Best movies like What Makes You Happy

Alessio Rinaldi, a 25-year-old director, gets the charge from a producer to write the script of his first movie with Ubaldo Terzani, a well-known writer of horror novels. Alessio moves into Terzani's house to start this collaboration, and a strange relationship of psychological dependence grows between them: Ubaldo Terzani unveils his dark side, and Alessio fall in a desperate depth of craziness and nightmares. There is a reason why Terzani's bestsellers are so frightening ... Alessio will discover that reality can be unexpectedly more terrifying than every brainchild, and he will have to fight hard to escape Ubaldo Terzani's jaws.

During the Nazi occupation of Belgium during World War II, a Belgian resistance group revives the newspaper "La Libre Belgique" to expose and counter Nazi propaganda efforts to deceive the people. They are so effective that the Nazis offer a reward for the capture of the paper's staff, although they don't know their identities. One of them is a well-known entertainer, and when his jealous partner hears of the reward, he turns him in. The paper's publishers escape capture, but their staff doesn't. The paper's founders must find not only a way to keep from getting captured by the Nazis but keep their newspaper going and get their staff released.

A young rock & roll hopeful is given a shot at the big time by the unscrupulous owner of a small record company.

Documentary about humans dealing with changing technology, the basic concepts of communication, cinema, and Akerman's mother, seen in her Brussels apartment.

Three film directors make a documentary about the undead in an invested world, he filmed in a time of real zombies. The crew filmed the backdrop of the zombie apocalypse, the real zombie invasion is underway

A young girl gets involved with a crowd that smokes marijuana, drinks and has sex. She winds up an alcoholic, pregnant drug addict and is forced to get an abortion.

Joe Gideon is at the top of the heap, one of the most successful directors and choreographers in musical theater. But he can feel his world slowly collapsing around him - his obsession with work has almost destroyed his personal life, and only his bottles of pills keep him going.

Director Mario Van Peebles chronicles the complicated production of his father Melvin's classic 1971 film, "Sweet Sweetback's Baadasssss Song." Playing his father in the film, Van Peebles offers an unapologetic account of Melvin's brash and sometimes deceptive conduct on the set of the film, including questionable antics like writing bad checks, tricking a local fire department and allowing his son, Mario, to shoot racy sex scenes at the age of 11.

Crazy old Professor Gangreen has developed a way to make tomatoes look human for a second invasion.

At 40, Stephanie loses her job and is forced to move back in with her mother. She is welcomed with open arms to the joys of overheated apartment, Francis Cabrel playing on loop, Scrabble games and precious motherly advice on how to behave at the table and live her life.

Released in 1995, Paul Verhoeven's Showgirls was met by critics and audiences with near universal derision. You Don't Nomi traces the film's redemptive journey from notorious flop to cult classic, and maybe even masterpiece.

Chevy Chase makes his film debut in this riotous collection of live skits. Directed by Ken Shapiro and featuring Chase, Richard Belzer and others, The Groove Tube mocks TV Land and its trappings by spoofing kids' shows -- from a marijuana-smoking Koko the Clown who resides in Make Believe Land, to Safety Sam, the penis with a plan who gleefully informs the audience of the perils of casual sex.

A series of interviews are conducted concerning people's beliefs towards the possibility of an afterlife. The interviews are filmed against a set of strange backdrops, and are intercut with clips from classic films and a variety of stock footage.

A socially shunned columnist finds his romantic match online, but messaging under the wrong account causes his sleazy roommate’s picture to be forwarded, creating an identity mix-up.

Erik is a hip-hop-lovin' teen living in Philadelphia who'd rather spend time listening to his idol, the rapper Prolifik. One day, Erik finds himself more entangled in Prolifik's life than he ever imagined possible: Prolifik's been kidnapped, his master tapes are gone, and, through a series of twisted events, the same people who are after the musician go after Erik, too.

Lola is pregnant, and she isn’t sure who the father is: Félix, a Jewish delivery boy, or Jamal, a black law student.

When a former marine is framed for a deadly terrorist bombing, he must track down the mastermind behind the plot. But soon he discovers an even deadlier conspiracy that threatens the nation. One that will force him to choose between the freedom of millions, and his own survival.

An inspector of the Antwerp criminal investigation unit faces problems not only in his professional life, but also at home. When he is partnered with a young, over-confident colleague, he loses control over the case in hand.

Marie and Boris decide to get a divorce after 15 years of marriage. Tensions rise when cash-strapped Boris must continue to live with Marie and the two children while trying to figure out how to divide the assets.

