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Based on the Helen Hunt Jackson novel of 1884 about a young woman of partial Native American descent, who experiences love and loss in 1800s California.

Norma Talmadge plays a Mexican saloon singer, known as 'The Dove.' She is romanced by a young caballero and menaced by a Villa-like brute of a dictator, played by Noah Beery.

A doctor returned from the Korean War must choose between joining a glamorous practice and helping the poor.

Renée (Mae Murray) is the heiress of a Mexican ranch, granddaughter of a woman known for her recklessness and frivolity at night. This first "Mademoiselle Midnight" is banished in the opening scene by Napoleon III at Empress Eugenie's insistence to Mexico. Renee is kept locked at the hacienda at night by her father to prevent her following in her grandmother's wayward footsteps. She falls in love with a visiting American (Monte Blue) but is also pursued by the craven outlaw Manuel Corrales. Miss Murray gets to do some of her trademark dancing, but this one isn't a comedy, despite comic relief provided by Johnny Arthur.

Six young archaeology students discover the remains of an ancient Aztec mummy and accidentally unleash the fury of an evil god.

Two brothers: one's a cop, one's a gangster.

Bad dude tries to make time with a good dude's fiancée. When he can't get anywhere with her, he and his sidekick frame the good dude for a murder and a bunch of thefts.

Visiting his vast properties incognito, Hugh Nichols (Tom Mix) discovers that his land agent (Cyril Chadwick) is forcing Peggy Swain (Clara Bow) and her dad (Frank Beal) off their neighboring ranch. When decent-minded Nichols demands that the agent cease harassing the farmers, the nasty villain blows up the nearby dam, flooding the valley.

An alcoholic grandfather is seriously ill. His doctor suggests that experiencing a bad scare could cure him. His grandson volunteers to help him.

After midnight on a bridge not linking neighborhoods but dividing them, eighteen year old basketball phenom Marcus Jennings was taken out. Friends remain silent, giving power to a killer, binding them for life. Celebrity attracts the good the bad and the ugly, not always clearly defined, but in the end, it was what they all had in common that ended Marcus's life ... fear. Fear of staying, fear of leaving and the fear of appearing weak. It's the choices we make.

A romantic melodrama set in old California.

The old massa dies and his son comes home to take over the hacienda. Things are going to be a whole lot different now; he's overturning all the old social order. A-a-and...

In this western, the hero takes a Mexican vacation, gets caught up in a revolutionary plot with the powerful owner of a hacienda, and falls in love with the rancher's daughter all at the same time.

Romantic triangle on the hacienda.

During a stormy night, a rich man is abandoned by his wife, blaming him for her unhappy life. The man and his driver die in an accident in the carriage, after leave the house to search the woman. Days later, the only son and heir of all the properties, Carlos Landa (Tomás Perrín), a military man, returns to the country with intentions of selling the hacienda and all the land, firing all the workers. The beautiful and charming maid, Luisa (Mapy Cortés), daughter of the death driver, encourages him to keep it all and begin to harvest the land. Although Carlos accepts, the villagers begin to gossip around the new life at the hacienda, with prejudices about Luisa and Carlos living alone there. However, in time Luisa starts to have feelings about Carlos, and he seems to correspond, but the arrival of an aristocratic woman, Margarita (Amparo Morillo), catches the attention of Carlos.

In a world of noise, Clarence is a jar of sunshine, pure and simple. He sees the world only in his favorite colors: goofy grape and neon green. Clarence values his friends Jeff and Sumo and his mother Mary more than gold. No matter what happens, good or bad, nothing brings Clarence down.

Letty Dobesh is a thief and con artist fresh out of prison whose life is always one wrong turn and bad decision from implosions — just how she likes it. But when she overhears a hitman being hired to kill a man’s wife, she sets out to derail the job, launching her on a collision course with the killer, entangling them in a dangerous and seductive relationship.

Charles Russell dies, but since he is too good for hell and too bad for heaven, he is given the opportunity to go back to 1987 to assist his younger self, Chazz, in making better decisions at critical junctures in his life in order to (hopefully) get into heaven. As of December 1987, the show was revamped and retitled Boys Will Be Boys. The entire fantasy element of the series was dropped, along with Charles and St. Peter.

After taking his young son Roddy to a remote Northumberland village, Peter Greenbank meets a violent death, leaving the boy alone with no family to speak of. Roddy is adopted and raised by Kate Makepeace, a good friend of his father’s, and develops a close friendship with Hal and Mary Ellen. But their sibling bond is put to the test as they become adults. The hidden secrets of the past are painfully unearthed as their lives are intertwined by a tragic destiny.

