Best movies like Viktor und Viktoria

Aspiring singer Susanne takes over one night for her sick colleague, the slap-stick actor Viktor, at a small cabaret in Berlin where he works as a female impersonator. By chance, Susanne is then "discovered" by an agent, who thinks she′s really a man. She becomes famous and goes on tour to London. But when the local womanizer Robert catches on to her game, Viktor then has to jump in for Susanne as "Viktoria".

Out-of-work singer Victoria Grant meets a just-fired, flamboyant gay man in a club in 1920s Paris. He convinces her to pretend to be a man who is a female impersonator in order to get a job. The act is a hit in a local nightclub, but things get complicated when a gangster and nightclub owner from Chicago, King Marchan, falls in love with "him." Filmed live on Broadway, 1995.

Hired to helm an Americanized take on a British play, director Lloyd Fellowes does his best to control an eccentric group of stage actors. With a star actress quickly passing her prime, a male lead with no confidence, and a bit actor that's rarely sober, chaos ensues in the lead up to a Broadway premiere.

Actress Myrtle Gordon is a functioning alcoholic who is a few days from the opening night of her latest play, concerning a woman distraught about aging. One night a car kills one of Myrtle's fans who is chasing her limousine in an attempt to get the star's attention. Myrtle internalizes the accident and goes on a spiritual quest, but fails to finds the answers she is after. As opening night inches closer and closer, fragile Myrtle must find a way to make the show go on.

A failed Broadway singer who now works as a production manager must save opening night on his new production by wrangling his eccentric cast and crew.

Fred and Lilli are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play. A fight on the opening night threatens the production, as well as two thugs who have the mistaken idea that Fred owes their boss money and insist on staying next to him all night.

The assistant stage manager of a small-time theatrical company is forced to understudy for the leading lady at a matinée performance at which an illustrious Hollywood director is in the audience scouting for actors to be in his latest "all-talking, all-dancing, all-singing" extravaganza.

Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.

When struggling, out of work actor Michael Dorsey secretly adopts a female alter ego - Dorothy Michaels - in order to land a part in a daytime drama, he unwittingly becomes a feminist icon and ends up in a romantic pickle.

Celebrated Swedish opera star Karin Anderson is slated to appear in an internationally-telecast production of Tannhauser. Ms. Anderson balks at the notion of working with obscure Hungarian conductor Zoltan Szanto. The much-anticipated production may never get off the ground, thanks to labor-management difficulties, intramural jealousies, and clashing egos. Amidst all this chaos, the mismatched Anderson and Szanto fall in love.

Double-agent Alexander Eberlin is assigned by the British to hunt out a Russian spy, known to them as Krasnevin. Only Eberlin knows that Krasnevin is none other than himself! Accompanying him on his mission is a ruthless partner, who gradually discovers his secret as Eberlin tries to maneuver himself out of a desperate situation.

Lewis and Clark, aka The Sunshine Boys, were famous comedians during the vaudeville era, but off-stage they couldn't stand each other and haven't spoken in over 20 years of retirement. Willy Clark's nephew is the producer of a TV variety show that wants to feature a reunion of this classic duo. It is up to him to try to get the Sunshine Boys back together again.

In a touring Shakespearean theater group, a backstage hand - the dresser, is devoted to the brilliant but tyrannical head of the company. He struggles to support the deteriorating star as the company struggles to carry on during the London blitz. The pathos of his backstage efforts rival the pathos in the story of Lear and the Fool that is being presented on-stage, as the situation comes to a crisis.

One fateful night in a small English regional theatre during World War II a troupe of touring actors stage a production of Shakespeares King Lear. Bombs are falling, sirens are wailing, the curtain is up in an hour but the actor/manager Sir who is playing Lear is nowhere to be seen. His dresser Norman must scramble to keep the production alive but will Sir turn up in time and if he does will he be able to perform that night? The Dresser is a wickedly funny and deeply moving story of friendship and loyalty as Sir reflects on his lifelong accomplishments and seeks to reconcile his turbulent friendships with those in his employ before the final curtain.

The attractive Oberleutnant Paul Wendlandt is stationed in North Africa as a fighter pilot. While in Berlin to deliver a report he is given a day's leave, and on the stage of the cabaret theatre "Skala" sees the popular Danish singer Hanna Holberg. For Paul it is love at first sight. When Hanna visits friends after the end of the performance, he follows her, and speaks to her in the U-Bahn. After the party in her friends' flat, he accompanies her home and chance throws them further together when an air raid warning forces them to take cover in the air raid shelter. Hanna reciprocates Paul's feelings, but after a night spent together Paul has to return immediately to the front. There now follows a whole series of misunderstandings, and one missed opportunity after another. While Hanna waits in vain for some sign of life from Paul, he is flying on missions in North Africa. When he tries to visit her in her Berlin flat, she is giving a Christmas concert in Paris.

Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent Margaretta. As the cast he assembles are still available even at Christmas and are prepared to do it on a 'profit sharing' basis (that is, they may not get paid anything) he cannot expect - and does not get - the cream of the cream. But although they all bring their own problems and foibles along, something bigger starts to emerge in the perhaps aptly named village of Hope.

A young engineer is sent to post-WWII Berlin to help the Americans in spying on the Russians. In a time and place where discretion is still a man’s best friend, he falls in love with a mysterious woman who will take him on the dark side of evil.

Two aging comedians who acrimoniously dissolved their act eight years earlier must overcome their differences when they have the chance for a lucrative movie comeback.

A bad Polish actor is just trying to make a living when Poland is invaded by the Germans in World War II. His wife has the habit of entertaining young Polish officers while he's on stage, which is also a source of depression to him. When one of her officers comes back on a Secret Mission, the actor takes charge and comes up with a plan for them to escape.

