Best movies like We're No Animals

River Miller, a mentally unstable actor haunted by the past, moves to Hollywood to start his life over, only to find his inner demons are inescapable.

When a billionaire entrepreneur impulsively decides to create an iconic movie, he demands the best. Renowned filmmaker Lola Cuevas is recruited to mastermind this ambitious endeavour. Completing the all-star team are two actors with massive talent but even bigger egos: Hollywood heartthrob Félix Rivero and radical theatre actor Iván Torres. Both are legends, but not exactly best friends. Through a series of increasingly eccentric trials set by Lola, Félix and Iván must confront not only each other but also their own legacies. Who will be left when the cameras finally start rolling?

An out of work actor takes a role in a vampire porno.

Gavin Stone, a washed-up former child star, is forced to do community service at a local megachurch and pretends to be Christian so he can land the part of Jesus in their annual Passion Play, only to discover that the most important role of his life is far from Hollywood.

Set against the backdrop of a decaying Midwestern town, a murder becomes the focal point of three people who work in a doll factory.

Former child star Joe Davis, reduced to living in a cheap Hollywood motel while struggling for acting jobs, is lusted after by nearly every woman he meets, including Jessica Todd, a tightly wound feminist who has recently come out as a lesbian. When Jessica's mother, Sally, an emotionally needy has-been actress, meets Joe, she moves him into her enormous, tacky mansion as her new boy toy and attempts to get him acting work.

This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized. He is identified by the number 9413 written on his forehead.

On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.

The only journey is the one within. Mandorla explores a man's search for a meaningful life despite conflicts between his inner and outer worlds. Ernesto is a visual artist and seeker stuck in a corporate job, who is drawn by dark magical visions to a medieval French city. There he seeks an elusive banker to help him unlock an obscure dream that threatens his job, family, and sanity.

After an unfortunate incident causes him to leave the "family business" and move to Los Angeles, Vinny Pallazzo is living a quiet life. When his nephew, Anthony, moves in with him, Vinny slowly learns to live life to the fullest again. However, Anthony is young, and is living life in the fast lane. He brings out the demons from Vinny's past. Now Vinny must try to stop Anthony from making the same mistakes that changed his life forever.

To Hell and Back: The Kane Hodder Story is the harrowing story of a stuntman overcoming a dehumanizing childhood filled with torment and bullying in Sparks, Nevada. After surviving a near-death burn accident, he worked his way up through Hollywood, leading to his ultimate rise as Jason Voorhees in the Friday the 13th series and making countless moviegoers forever terrified of hockey masks and summer camp. Featuring interviews with cinema legends, including Bruce Campbell (Ash vs. Evil Dead), Robert Englund (Freddy Krueger), and Cassandra Peterson (Elvira: Mistress of the Dark), To Hell and Back peels off the mask of Kane Hodder, cinema's most prolific killer, in a gut-wrenching, but inspiring, documentary. After decades of watching Kane Hodder on screen, get ready to meet the man behind the mask in To Hell and Back - an uniquely human story about one of cinema's most vicious monsters.

On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.

Dale Squire is a hip, quirky, independent single gal living in the glossy city of Los Angeles. After several failed attempts in quasi-relationships, Dale concludes that finding a meaningful relationship in L.A. is impossible. But being anti-social is tough for any young girl in Hollywood. With Jill's frantic wedding right around the corner, Dale finds herself reflecting on the significance of marriage, and the mutual respect needed for a successful relationship. When Zach, a successful heartthrob rock star and old friend of Dale's finds his way back into her life, Dale slowly starts to think that maybe finding love in L.A. is possible - the only problem is that her realization might have come too late, leaving Dale in a silent love triangle, with no way out. Written by Will, Christie

Brandi (Elina Madison) has until the end of the day to fire two employees, then someone decides to up their chances of remaining employed by making people disappear.

Making Moves that risks everything over comfort and stability.

