Best movies like Walnut Bread

As children, Kathy, Ruth, and Tommy spend their childhood at an idyllic and secluded English boarding school. As they grow into adults, they must come to terms with the complexity and strength of their love for one another while also preparing for the haunting reality awaiting them.

Waxing nostalgic about the bittersweet passage from childhood to puberty, four childhood girlfriends — Teeny, Chrissy, Samantha and Roberta — recall the magical summer of 1970. During their walk down memory lane, they reconcile experiences with boys, secrets, bullies and more.

Rose is taken in by the Hillyer family to serve as a 1930s housemaid so that she can avoid falling into a life of prostitution. Her appearence and personality is such that all men fall for her, and she knows it. She can't help herself from getting into trouble with men.

A 1971–72 documentary film by Jonas Mekas. It revolves around Mekas' trip back to Semeniškiai, the village of his birth.

Five young adults in a small American town face the revelations of secrets that threaten to ruin their hopes and dreams.

In a blue-collar American town, a group of teens bands together to form the Dandies, a gang of gunslingers led by Dick Dandelion. Following a code of strict pacifism at odds with the fact that they all carry guns, the group eventually lets in Sebastian, the grandson of Dick's childhood nanny, Clarabelle, who fears the other gangs in the area. Dick and company try to protect Clarabelle, but events transpire that push the gang past posturing.

The story of the early, murderous roots of the cannibalistic killer, Hannibal Lecter – from his hard-scrabble Lithuanian childhood, where he witnesses the repulsive lengths to which hungry soldiers will go to satiate themselves, through his sojourn in France, where as a med student he hones his appetite for the kill.

A widowed mother and her son change when a mysterious stranger enters their lives.

In 1970s London, a teenage outsider named Enn falls in love with a rebellious alien girl named Zan, who has come to Earth for a party. Together, they navigate the complexities of intergalactic culture and the trials of first love.

The true story of Harvey Milk, the first openly gay man ever elected to public office. In San Francisco in the late 1970s, Harvey Milk becomes an activist for gay rights and inspires others to join him in his fight for equal rights that should be available to all Americans.

An epic love story spanning decades is sparked by a chance encounter between two men in provincial Mexico. Based on a true story, ambition and societal pressure propel an aspiring chef to leave his soulmate and make the treacherous journey to New York, where life will never be the same.

A group of childhood friends, now in their thirties, reunite at Camp Tamakwa. Only a few of the original campers show up, but they still have a good time reminiscing. The people share experiences and grow while at the camp. They are dismayed to discover that the camp's owner, Unca Lou, is going to close the camp down.

As her adolescence gives way to the obligations of motherhood, troubled Gemma matures in Motherwell, her Scottish hometown, heavily dependent on the steel industry. Unfortunately for her, her hedonistic way of understanding the world does not fit in with the philosophy of the rest of the villagers, so trouble soon follows.

Petra Going is a migrant cyborg, an agent of the Global Nomad Project: an international “Experience Data Agency” which sends hundreds of “receivers” like her to wander the globe and record a succession of random encounters. Periodically, they return to agency headquarters where they deposit their accumulated memories into an archive. This archive is available to users who then vicariously and virtually inhabit the ready-made landscapes of touristic consciousness. The motto of the GNP: “Nostalgia For Rent.”

Desperate for a job to help him support his family, Jim Norman takes a position teaching high school in the town where his brother was murdered in front of him by teenage bullies twenty-seven years before. The teens who committed the crime are long dead, but now the kids in Jim's new class keep dying and being replaced by new students who look like the deceased hoodlums.

This movie is based on a novel by Boris Vasiliev and describes life in a small Russian provincial town in 1940 - one year before Germany invaded the Soviet Union. The main characters of the film are ordinary Soviet high school students. They study in the Soviet school, try to be correct and ideological Komsomol activists. But not always the “correctness” suggested by the teachers coincides with the inner convictions of young souls - it is difficult for them to come to terms with the fact that their relatives and loved ones are suddenly “enemies of the people”.

In a poor provincial town, the ragamuffin boys are frenziedly drilled for combat, and at nights the local elite, gathered in a pool room, boasts of fictitious biographies, while bands of boys amuse themselves with bloody fights on trashy vacant plots… One of the most vivid staples of the postwar childhood were pigeons. They could be bought, sold or stolen. One day a beautiful white dove appeared over the town. Risking his life, Ivan caught the White. And immediately became the target of the "pigeon" mafia…

A young woman, Tara Maguire (Robin Wright) scandalizes her provincial Irish village in the 1950s by having a baby out of a wedlock, and refusing to name the father. She has a rare beauty and every man in town desires her, especially Sergeant Hegarty (Albert Finney). The arrival of a dramatic troupe stirs things up even more, especially when she falls in love with one f the "Playboys", Tom Casey (Aidan Quinn).

The first part of Bill Douglas' influential trilogy harks back to his impoverished upbringing in early-'40s Scotland. Cinema was his only escape - he paid for it with the money he made from returning empty jam jars - and this escape is reflected most closely at this time of his life as an eight-year-old living on the breadline with his half-brother and sick grandmother in a poor mining village.

