Best movies like Verdi: Rigoletto

The princess is to wed the Prince against her wishes. When she refuses, the king locks her in the tower. Minstrel Mickey sees her and rescues her, making a rope from the clothes of lady-in-waiting Clarabell. The king spots them and prepares to chop off Mickey's head until Minnie intercedes. The king calls for a joust. Mickey wins and they live happily ever after.

Ophelia comes of age as lady-in-waiting for Queen Gertrude, and her singular spirit captures Hamlet's affections. As lust and betrayal threaten the kingdom, Ophelia finds herself trapped between true love and controlling her own destiny.

Cissy, Reggie, and Wilf are in a home for retired musicians. Every year, there is a concert to celebrate Composer Giuseppe Verdi's birthday and they take part. Jean, who used to be married to Reggie, arrives at the home and disrupts their equilibrium. She still acts like a diva, but she refuses to sing. Still, the show must go on, and it does.

Martin Lawrence plays Jamal, an employee in Medieval World amusement park. After nearly drowning in the moat, he awakens to find himself in 14th century England.

When a crass new-money tycoon's membership application is turned down at a snooty country club, he retaliates by buying the club and turning it into a tacky amusement park.

Rodrigo, an impoverished Italian nobleman takes a job with a New York antique dealer he met overseas. Swearing off women, Rodrigo focuses on his job. But complications arise when he falls in love with his friend's secretary-- and his friend's wife looks to make a date with him.

A hapless carnival performer masquerades as the court jester as part of a plot against a usurper who has overthrown the rightful king of England.

A hopeless romantic thinks he's found true love with an older woman, only to learn that she's married and that his fling is merely an instrument of revenge against her neglectful husband.

In spite of being apprenticed to a Pirate King as a child, Frederic has led a very sheltered life. So when he arrives in Cornwall with his boisterous shipmates, there are a few surprises in store for him!

Monty is a mechanic struggling to make ends meet as he raises his three young daughters. When the court awards custody of his daughters to his shady ex-wife, Monty desperately tries to win them back with the help of Julia, a beautiful, Ivy League-educated attorney. Monty and Julia couldn't be less alike, but a flame is ignited...touching off a firestorm of love and conflict.

King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.

David Kolowitz, a nice young man living with his parents in New York City in 1938, works at a machine repair shop. His parents want David to study to become a pharmacist. But what he really wants is to be an actor like his idol, Ronald Colman. One day, at his friend Marvin's suggestion, David tries out for a part in a play, and gets it, despite his obvious lack of acting experience (not to mention ability). True, it's a rather small part in a low-rent production. Leading the troupe is a washed-up, alcoholic actor who hires David at the urging of his actress-daughter, who finds David "cute." To play his part, David must come up with his own costume - a tuxedo - and pay the house five dollars a week, ostensibly for tuition. But it is David's first acting job, one which calls for him to "enter laughing." And if it doesn't work out - well, there's always pharmacy school.

A despairing clown suffering a broken heart and a self-indulgent count who uncontrollably laughs learn to help each other with their problems, but both fall in love with the same young woman.

Eve's Daughter was the fourth and final screen teaming of Billie Burke and Thomas Meighan. This time out, Burke is cast as Irene Simpson-Bates, who is disheartened to learn that her millionaire father has left her with a mere $15,000. She is subsequently courted by two men: Poor but respectable John Norton (Thomas Meighan), and rich but disreputable Courtenay Urquahrt (Lionel Atwill, in his American screen debut).

After moving to a retirement home, restless talent manager Al reconnects with long-ago client Buddy and coaxes him back out on the comedy circuit.

Leah is eager to visit her uncle's ranch in Ireland, until her attempt to ride her cold cousin Shannon's horse results in Silky being injured and she is ordered not to ride again. When she meets Lucky, a leprechaun who only communicates with her, she learns that the beautiful white beast she's glimpsed from afar is in fact a bewitched fairy Sorica, who needs help retrieving a magical horn to return to her true form and her own world. Now Leah must juggle secretly helping Lucky, whose reasons for helping might not just be out of kindness; putting up with Shannon; and trying to win Uncle Jaques' trust by entering her newfound "horse" in the local race.

Mike and Danny fly a cropduster, but because of Danny's gambling debts, a local sheriff takes custody of it. Trying to earn money, they hitch-hike to the World's Fair in Seattle and, while Danny tries to earn money playing poker, Mike takes care of a small girl whose father has disappeared. Being a ladies' man, he also finds the time to court a young nurse.

A young poet named Hoffman broods over his failed romances. First, his affair with the beautiful Olympia is shattered when he realizes that she is really a mechanical woman designed by a scientist. Next, he believes that a striking prostitute loves him, only to find out she was hired to fake her affections by the dastardly Dapertutto. Lastly, a magic spell claims the life of his final lover.

In Europe several several centuries ago, a group of prisoners about to be executed are freed as part of the celebration of the upcoming marriage of the emperor's daughter, Princess Gilda, to a very rich prince from another country. Sid Caesar composed the song "Clothes Make the Man". Ran 93 minutes on German TV.

A young man must risk his life to save his fire-breathing friend from the unscrupulous owner of an amusement park.

A wealthy playboy surreptitiously romances a scullery maid to gain access to her mistress with whom he is in love, but doesn't count on the maid falling in love with him.

"Rigoletto" retold at Christmas time in Manhattan's corporate world. Rick, an executive at Image, is a jerk to a woman applying for a job. That evening, he's out for drinks with his much younger boss, Duke, and the same women is their waitress. Rick's continued rudeness leads to her getting fired. She puts a curse on him. A potential rift with Duke quickly surfaces; Rick is approached by the hail-

Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. This film is believed lost.