At that time her name was Luisa, she was a humble and naive peasant who worked with her grandmother on the ranch of the powerful Montero. Also at that time she was outraged by Gonzalo, the son of the ruthless hacienda owner, Don Gregorio. She became pregnant, Gladis, Gonzalo's wife, had the girl be beaten to make her lose the baby, which she achieved. Gregorio had the little house where he lived with his grandmother burned, the latter dying in the horrible fire. She was expelled like a dog from the ranch, she left town like a common criminal, but the years have passed, Luisa who now calls herself Victoria has returned to town with an adopted daughter and turned into a sophisticated, rich and powerful woman, with a single goal in mind: revenge on everyone who hurt him so much.

In the village of San Andres, the rivalry between two families the Valdes and the Ramirez is centered on "El Manantial", a beautiful fountain of water that happens to bathe the small property of the Valdes and not the neighboring ranch, the rich and prosperous hacienda "Piedras Grandes", where the best cattle are raised and is property of the Ramirez. But the spring is not the real reason for the hatred between the families. Justo Ramirez, married to Margarita Insunza, had a relationship with Francisca Rivero, wife of his enemy and neighbor Rigoberto Valdes. This relationship, founded in the betrayal, will cause the utmost bitterness and the destruction between the two families. The Valdes have a beautiful daughter named Alfonsina, who was born in the same year as Alejandro, the son and heir of the Ramirez. Although they have grown separately with their souls full of prejudices against their respective families, the two cannot avoid feeling attracted to each other. Margarita will not permit this and so she tells her husband to make sure her son will never be together with Alfonsina so he could marry Barbara, her cousin's daughter. Justo rapes Alfonsina and she leaves along with her mom and her aunt. Five years later... Alfonsina is graduating from school and has a good life until her mother commits suicide because she found out she was deathly ill and could no longer live with the guilt of her lifestyle. Before dying, her mother confesses to Alfonsina that Justo Ramirez destroyed her life and after that Alfonsina vows revenge on the man who destroyed her family. She returns to San Andres and there she once again sees Alejandro who is now engaged to Barbara. Their love is still present in their hearts. They will have to fight for their love and see if they can be happy by the shores of El Manantial... El Manantial is a Mexican telenovela that first aired in 2001, starring Adela Noriega and Mauricio Islas. The telenovela received TVyNovelas Award for Best Telenovela, in 2002.

Fuego en la sangre is a telenovela that began transmissions on January 21, 2008, through Mexico's Canal de las Estrellas network. Starring Adela Noriega, Eduardo Yáñez, Diana Bracho, and Guillermo García Cantú. It is the Mexican remake of the Colombian soap operas Las Aguas Mansas and Pasion de Gavilanes. The theme song called "Para Siempre" is sung by Vicente Fernández. The telenovela received TVyNovelas Award for Best Telenovela, in 2009.

The life of a single, carefree man suddenly changes when he has to take care of three nieces.

For decades, childhood best friends Kate and Tully have weathered life's storms together -- until a betrayal threatens to break them apart for good.

The series follows Daniella Hernandez, a highly sought-after entertainment lawyer in Los Angeles, as she navigates the nefarious lives of her rich and famous clients while dealing with her own complicated personal life as a recovering alcoholic who compensates for her suppressed addiction with men and the adrenaline of defending the worst in the entertainment world against an over-zealous D.A. sworn to bring them all to justice. She is the classic conundrum of doing good for bad reasons and doing bad for good reasons.

Mariana is a poor young woman who is left alone in the world and must make her way in life. When she saves the life of Alberto Salvatierra, in gratitude he takes her to his house where she meets Luis Alberto Salvatierra and they fall deeply in love. To carry on their relationship, Mariana will have to overcome obstacles of social class, education and traumas, while being surrounded by ambitions and betrayals. When Mariana and Luis Alberto are able to realize their love, life will bring them a tragedy: the loss of their son.

Natalia is a school teacher who wants to dedicate herself to local tourism. Cristo is a criminal who pretends to be a benefactor to those in need. Cristo becomes obsessed with Natalia and does unimaginable things to win her over.

Emilia a single mother who works in a mine fall in love with Leonardo the son of Roberta Castro the most powerful of the people. Roberta will seek revenge on Emilia by making her life miserable.

Investigating a murder is hard enough. But when detectives realize the killer knows how to stage a crime scene to throw them off, the job gets even more difficult. They’re hunting down criminals who are sworn to protect and serve -- killers with a badge.