Movie Drama
A politically oriented film in which images suggestive of a mock western are accompanied by an attack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema.
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Struggle in Italy
The film reveals how and why a supposedly revolutionary Italian girl has in fact fallen prey to bourgeois ideology.
No More Time
This Italian black-and-white film, based on a true story, was originally made for television. It concerns the life and sad end of Evariste Gallois (Mario Barriba), a brilliant student mathematician whose republican politics and hot-bloodedness resulted in his death; it is unclear whether he died by political assassination or as a result of a duel.
The Missing Picture
Rithy Panh uses clay figures, archival footage, and his narration to recreate the atrocities Cambodia's Khmer Rouge committed between 1975 and 1979.
Tout Va Bien
A strike at a French sausage factory contributes to the estrangement of a married filmmaker and his reporter wife.
Love and Anger
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.
Vladimir and Rosa
Jean-Luc Godard's and Jean-Pierre Gorin's interpretation of the Chicago Eight / Chicago Seven trial, which followed the 1968 Democratic National Convention protest activities. Judge Hoffman becomes the character Judge Himmler (played by Ernest Menzer) and the defendants become a microcosms of the French Revolution.
St. Michael Had a Rooster
Sentenced to life imprisonment for illegal activities, Italian International member Giulio Manieri holds on to his political ideals while struggling against madness in the loneliness of his prison cell.
Class Relations
A young man, recently arrived in New York from Europe, becomes swept up in a series of events that are beyond his knowledge or control.
China Is Near
A pair of working class lovers - a secretary and an accountant, scheme to marry into the rich landed gentry.
Moses and Aaron
A familiar Biblical tale transformed into a cinematic opera of seemingly endless possibility. In expressive, melodic tones, the fraternal pair debate God’s true message and intent for His creations, a conflict that leads their followers towards chaos and sin. Set almost entirely within a Roman amphitheater whose history lends every precise line-reading and gesture, every startling camera move and cut, a totalizing force.
A Film Like Any Other
An analysis of the social upheaval of May 1968, made in the immediate wake of the workers’ and students’ protests. The picture consists of two parts, each with with identical image tracks, and differing narration.
From the Clouds to the Resistance
'Dalla nube alla resistenza (From the Cloud to the Resistance ) (1978), based on two works by Cesare Pavese, falls into the category of History Lessons and Too Early, Too Late as well. It, too, has two parts—a twentieth-century text and a text regarding the myths of antiquity, each set in the appropriate landscape. Pavese's The Moon and the Bonfires looks back on the violent deaths of Italian anti-Fascist resistance fighters; Dialogues with Leucò is a series of dialogues between heroes and gods, connecting myth and history and returning to an ambiguous stage in the creation of distinctions, such as that between animal and human, which are fundamental to grammar and language itself. Such a juxtaposition of political engagement with profoundly contemplative issues such as myth, nature, and meaning points to the characters of Empedocles and Antigone in the Hölderlin films.' (From "Landscapes of resistance. The German Films of Danièle Huillet and Jean-Marie Straub" by Barton Byg)
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Bob and Joe are two prisoners locked up in the Latin American maximum security prison of Santa Consuelo. The two manage to escape during an attack by the revolutionaries commanded by Napoleon Duarte and pretend to be friars, taking refuge in the mission of San Rolando. In the mission, in which monks and Indians live in harmony, the two escapees become Father Orso and Father Zaccaria and win the affection of all.
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Seagull Island
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