White Slaves of Chinatown

A woman goes behind bars in order to save her father's life.

In this third installment of the "Olga" series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga's House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it's difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.

Ruthless narcotics dealer and white slavery ring leader Olga keeps her harem of girls in line by hooking them on addictive drugs. Olga suspects an informant in their midst and uses various brutal methods of torture to weed out the squealer. Meanwhile, several of Olga's girls plot their revenge against Olga for her continual sadistic treatment of them.

The beautiful O is taken by her boyfriend, Rene, to a bizarre retreat, where she is trained in bondage and sexual perversion...

TORTURED FEMALES is one of few surviving films distributed by super-cheap Mitam Productions, which was essentially like a west coast version of New York City's Distribpix.

Jesus Franco's campy women's prison film is worthwhile for genre devotees primarily due to an outstanding cast. Mercedes McCambridge is unintentionally hilarious as sadistic lesbian warden Thelma Diaz, spitting tacky dialogue with exuberant venom in a performance so overbearing that it verges on classic. The plot is standard for the genre, as three women (Maria Rohm, Elisa Montes, Luciana Paluzzi) are sentenced to an island prison off the Panamanian coast, only to encounter torture, rape, and lesbianism. When sympathetic Warden Caroll (Maria Schell) replaces Diaz, the prisoners assume that conditions will improve, but their agony only worsens until they decide to escape. Rosalba Neri co-stars, and Herbert Lom runs the corrupt men's prison nearby. 99 Mujeres was heavily censored in various prints, with versions running anywhere between 70 and 108 minutes. Edits running 84, 86, and 94 minutes are most commonly available.

After housewife Ellen is raped by the janitor she kills him and hits the road. She travels to the Big City where she is repeatedly used and abused. And when she finally finds a safe place to live her landlady's son turns out to be a detective, which threatens her newly found identity and peace of mind.

An ambitious mobster, Marko, makes the local brothel into a rousing success after double-crossing the mafia Don. This of course angers certain people who come after him.

Two beautiful young women on vacation looking for fun. Two dirty cops looking for easy prey. One human auction where the rich, dominant and powerful bid for slaves to satisfy all sexual desires including lesbian submission. They have been located, framed and convinced to confess to a crime they did not commit or face a lifetime in a prison of women...now their innocence will be sold to the highest bidder.

Two deranged brothers, who are under the domineering influence of their crazed mother, kidnap young girls and keep them captive in chains in their basement, where they subject them to depraved "games" that often end in torture and murder.

The sadistic Madam Margareta is a talking side of beef that serves as the hostess and ring leader for a live sex tease show and whorehouse. Madam's shows always feature her bodacious nieces Susanna and Karen, who perform in everything from striptease to S&M acts. Karen meets and eventually runs away with a rich guy. Susanna falls in love with a deceptive airport cargo handler. After several more kinky shows and various soft core sex scenes, Karen is gone and Susanna and her man find out the truth behind each others lies.

When swaggering and conceited teddy boy Mike isn’t combing his wavy hair in a stance reminiscent of The Fonz, he’s latching onto each and every female who crosses his slimy path. The guy is bad news and has everybody fooled, except Mr. Dite, an advertising executive and recent recipient of Mike’s services as a whip-wielding sadist. Taking advantage of the weak-willed masochist, Mike blackmails Dite into giving him a cushy job, then takes advantage of his new position by stealing Dite’s clients, seducing Dite’s elegant daughter, Sara, and climbing his way up the social ladder.

Exploitative look at a secret club for women where they can go to be with other women.

This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.

Madame Sue runs a successful Prostitute operation in the heart of NYC, and as it should happen, The Mob wants to get a piece of the action. Still, being the go ahead women they are, they decide to fight back and keep themselves independent of any outsider business influence.

The story of the early days of Deadwood, South Dakota; woven around actual historic events with most of the main characters based on real people. Deadwood starts as a gold mining camp and gradually turns from a lawless wild-west community into an organized wild-west civilized town. The story focuses on the real-life characters Seth Bullock and Al Swearengen.

Bliss is a Canadian produced, half hour dramatic television series, produced by Montreal-based Galafilm and Toronto-based Back Alley Films, an anthology of women's erotica. The series ran from 2002 to 2004. The format of the show—short, sensual vignettes adapted for television—aired on Oxygen in the United States and Showcase, TMN and Movie Central in Canada. The series is distributed by Oasis International in Toronto.

The story of an American Immigration and Customs Enforcement agent going undercover to stop an organization from trafficking people, and the struggles of three trafficked women.

Lingerie is an erotic drama about a struggling New York City lingerie company, its owner Lacey Summers, and her friends and associates.

Set in downtown New York in 1900, 'The Knick' is centered on the Knickerbocker Hospital and its staff, notably Dr. John Thackery, the hospital's brilliant chief surgeon who pushes medicine's boundaries, pioneering new procedures despite a severe drug addiction.

The wrenching plight of two Bosnian sisters and their descent into the dark world of enforced prostitution. Their journey is intersected by a British journalist struggling to uncover a conspiracy by American peacekeepers and the machinations of an international charity organization.

Explore the relationships between exclusive escorts and their clients, for whom they provide far more than just sex. Known as GFEs, they are women who provide “The Girlfriend Experience”—emotional and sexual relationships at a very high price.

Beautiful but unfulfilled Ashley has her eyes opened to the tantalizing possibilities of BDSM when she discovers the popular erotic novel SLAVE by Nolan Keats. But her fascination with the mysterious Mr. Keats leads her into a sexy but dangerous love triangle, and tests the boundaries of her own sexual limitations.

The story of the legalization and subsequent rise of the porn industry in New York’s Times Square from the early ’70s through the mid ’80s, exploring the rough-and-tumble world that existed there until the rise of HIV, the violence of the cocaine epidemic and the renewed real estate market ended the bawdy turbulence of the area.

Nola Darling struggles to define herself and divide her time among her friends, job and three lovers. A new take on Spike Lee's film, in 10 episodes.

Beverly Hills Bordello was a softcore series aired on premium cable. It was an anthology series that centered around the fictional Winston Spa located in Beverly Hills. The spa was a bordello run by Madam Veronica Winston. The only recurring character was Veronica Winston who was played by Nicole Gian, Monique Parent and Gabriella Hall during the various seasons the show ran.

A 1950s housewife goes to Rio de Janeiro to meet up with her husband, only to learn he's deserted her, but decides to stay and open a bossa nova club.

We arrive with New York heiress Lucy Savage fresh off the transatlantic steamer and ready for love and marriage in exotic climes. But when her husband Hugo does not receive her in the way she expected, she spins off into the surprising, diverse and degenerate world of Tangier in 1955.

In 1970s NYC, the “Torso Killer” preys on women to fulfill his grotesque fantasies while eluding police. A docuseries dive into crime’s darkest places.

Elliot and Beverly Mantle are twins who share everything: drugs, lovers, and an unapologetic desire to do whatever it takes — including pushing the boundaries on medical ethics — in an effort to challenge antiquated practices and bring women’s healthcare to the forefront.