Part period melodrama, part film noir, part 50s road movie "JOSHUA TREE, 1951" is a portrait of screen legend and outsider icon James Dean as you have never seen him before.

The story of Tasmanian-born actor Errol Flynn whose short & flamboyant life, full of scandals, adventures, loves and excess was largely played out in front of the camera - either making movies or filling the newsreels and gossip magazines. Tragically he was dead from the effects of drugs and alcohol by the time he was only 50 & the myths live on. But there is another side of Flynn that is less well known - his ambitions to be a serious writer and newspaper correspondent, his documentary films and his interest in the Spanish Civil War and Castro's Cuba

John Boorman met Lee Marvin in London when the latter was making The Dirty Dozen and immediately they struck up a friendship. Shortly afterwards they made two films together, the first of which was Point Blank, during which Boorman found that he learnt a lot about screen acting and how to direct from the contributions and support from Marvin. Later they worked together on Hell in the Pacific. With his friendship providing an insightful collection of memories of Marvin, Boorman leads this intimate documentary on the life of Lee Marvin.

Lila and Marcela have always worked on the cleaning staff of a state office. They know its nooks and crannies better than anyone, and have found a way to support themselves - and a dream - running a clandestine kitchen in an abandoned corner of the building. But times change: a new director arrives, spouting cynical speeches full of clichés with a fistful of empty promises. The kitchen is closed and a wave of redundancies disrupts the precarious equilibrium in the office, making everyday tasks a struggle for survival.

Jamal and Dex, out of work actors, come to terms with reality when they realize they've been pursuing their dreams for over ten years and still haven't booked a single speaking role. When the two run out of cash and face eviction they hit the pavement in search of a job. With no experience, no skill set and little ambition, the audience gets a front row seat to this hilarious journey in which these two characters can't seem to catch a break

Screenwriter Javier Gross denies his past by making up fictional stories. Lucia, his wife, tired of his fiction, starts an affair. But not even the confession of infidelity touches Gross, who is caught up in the story of a script that is writing, whose idea is so powerful that dominates it completely. Lucia, after seeing that Gross is unshakable, decides to leave. But Gross wastes no time: the same day replaces Lucía by Laura. From day one, Gross confuses the names of women. Thus Laura is transformed into a second copy of the true love of Gross.

Actor Rick Smiley Dolphin gained fame and fortune by starring in triple X films but now he struggles to find meaningful work in Hollywierd. He spends most of his time licking lollipops with Cliff Power Boost, his easygoing best friend and longtime sex body double. Rick also happens to live next door to Roman Polanowski’s son and Shannon Tattoo -- the another porn star and promising actress whose future will forever be altered by members of the Charlie Don’t Even Mention and his Family.

An actor at the end of the line who used to play a PI on TV turns to real detective work when a fan of his begs him to help her.

Filmed in Nevada's barren Black Rock Desert in July 1969, "Hard Core" opens with an establishing shot of an expansive blue sky immediately evoking the American West, which sets the scene for De Maria's innovative and experimental film. The work intercuts two differing cinematic approaches: one that explores the observational potential of the medium through wide-angle, 360-degree shots that pan over the changing desert landscape, and the other that appropriates familiar visual tropes taken from the Hollywood Western movie genre—such as pistols, Levi's jeans, boot spurs, and leather chaps—and implements them in a performance. The soundtrack is an edited compilation of two of De Maria's "drum compositions," "Cricket Music" (1964) and "Ocean Music" (1968), which creates a sense of anticipation for the viewer. In the last minute of the film, a series of unexpected events unfolds in rapid succession, producing a dramatic climax.