An autobiographical film taken from the experiences of writer-director Rob Moretti, CRUTCH is a coming-of-age tale about a young man's struggle with family problems and substance abuse. Behind a facade of suburban middle class perfection, David's home life is falling apart. As he tries to cope with the impossible situation, the troubled and impressionable teenager falls under the spell of Kenny, a georgous, thirty-something, has-been actor turned theatre coach. When Kenny's "support" escalates into seduction, David slowly decends into an abyss of drinking and drug addition from which he must escape if he is to survive. CRUTCH is a dramatic tale of the confusion of youth and the difficulties in finding oneself.

A self-obsessed man runs through one woman after another in this screwball comedy. One of his rejected former lovers decides to take it upon herself to see to it that he never develops another relationship.

A movie producer, director and assistant take the Trans-Europ-Express from Paris to Antwerp. They get the idea for a movie about a drug smuggler on their train and visualize it while taping the script.

Lisa's life changes dramatically when she discovers she is seropositive.

Hollywood stuntman falls in love with a big name actress but still wants to pursue his risky career. The women gives him a choice-the stunts or her. He chooses the stunts and still manages to get her.

The Future Doesn't Need Us… Or So We've Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn't just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?

Joe Calvert (Fernadel) is a nearsighted, friendly man who works as a clerk in a large department store, who gets into embarrassing situations when he isn't wearing his glasses. Since Joe works in the department that sells cowboy clothes to kids, his boss is adamant against his wearing glasses as cowboys and glasses don't go together. After a series of near-blind misadventures, Joe is fired. Dejected, he goes to the movies and seats himself next to a dangerous gangster and, when he leaves, takes the man's raincoat. In the subway, on a crowded train, he removes a heavy object from coat pocket. It's a gun and the passengers are in a panic and Joe is arrested, and the police announce they have captured Public Enemy No. 1. The leader's mob, unaware that it isn't their boss the police have, plan an escape, with most of the plans made by gun moll Lola (Zsa Zsa Gabor.) Soon, Joe finds both the police and the gangsters after him.

In 1955, young photographer Dennis Stock develops a close bond with actor James Dean while shooting pictures of the rising Hollywood star.

This is the story of a guy who goes too fast and a big guy who is too slow. Foster meets Taupin. All this would be trivial if one of them had a scary scenario, the scenario of their lives and their deaths. Just open the pages and shake.

The use of dope is running rampant at a small college. Convinced the college's reputation is at stake, Professor Dr. John takes it upon himself to get the college's biggest user to go straight.

Charleroi used to be known for its thriving coal and steel industries. This city near the Belgian capital of Brussels once attracted people seeking work from all over Europe. But it has now come to symbolize the problems plaguing the entire continent: increasing unemployment, immigration and petty crime – and a growing sense of unease. To make matters worse, rain seems to be constantly falling from the gray blanket of clouds looming over the dilapidated apartment blocks and slumbering factories. Charleroi has become a spooky place, and that feeling is only confirmed by the stories supplied by residents and passersby in this poetic film.

That Kind of Girl is a British cult film and the directorial debut of Gerry O'Hara. Produced by Robert Hartford-Davis with a script by Jan Read, it was released in 1963. The film's subject is premarital sexual relationships and sexually transmitted diseases in an English 1960s millieu.

Belgian director Chantal Akerman avoids her usual "real time" technique in Histoires d'Amérique. The anecdotal nature of the subject matter compels Akerman to fragment her narrative, rather than offer it in one, uninterrupted continuum. Still, another Akerman trademark -- permitting the "drama" to emanate from the actors rather than the situations -- is very much in evidence. This informal history of Jewish life over the past 100 years is related in a series of eyewitness accounts, re-created by a group of largely unknown actors. Also known as American Stories, the Belgian/French Histoires d'Amérique began building an audience when it was shown at the Berlin Film Festival.

The former activist’s past finally catches up with him when a mysterious stranger appears at the bar, armed and wanting revenge. The appearance of a double, the depressed and solitary Dom, provides Boris’ cunning partner Kayoko and their faithful friend Tim with the perfect escape plan. But they haven’t accounted for Dom’s ex-wife, Fiona, a suspicious detective on their trail.

The film tells the story of Freek Groenevelt and Simone Marijnissen whose lives are taken over by Joachim Stiller.

The ongoing Vampire saga that started with Vampires: Brighter in Darkness, Vampires: Lucas Rising tells the tale of the immortals Lucas Delmore and Toby Brighter and their fight to defend their Love and Mankind.