" him of his sexual reserve. However one of the acts is a pre-operative transsexual, and there is a full frontal exposure at the end. Father has arranged that after the show...

Mabel poses as "Cousin Jack" in a scheme to test her two quarreling suitors who decide to take young "Jack" to a cabaret.

The Midnight Cabaret is a 1923 American film directed by Larry Semon and featuring Oliver Hardy.

Dr. Orlof, a former prison doctor, abducts beautiful women from nightclubs to use their skin to repair his daughter's fire-scarred face. He is assisted by Morpho, a deformed monstrosity who delights in biting his victims. Orlof had better hurry, though -- a young police inspector and his ballerina girlfriend are onto his sadistic practices.

Three provocative short stories. An American in Paris seduces a young man only to have the tables turned; a tourist recovering from an accident is alone but far from lonely; and an exchange student decides to intervene when he sees the woman in the opposite apartment being tied, gagged and beaten by her lover.

A carnival burlesque dancer robs her junkie ex-husband, goes to New York, gets a job at a high-class club where she becomes the mistress of the wealthy owner. She seduces his son and causes a murder.

A fugitive from the police helps a beautiful farmer run her struggling banana plantation.

Teresa, a cabaret star, has to leave her work due to the death of her father. She decides to go to the small village where he lived to meet her brother, Miguel, who is going to marry Marisol soon. Teresa begins to feel attracted to Miguel, and tries to seduce him

Wimpy struggling Greenwich Village painter Tyler Westin is in love with gorgeous, but mean and snippy cabaret dancer Lisa, who treats Tyler like dirt and constantly belittles him. Sultry nightclub singer Mashiko turns Tyler on to LSD. After a nightmarish three day acid trip, Tyler returns to his shabby apartment to find Lisa murdered. Is Tyler responsible for her death? Or did someone else kill Lisa?

Your job as a hostess in Malaga allows Hippolyta meet many men. One of them is a Chinese traveler, just in time to take her to her room, is killed. So, the blame falls on another Hippolyta customers.

A filmed stage performance of the 1993 London revival. Sam Mendes (American Beauty, Road to Perdition, Skyfall) directed this new production for the Donmar Warehouse in London's West End. It starred Jane Horrocks as Sally, Adam Godley as Cliff, Alan Cumming as the Emcee and Sara Kestelman as Fräulein Schneider. Cumming received an Olivier Award nomination for his performance and Kestelman won the Olivier for Best Supporting Performance in a Musical. Mendes's conception was very different from either the original production or the conventional first revival. The most significant change was the character of the Emcee. The role, as played by Joel Grey in both prior incarnations, was an asexual, edgy character dressed in a tuxedo with rouged cheeks. Alan Cumming's portrayal was highly sexualized, as he wore suspenders (i.e. braces) around his crotch and red paint on his nipples.

A young woman moves to the city to become an opera singer, but ends up a cabaret singer.

The untold disability civil-rights love story of two cabaret performers, Barbara and Alan, who met at a gig, fell in love, and became the driving force behind an unprecedented campaign of direct action that ultimately led to the passing of the 1995 Disability Discrimination Act.

Antonio Gracia José (1942-2011), known as “Pierrot,” was a prominent member of the Barcelona art scene, a pioneer in the filmmaking of underground short films and Fantaterror movies, writer and playwright, magazine editor, movie poster painter, cartoonist and cabaret showman.

Ana, a young Spanish woman from a bourgeois family, is about to finish her studies and get married, but she is not happy. After a very unlikely event happens, her life turns around and everything changes.

Three students are sent by their families to Cadiz in 1965, his last chance to pass and become what is expected of them. The appearance of some dancers disrupts their commitments: boys lose the course and girls, their work. But together they learn to decide their future.

Antonio Castro, Sinatra, is a fighter of life working in an old cabaret in Barcelona imitating Frank Sinatra, accompanied in his show by Groucho Marx, Marlene Dietrich and Lola Flores. But one day, the sky dresses in gray for him; his wife, who works as a waitress in the same place, decides to leave him.

This is the story of two male prostitutes who want to become professional actors and how they struggle to get into show business.

In LA, Terri is making a movie called "Space Pirates." For cash and in hopes of finding a sugar daddy, she dances in a cabaret. Nick, her boyfriend, is jealous. When a customer flashes a briefcase full of money, Terri arranges to meet him at a hotel; she's stashed Nick in the closet to steal the money while she keeps the john, Chao, busy. When Nick gets the case open, there's no cash, just snakes. Terri realizes that the snakes must have some value, so she ties up Chao to force him to tell her how to convert the snakes back into cash. She keeps the dim Nick involved and also gets help from other cabaret customers beguiled by her charms. But what about "Space Pirates"?

Félix rebolledo is a pimp who owns a cabaret, two bingo halls and three dating houses. He now intends to open a party hall, and for this he has - as he always has - the support of the Bishop, whom he has bribed with frequent donations. Counting on the support of the Church, it will be much easier for him to have the approval of the City Council, although, on the other hand, he also has bribed, among others, the mayor and the president of the Council of the Deputation.

A cabaret owner tries to keep his club from being taken over by the powers that be.

Few musicals can claim to capture the mood of a historical period as well as the 1972 classic Cabaret. Liza Minnelli's unforgettable portrayal of singer Sally Bowles and the film's stylish recreation of the era have become defining images of Weimar Berlin. In this documentary, actor Alan Cumming explores the truths behind the fiction. He meets many of those closely involved with the original film, including Liza Minnelli, and talks to cabaret artists, among them acclaimed performer Ute Lemper. Alan explores the origins of the Cabaret story in the writings of Christopher Isherwood and uncovers the story of the real life Sally Bowles, a woman very different from her fictional counterpart. He talks to the composer of Cabaret about the inspiration for the film's most famous songs and discovers the stories of the original composers and performers, among them Marlene Dietrich. Finally, Alan reveals the tragic fate of many of the cabaret artists at the hands of the Nazis.

Sympathetic look at the tragic life of cabaret singer Lorna, who was born a man but really just wants to be a woman. She meets a man who loves her but she can't tell him the truth and decides instead to get an operation so she'll be all woman.

Harvey hires Mary to seduce his rival Larry and help him gain his revenge. But Maria and Larry fall in love and things become complicated.

An American millionaire wants to reform a Parisian cabaret singer who moonlights as a jewel thief.

This is the Spanish-language version of Ten Cents a Dance (1931), shot concurrently with a different cast but the same director, Christy Cabanne (as "Wiliam Cabana"), and also Mexican director Eduardo Arozamena.

Soul Kittens Cabaret follows seven women on their journey to self-discovery as they struggle with temptation, personal demons and false promises.

Prisoners was released as a part-talking, part-silent feature. An Austrian showgirl working in a cabaret moonlights as a thief. When she is caught in the act, a young lawyer offers to defend her. Unfortunately, he loses the case, causing her to spend several months in jail. Fortunately, the two have fallen in love, and he promises to wait for her.

Juan Gutiérrez, 44, an electrician, has been unemployed for a long time. He decides to leave his family to go find work in Madrid, believing that in the big city the opportunities will be greater. Once there, he discovers that things are not as he believed. He is an electrician. He doesn't want to clean windshields at stoplights or clean cabarets at dawn. He wants to work as an electrician. Occasionally she meets Andy, a Caribbean mulatto who boasts bulletproof optimism. With his sharp wit, he manages as best he can, trying not to be found by the immigration authorities. Despite the distances, "Gallego" and "Sudaca" become friends.