Russian provincial town in the middle of the 1930s Stalin's Great Purge. Ivan Lapshin, the head of the local police, does what he has to do. And he does it well.

Hannah and Rachel grew up as little girls in the same small Midwest town, where traditional gender expectations eventually challenge their deep love for one another.

Misha, an idealist dreamer suffering from severe epilepsy, collects abandoned memories of lost ones. He believes “Love” can make miracles. In the only tavern of the abandoned town, which is aside by the Zone, other fellow smugglers mock Misha. However, Eva, a beautiful young woman with a maternal nature who works at the tavern, has a great admiration for Misha’s innocence. She seeks to enter the Zone with Misha in the hope to find her missing son Gabriel despite she has been told to accept the fact that he is gone forever. There are some rumours that dead people appeared alive in the Zone if they have been truly loved and missed.

After an accident causes Robo-Dog to get lost and lose his memory, he is taken in by a new family. Tyler enlists the help of Barry as they scour the town in search of their missing robotic best friend.

Whether it's playing games in a military zone, cheating at school tests, crossing borders for cheap thrills or doing whatever it takes to make illicit money - these boys know that with every risk, they move closer and closer to an irreversible jeopardy. Deftly exploring masculinity and peer-pressure, these five coming-of-age tales from France, the Netherlands and Lithuania from burgeoning new filmmakers demonstrate that sometimes young hearts can run dangerously free. The short films are: Gotta (2015); The Last Day of School (2019); Tree House [Cabane] (2016); Gameboy (2014); Pollux (2018).

The filmmakers were given remarkable freedom to record the historic 1984 contract negotiations between the United Auto Workers and General Motors Corporation. Bob White, labour leader of the Canadian branch of the UAW, must also confront his American counterpart from Detroit and succeeds in arriving at a contract that is significantly Canadian. His members had already given him a mandate to fight for independence from the American union. This is an invaluable document for anyone interested in the complexities of United States-Canada relations. It's an extraordinary film about revolutionary events.

Actor James Mason returns to his Huddersfield roots. Harking back to his childhood memories, he remarks how the town has changed and developed but the people have remained the same.

In an interview at age 84, Chuck Jones (1912-2000) talks about his life, particularly his childhood: he describes an adventurous uncle; his mother, who never said no; his father, a critical and abusive man who had his uses; Chuck's going to art school and studying the human body; success as an animator; and, old age. As he talks, we also see clips from his work, we watch him draw, and simple animation illustrates parts of his story. He talks about growing up on Sunset Boulevard, going to the beach, his enjoyment of Mark Twain, his mother's loving creativity, the connection of his personality to some of his cartoon characters, and the joy of being alive.

Dan Cruickshank returns to his childhood home of Warsaw for the first time in almost 60 years. In a personal and moving film, he recalls his boyhood memories to explore the memories of the city and the memories of its people. No city in Europe suffered so much destruction in the Second World War, no city rose up so heroically from the ashes. The Nazis had razed Warsaw to the ground, but after the war the people fought hard to bring their city back from the dead in one of the greatest reconstruction jobs in history. As a boy, Cruickshank lived in the rebuilt old town and it inspired his love of architecture and made him the man he is today.

Lisa's trip home to Evergreen for the holidays finds her shepherding an effort to save the town's beloved general store, fulfilling the wishes of a Christmas past and finding a romance full of Christmas magic.

South of the Moon is the story of a young boy and his uncle, one dealing with the complexity and confusion of adolescence, the other with the pain and torment of regret.

Two young neighbors embark on a first love relationship in which they struggle to remain kids amid the complexities of modern adolescence.

Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'

This is a story about modern youth, about how young people enters the great beautiful world of complex human relations, how, when faced with different people and phenomena, boys and girls are convinced that good and bright are affirmed in life.

34-year-old Pamela is a small and shy woman. She works at the cash register of a supermarket. She attends a religious temple led by a Brazilian minister. She periodically visits her autistic mother. She is an anonymous character, leading a meaningless life. Suddenly, a miracle occurs. Messages of a marvelous destiny start to reach Pamela in unusual ways: a client, a gentle and charismatic transvestite, her own mother, dreams, bar codes, real and imaginary signals. The Savior of the Next Millennium is apparently on his way and everything indicates that she, being a virgin, is carrying him on her entrails. Impelled to face herself, Pamela undertakes an inner voyage. A paradoxical voyage: the more mystic she grows to be, the more human she becomes.

Film, based on a story by Latvian novelist Egons Līvs, focuses on the resolve of a human being and the whole Lithuanian nation in the face of cataclysmic events to find the time and room for simple emotions. The film depicts a chaotic period through the relationship of the two brothers, one dedicated to his family and conscience; the other dedicated to a political ideal. These divided brothers can be read as a representation of a country torn in two, of a history rudely divided. Lithuania has a history of occupation and the struggle to survive is as much personal as it is cultural.