Count Von Herbeck, the chancellor to the Grand Duke of Ehrenstein, is married but keeps the fact secret on account of his high ambitions. His wife, dying, writes him a letter urging him to make their little child a great lady.

Getsel, a wandering Purim player, comes to a Galica village and gets a job with Reb Nuchem, the shoemaker. He falls in love with Esther, the shoemaker's daughter, but knows she is in love with a wandering circus player. However, Getzel is content in his work and dreams. Esther's father inherits a fortune and attempts to marry her to a man of his choice, but she flees with Getzel to Warsaw, where he meets and marries the circus player. Getzel returns to the village and is blamed for Esther's disappearance until she shows up and explains what happened. Getzel shoulders his pack and wanders on to another village.

François Villon, in his lifetime the most renowned poet in France, is also a prankster, an occasional criminal, and an ardent patriot.

Learn how the longest reigning monarch in British history was shaped by World War II. Princess Elizabeth’s experiences during the war mirrored those of the public and helped shape her into the Queen she is today.

Get stoked because the laughs roll as fast and furious as the waves in this sexy, hilarious ride! New kid is town Robbie Zirpollo (Randy Wayne, TV's Dukes Of Hazard: The Beginning) gets a job at a local water park and meets a motley crew of co-workers (with Alan Thicke, TV's Growing Pains and comedian Gabriel Iglesias), including the park owner's gorgeous daughter, Tiffany (Cerina Vincent, Not Another Teen Movie). As Robbie gets caught up in a troublesome park love triangle, his co-workers convince this fish out of water to enter the "Employee Olympics" wave pool competition to become the next Surfer King. But the conniving Tiffany has other plans for Robbie.

The second television adaptation of Once Upon a Mattress was broadcast on December 12, 1972, on CBS. This production, videotaped in color, included original Broadway cast members Burnett, Gilford and White, and also featured Bernadette Peters as Lady Larken, Ken Berry as Prince Dauntless, Ron Husmann as Harry, and Wally Cox as The Jester. It was directed by Ron Field and Dave Powers. Again, several songs were eliminated and characters were combined or altered. Since the parts of the Minstrel and the Wizard were cut from this adaptation, a new prologue was written with Burnett singing "Many Moons Ago" as a bedtime story.

Mozart's Marriage of Figaro is a comedy whose dark undertones explore the blurred boundaries between dying feudalism and emerging Enlightenment. Herman Prey's Figaro is admirably sung in a firm baritone and aptly characterized. So too, is his antagonist, Dietrich Fischer-Dieskau as the Count perpetually frustrated by the scheming wiles of Figaro and Susanna, here the perky Mirella Freni, who sings and acts like a dream. The Countess is creamy-voiced Kiri Te Kanawa, and the Cherubino, Maria Ewing, looks just like the horny, teenaged page she's supposed to be. The all-star leads are complemented by worthy supporting singers, the Vienna Philharmonic at the top of its form, and the experienced Mozartian, Karl Böhm conducting a stylishly fleet performance.

Monteverdi in Mantua tells the story of the Duke of Mantua and his court composer Claudio Monteverdi during the turbulent times of the late Italian renaissance. From their volatile relationship would come one of the most revolutionary collections of music ever published: The Vespers of 1610. The programme is presented by Simon Russell Beale who visits Mantua and, together with conductor Harry Christophers and his choir “The Sixteen”, explores this major turning point in Western Music.

While the rest of the Hebrews bewail their fate, Samson alone trusts in God's promise of liberty. Abimelech, the Philistine satrap of Gaza, enters to mock the Hebrews' God, proclaiming the superiority of Dagon, and the Hebrews are afraid of him. But calls them to show some defiance, so Abimelech attacks Samson with his sword. Samson seizes the sword and strikes him dead. The Hebrews scatter and the High Priest of Dagon appears, cursing the Hebrews. When a messenger reports that the Hebrews are ravaging the harvest, the High Priest forms a plan to use Delilah to overcome Samson's strength. Delilah's beauty is such that Samson can't resist her for long. She begs to know the secret of his supernatural strength, but he refuses, though he says he loves her. Delilah betrays Samson by having some Philistine soldiers seize him and throw him into a prison in Gaza, where his hair is cut off.

Live recording at Royal Opera House, 22 September, 2001. Television live relay. In one of the Royal Opera’s most celebrated and popular productions, director David McVicar mixes lavish historical costumes and dark stylized settings to highlight the savagery and excitement of Verdi’s tale of misdirected revenge. Paolo Gavanelli is vocally and theatrically electrifying as the hunchback anti-hero, acclaimed soprano Christine Schäfer is his doomed daughter, and superstar tenor Marcelo Alvarez is her fickle lover. With superb playing from the Orchestra of the Royal Opera House, it adds up to a thrilling Rigoletto for both opera aficionados and newcomers.

Live from the Royal Opera 2008. David McVicar’s powerful 2008 production of Strauss's opera – based on a play by Oscar Wilde – takes the controversial and disturbing film 120 Days of Sodom as its visual reference. The action is set in a debauched palace, which has suggestions of Nazi Germany. Strauss’s ravishing and voluptuous score adds to the sexual alchemy that is conjured by an international cast led by Nadja Michael in the title role. Salome is filmed for the big screen with High Definition cameras and recorded in true surround sound.

Both Florez and Diana Damrau brought their bel canto expertise and superb vocalism to the service of Verdi's music. The Rigoletto, Zeljko Lucic, ran the gamut from tenderness with his Gilda to thundering fury with everyone else. I also liked the production. At first, when Rigoletto was putting on his grease paint during the overture, I was afraid that it might be a typical "Euro-trash" production, with a bit of warmed over I Pagliacci. But the sets and dramatic action really served the music and libretto. I would have to say that I came to a deeper understanding and appreciation of the story and characters as a result of seeing this performance.