Best movies like Whispers of Fire & Water

How do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the future? These are some of the questions posed to His Holiness the Dalai Lama by filmmaker and explorer Rick Ray. Ray examines some of the fundamental questions of our time by weaving together observations from his own journeys throughout India and the Middle East, and the wisdom of an extraordinary spiritual leader. This is his story, as told and filmed by Rick Ray during a private visit to his monastery in Dharamsala, India over the course of several months. Also included is rare historical footage as well as footage supplied by individuals who at great personal risk, filmed with hidden cameras within Tibet.

Unlocking the Mystery of Life represents a unique programming opportunity for local stations. Its broadcast release coincides with the 50th anniversary of one of the greatest scientific breakthroughs in history-James Watson and Francis Crick's discovery that the DNA molecule carries hereditary information in the form of a code that many scientists have likened to computer software or a written language. This discovery (announced on April 25,1953) sparked a scientific revolution. But it also left a fundamental question unanswered. Where did the information in DNA come from? How did the software in the cell arise? Unlocking the Mystery of Life explores these questions through the stories of a growing number of scientists who no longer believe that natural selection or chemistry, alone, can explain life's origin. Instead, they think that the microscopic world of the cell provides evidence of purpose and design in nature.

Tricked by a fraudster, Ajay and Anjali are forced to stay in the same flat. They gradually warm up to each other and start getting romantic notions but the arrival of Deepak, Anjali's fiance, puts them in a dilemma.

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

A documentary filmmaker, who is covering the protest of a remote forest tribe, goes missing. His nine-year-old daughter, along with her mother, arrives in the remote tribal area in search of the missing man. While the mother carries an extensive search through conventional means, the daughter does the same by referencing the plot of a fairytale. The quest gets fulfilled when reality and fantasy come together to unfold an ancient tribal myth.

Roja lives in a Tamil village, and her sister is about to marry a man from the city, who decides to marry Roja instead and gets a job assignment in Kashmir, where some militants decide to kidnap them.

Jal revolves around a young man named Bakka, who is gifted with a special ability to find water in the desert. With the backdrop of water scarcity, the film tells a complex and intriguing story of love, relationships, enmity, deceit and circumstances that bring about the dark side of human character.

Branded a coward for abandoning his ship full of 300 passengers, Captain Vijay Pal Singh takes up work in a distant coal mine, poorly equipped, with no sufficient medical supplies or proper facilities. When the miners and their families face a catastrophe, as water has forced its way into one of the mining tunnels, endangering 400 lives, will Vijay be able to rise to the occasion or will he 'abandon ship' again?

Shiva, a tribal vagabond lives with his mother in hamlet, stays away from the traditional Daivaradhane and Bhoota Kola legacy due to an unforgettable childhood incident. He is happy loafing around with his friends and doing petty jobs for his landlord. When Forest officer Murali enters the scene, it gives a fresh dimension to the man-vs-nature fight. Can Shiva save the forest from Murali? Or is Murali just a dummy bait cast by bigger fish?

Mansoor, a reserved and reticent Pithoo (porter), helps pilgrims make an arduous journey upwards to the temple town. His world turns around when he meets the beautiful and rebellious Mukku who draws him into a whirlwind of intense love.

White hunter Allan Quartermain and his enigmatic guide help a young Irish woman locate her missing father in unexplored Darkest Africa.

Adventurer Allan Quartermain leads an expedition into uncharted African territory in an attempt to locate an explorer who went missing during his search for the fabled diamond mines of King Solomon.

A crew of coal miners becomes trapped 600 feet below ground after a disastrous collapse. As the air grows more toxic and time runs out, they slowly descend into madness and begin to turn on one another. Inspired by true events.

A group of four amateur adventurers who specialize in exploring remote and forsaken places pay a visit to Shookum Hills, a town in the remote Appalachian Mountains which was abandoned decades ago due to a mysterious coal mine fire.

A man in his fifties reminisces about his childhood growing up in a Welsh mining village at the turn of the 20th century.

In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.

Fourteen-year-old Eleanor Crane goes to visit her uncle Peter in a remote Eastern European village, and receives an unexpectedly cold welcome from the villagers, who are plagued by a deadly curse - and from her uncle, who hides a deadly secret of his own.

The Brave Don't Cry aspires to the "feel" of a documentary, right down to the deliberate absence of background music. A mine in Scotland falls victim to a cave-in, trapping some one hundred workers. Rescue parties are formed as the tremulous families of the miners wait in agony. As in the actual incident upon which this film is based, the rescue is nip and tuck and times, but eventually successful. The faces of real-life Scottish mining folk are melded with the professional actors in The Brave Don't Cry, adding poignancy to this otherwise cut-and-dried film.

In 1990s, Set in small village Veerlapally, Dharani, Vennela, and Suri are childhood friends. Dharani loves Vennela, but she has Suri in her mind. Knowing Suri’s interest in Vennela, Dharani sacrifices his love and helps get them married. But Local politics between Rajanna, Shivanna and the latter's son Chinna Nambi threaten to disrupt their lives.

Tarzan is summoned to Brazil by an old friend to stop an evil tribal cult from destroying native villages and enslaving the survivors. The Lord of the Jungle is accompanied on his quest by a pretty blonde doctor, a boy and a grizzled sea captain.

Dating within different cultures and being open to all religions, Ethan must deal with constant roadblocks. From First Nations to South American, his journey to find love in Toronto is nothing but complex. He faces discrimination and depression but always remains optimistic.

A small-time thief and a car driver collude with an artist to steal the gold hoarded by a jeweller, taking advantage of the curfew implemented in their village.