Eight hundred German filmmakers (cast and crew) fled the Nazis in the 1930s. The film uses voice-overs, archival footage, and film clips to examine Berlin's vital filmmaking in the 1920s; then it follows a producer, directors, composers, editors, writers, and actors to Hollywood: some succeeded and many found no work. Among those profiled are Erich Pommer, Joseph May, Ernst Lubitsch, Fritz Lang, Billy Wilder, and Peter Lorre. Once in Hollywood, these exiles helped each other, housed new arrivals, and raised money so others could escape. Some worked on anti-Nazi films, like Casablanca. The themes and lighting of German Expressionism gave rise in Hollywood to film noir.

A Night at the Movies: The Gigantic World of Epics looks at Hollywood’s biggest screen spectaculars from all sides, including the genre’s beginnings, literary adaptations, great epic directors and actors, the challenges of making big-budget movies, classic set-pieces and epic music scores. The special also looks at how the genre fell out of favor with audiences and filmmakers in the ‘70s and ‘80s, only to be reborn with more recent films like Gladiator, and Dances with Wolves trilogy. Throughout, the special is packed with classic scenes and behind-the-scenes images from such films as The Birth of a Nation (1915), Gone With the Wind (1939), Samson & Delilah (1949), The Ten Commandments (1956), Ben-Hur (1959), El Cid (1961), King of Kings (1961), Lawrence of Arabia (1962) and Doctor Zhivago (1965).

Daisy is a beautiful no-nonsense employee in an advertising firm. Her female co-workers want to help her find someone, and her male co-workers want to be that someone - but only as a one night stand. She begins to enjoy this attention.

Jorge Villafañez is a rotund, veteran private detective living alone in a high-rise apartment in Buenos Aires. Discreet and meticulous, he has a knack of making people open up in conversations. But when a new assignment puts him on the trail of Elvira, an experimental choreographer, the distance between the observer and the observed begins to collapse as Jorge descends into the rising waters of the Delta del Río de la Plata.

Heterophobia traces the quick fall into hell of Mariano. A young gay man who, having been first raped and then rejected by an heterosexual friend with whom he had vague romantic illusions, has a sentimental journey from initial guilt and messianistic will of redemption, through flaring spite, up through castrating rage, before arriving to a final conclusion: that the the only possible action against patriarchy is revolution. Made in the margins of the Argentine audiovisual community (from which some of the creative team have been effectively blacklisted). It was produced according to the precepts of guerrilla film making is a romantic torch song--not melancholic, but actually demanding a torch with which to ignite the world.

A cat wandering among the pastures, the sparks that emerge among the red embers of a fire, a man walking under the shadow of high trees in the middle of a forest, a distant fire, the ghostly figure of firemen at night: these are some of the minimal postcards that make up the enormous beauty of the Manantiales mountains, in the outskirts of Córdoba, Argentina.

Benjamin is a young queer millennial actor living in West Hollywood who was once a famous child actor. When a new neighbor Chase moves across the hall and reveals himself as a fan, Benjamin begins investigating the oddly familiar man with his best friend Harley.

A writer from New York moves to Los Angeles with his fiancé to adapt a children’s book for a Hollywood producer. A series of meetings begin between the author of the book, the director, and other actors, each having their own take on the direction of the script. The writer and his financier are constantly fighting as the work becomes more and more tiring and gruesome. Fearing medication has made him mediocre, the writer is faced with a choice between having a happy life and being a successful writer in Hollywood.

Hollywood collides with a group of veterans who are tired of the typical PTSD and valor-portrayed movies and decide to make an original dark humor zombie apocalypse film all on their own.

Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they're good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.

A movie about making movies about making movies. In 1968, William Greaves shot several pairs of actors in a scene in which a woman confronts her husband and ends their relationship. In "Take 2 1/2," Greaves starts with 1968 takes of one of these pairs of actors plus footage of the crew discussing the film's progress. Then, 35 years later, Greaves brings back to Central Park those actors and some of the original crew (plus others) to film a reunion of the characters Alice and Freddie. We watch scenes of these characters and discussions among the actors and crew. Greaves explores and dramatizes the dialectic in the creative process.