Successful playwright Felix Webb has a new play, 'The Hit Man', in rehearsal. Directed by his old friend Humphrey, it is already being hailed as a masterpiece; but Felix can't enjoy his success. He has fallen passionately in love with Hilary, a beautiful, fiesty young actress, and is preparing to desert his perfect family, his wife Elena and three lively children. His intolerable situation is further complicated when Humphrey casts Hilary as one of the leads in 'The Hit Man'. Enter Robin Grange, a charismatic young Hollywood actor making his London theatre debut. Robin is attractive, charming and dangerous, and soon inveigles his way into everyone's life. He ingratiates himself with the cast and, quickly grasping Felix's dilemma, sets about weaving his web of mischief. He suggests that if he were to seduce Elena, she would be distracted from Felix's affair, regain her self respect, and perhaps even willingly part from the unfaithful husband to whom she clings...

Laurie has been in show business since she was a child. Her dream is to be a singer, songwriter and actress. Her father wants her to be a comedian like him and Laurie only tries because it pleases her father. But she is a lousy comedian. She auditions for everything and is engaged to Ken, but Ken does not understand her needs. She has a one night stand with Chris, only to later find that he is a director. She has many emotions that have not yet been addressed and she must face them before she can get on with her life.

Jefferson Steel, a washed-up Hollywood action star, is desperate to revive his flagging career. When his sleazy agent signs him up for what he believes is a high-profile Royal Shakespeare Company production of King Lear at Stratford upon Avon, Steel thinks he has finally landed the plum role he has been waiting for. However, he soon discovers that he has been tricked into joining an amateur dramatics group for a charity production.

A famous jazz trumpeter finds himself unable to cope with the problems of everyday life.

A detective goes undercover as a producer to investigate an actor's murder, which occurred during the performance of a play...

A young woman arrives in New York City determined to become a great theatrical star, but discovers that her goal may not be as easily attainable as she had hoped.

First a Girl is a 1935 British comedy film directed by Victor Saville and starring Jessie Matthews. First a Girl was adapted from the 1933 German film Viktor und Viktoria written and directed by Reinhold Schünzel.

An actor's career takes a "Tootsie"-like turn when he lets himself be cast as a woman in a movie.

Three young Russian friends, who move from Moscow to Berlin in a lucky wave of emigration right after the fall of the Berlin wall. They take their chance looking for a better life and find themselves involved in the tales of everyday lunacy on the streets of Berlin and its spirit of the early nineties.

15 years ago Paul Jordan was a star in Hollywood musicals. But then he retired from showbiz and married the rich Joan. Now, after being dependent on his wife's money for many years, he's sick of it and wants to work again. A romantic affair with his stepdaughter, Shirley, gives him the guts to ask for a role. His former agent gets him one but it's with a small company in Vienna, Austria. The stress worsens his alcoholism; the tablets he takes to hide the effects lead him to hallucinations. When his wife and girlfriend appear at the same time, he's no longer capable of handling the situation.

Few musicals can claim to capture the mood of a historical period as well as the 1972 classic Cabaret. Liza Minnelli's unforgettable portrayal of singer Sally Bowles and the film's stylish recreation of the era have become defining images of Weimar Berlin. In this documentary, actor Alan Cumming explores the truths behind the fiction. He meets many of those closely involved with the original film, including Liza Minnelli, and talks to cabaret artists, among them acclaimed performer Ute Lemper. Alan explores the origins of the Cabaret story in the writings of Christopher Isherwood and uncovers the story of the real life Sally Bowles, a woman very different from her fictional counterpart. He talks to the composer of Cabaret about the inspiration for the film's most famous songs and discovers the stories of the original composers and performers, among them Marlene Dietrich. Finally, Alan reveals the tragic fate of many of the cabaret artists at the hands of the Nazis.

When his wife leaves him, struggling Bulgarian photographer Zack sets out on a wild trip from London to Berlin. It is a journey that reveals the truth about his lost love - and ultimately to uncomfortable discoveries about himself.

Flanders, a famous female author, travels in 1989 after the fall of the Berlin wall into the German capital. She is deeply depressed by the events because she saw the communist state as a very good thing that has now ended. In the joy of these days she finds no one to understand her, so she has to travel back to Munich. After meeting several people, known and unknown, it seems as if there will be no way to go.

An archaeologist and a weapons designer, who knew each other in a previous life as a filmmaker and a psychoanalyst, meet at an excavation site in the Negev desert and begin a conversation about love and war, which they continue in the Israeli city of Be’er Sheva. A series of encounters with alternating actors in different roles ensues, which leads the viewer through the cities of Athens, Berlin, Hong Kong and São Paulo. Among those appearing are: an old artist who meets his younger self; a mother who lives with her two grown-up sons, a priest and a policeman; a Chinese and a Japanese woman; a curator and a cosmologist.

Eddie Kehoe is a young vaudeville hoofer who thinks his inability to hit the big time is the fault of stage managers, agents, musicians...everybody but himself. Eddie likes to tell others how good he is, but seldom shows them. Kitty Mayo, an old-time burlesque queen, who is with the McNary Vaudeville Company, advises Eddie to get himself a partner, as his solo abilities can only be stretched so far. He decides to follow her advice and, while in a theatrical supply shop, he sees Rita Carey rehearsing her dancing act that includes a trained duck. Eddie tells Rita he is a good friend of McNary's, and, with him as her partner, her future in show business will be secured. She agrees to join him and Eddie promptly names the act "Eddie Kehoe and Partner". Despite his conceit, Rita likes Eddie, as do others in the troupe, including Cleo a little gold-digger.

A bank employee who stole money at work falls in the hands of a dangerous escaped convict whose girlfriend is going to help him out of this mess.