Thanks to a remarkable discovery in the BBC's film vaults, the best of David Attenborough's early Zoo Quest adventures can now be seen as never before - in colour - and with it the remarkable story of how this pioneering television series was made. First broadcast in December 1954, Zoo Quest was one of the most popular television series of its time and launched the career of the young David Attenborough as a wildlife presenter. Zoo Quest completely changed how viewers saw the world - revealing wildlife and tribal communities that had never been filmed or even seen before. Broadcast 10 years before colour television was seen in the UK, Zoo Quest was thought to have been filmed in black and white, until now. Using this extraordinary new-found colour film, together with new behind-the-scenes stories from David Attenborough and cameraman Charles Lagus, this special showcases the very best of Zoo Quest to West Africa, Zoo Quest to Guiana and Zoo Quest for a Dragon in stunning HD colour.

February 2013, Allahabad, India. Over the next 55 days, nearly a hundred million people will come here, to the Great Kumbh Mela. This incredible and awe-inspiring celebration of the world's oldest religion happens every 12 years at the place where Hindus believe two sacred rivers meet. For many Hindus this is their most important pilgrimage, and it happens at one of the most holy sites in India. Hindus come to cleanse themselves in the sacred waters of the river Ganges, to pray and emerge purified and renewed. This follows British pilgrims as they embark on a once-in-a-lifetime spiritual journey. A journey that will take them into the heart of Hinduism - its philosophy, its beliefs and its traditions. A journey that will culminate in the largest ever gathering of humans in one place.

Glace Bay, Nova Scotia Canada, 1901. Willie MacLean is a 10-year-old boy with a love for horses and liking to school to cape the difficult times his family has. Willie's stern, but benevolent father is a coal miner in a local mine along with his older brother John. But when Willie's father is injured and John is killed in an accident at the mine, Willie is forced to step into his brother's shoes to support his older sister Nelle, and two younger sisters until their father recovers. Willie soon finds work at the mine lonely (aka: the pit) and unfriendly in which he forms a bond with a pit pony horse in order to make it though each day.

A Brooklyn postal worker follows her Egyptian boyfriend to Cairo where she takes belly-dancing lessons from a legendary but disgraced Egyptian dancer.

While coal fires burn beneath a depressed mining town a greedy businessman stops at nothing to buy up the mineral rights.

Meek farmhand Sasha and policeman Dima have a fraught relationship. They’re brothers-in-law, travel companions, and⁠—secretly⁠—lovers. Over the course of their journey to visit Sasha’s grandmother, unspoken truths are uttered, intimacy is built, and authenticity is challenged. Although they may be far from the peering eyes of their oppressive society, their relationship teeters on a dangerous precipice.

Robert is troubled by nightmares. In his quest to know more about his condition, he takes a trip along with his friend Razzak. They visit a village named Odeyana Samudra where Robert meets Vasupradha, the daughter of the village's landlord and falls in love with her. Vasupradha and Robert, together, go on an expedition to find out the truth behind the mystery of loud screams that plague the village at night. In his search, Robert discovers that he has reincarnated and has lived his past life as Randhawa.

Burning with a desire to be a journalist, a young man gets his chance when a publisher -- the father of a friend -- suggests that he write a story on the daily life of the people in his house (several families worth of people). The material turns out to be too incohesive and abundant to work into a pointed, thematic article, and just when he is about to give up, his younger brother asks him a simple question: "How many coal burners are there in Calcutta?" This triggers an idea for a story about Calcutta's pollution -- and the aspiring journalist dreams of myriads of burner-toting citizens invading the publisher's home demanding redress. Maybe he is finally on the way to a story that matters.

The film is a fantasy driven tale of two men, a poet and a painter, claiming possession over the same Idea, in a rural village portrayed as a wonderland. Idea is personified as a beautiful young lady, free of all bondage. The two men try to justify their claim over their Idea through their forms of art. Unable to settle the conflict, the two men approach ‘Fate’, personified as a big fat man of authority, to judge their claims. They soon realize that Idea is no one’s possession and it isn’t wise to rely on ‘Fate’ for a judgement. They decide to bury their ‘Fate’, and settle the matter in peace. Idea, portrayed as a free spirit, gets impressed by a kid who resides in an alternate world of fantasy, and decides to venture into the new creative world. The real world, with all its materialistic obsessions, rigid notions and prejudices, loses the Idea forever.

A reporter on a visit to his hometown hears of dangerous conditions at the local coal mine, and proceeds to investigate.

John, Julian and Paul enter the Kaibab National Forest for a three-week survival trip and peyote vision quest. The only items they take with them are a knife, a bottle of water and a garbage bag each. A week into their journey a disastrous turn of events changes everything and the men are forced to ultimately confront the darkest corners of their morality and mortality. Battling the elements and each other, the quest becomes to make it out of the forest alive.

The film takes the viewer on an embodied journey moving through a space in which its existence in the real or imagined is debatable. Alike how the alleyway is a physical bridge between two main streets, the film presents a series of juxtaposed images that might seem opposing at a glance – the seer and the seen, the outside and inside, young and old, low and high, the leaving, coming, and returning – but are co-existing elements that sustain the living and breathing of the alleyway. The tactility of witnessing inherently embodied by the 16 mm celluloid is mirrored by the witnessing(s) of the tourists, the residents, the non-human subjects in the space. Via a constructed soundscape in which sonic elements from eastern spirituality find their prominence amongst real-life sounds, and through an embodied camera eye that moves freely in the geographical space of the alley, the film evokes a sense of magical realism which gives texture to the meditation on the Chinese American identity.

An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow?