Best movies like Would-Be Gentleman

Caroline is to be wed to Sir Ralph and invites her sister Barbara to be her bridesmaid. Barbara seduces Ralph, however, and she becomes the new Lady, but despite her new wealthy situation, she gets bored and turns to highway robbery for thrills. While on the road she meets a famous highwayman, and they continue as a team, but some people begin suspecting her identity, and she risks death if she continues her nefarious activities.

With a father suffering from neurodegenerative disease, a young woman lives with her eight-year-old daughter. While struggling to secure a decent nursing home, she runs into an unavailable friend with whom she embarks on an affair.

Louis XIV, the French sun-king has two passions, establishing absolute rule over the realm -after decades of religious/civil wars- by divine right and artistic brilliancy as a dancer

A weekend at a marquis’ country château lays bare some ugly truths about a group of haut bourgeois acquaintances.

County Durham England 1984 the miners strike has started and the police have started coming up from Bethnal Green starting a class war with the lower classes suffering caught in the middle of the conflict is 11-year old Billy Elliot who after leaving his boxing club for the day stubbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs Wilkinson for an upcoming audition in Newcastle-upon Tyne the audition is for the royal Ballet school in London.

Camilla, a middle-aged Venetian widow, arrives in Rome to take up service as a maid for the Rossetti family, who are not prosperous. With her discreet presence, she is an element of cohesion for them thru tensions and misfortunes.

Cyrano de Begerac is joyous, witty, a poet, a leader and filled with plenty of charisma and bravado in 17th Century France. He has only one flaw: an unusually long nose which makes him unattractive to any woman. Thus, he cannot have the woman he loves, his cousin Roxanne. Roxanne loves an officer in his army who gets tongue-tied in front of women. Who will Roxanne love? Will Cyrano ever find love? Or will he find happiness in helping the officer woo Roxanne? This is a story of split personalities, human frailty and unrequited love.

When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.

A disillusioned, angry university graduate comes to terms with his grudge against middle-class life and values.

Based on Molière's play. The children of Harpagon, Cléante and his sister Elise, are each in love but they still haven't spoken to their father yet. Harpagon is a miser who wants to choose the right man and the right woman for his children. When Cléante, at last, tries to speak to Harpagon, the old man informs the family that he wants to marry Marianne, the young girl loved by Cléante. Unaware of his son's sorrow, Harpagon doesn't understand why Cléante has become so angry with him.

Inhabitants of a flophouse struggle to survive under the harsh treatment imposed by the landlord, Kostyleva. One resident, young thief Wasska Pepel, ends his affair with the landlord's wife, Vassilissa, and takes up with her sister, Natacha. Pepel also befriends the baron, a former nobleman fallen on hard times, but Pepel's attempts at happiness are complicated when he's accused of murder by a spiteful Vassilissa.

Based on D. H. Lawrence’s 1928 novel of the same name, Lady Chatterley’s Lover stars Danielle Darrieux, Leo Genn, and Erno Crisa in this controversial tale of adultery! After her husband is paralyzed from fighting in WWI, Lady Chatterley feels a loss of intimacy between her husband and herself, and decides to have an affair with the gamekeeper, a man of a lower class.

A young woman disguises herself as a knight to expose a gold-digging man divided between her and a Countess.

A Spanish teacher and her student develop an unexpected friendship.

When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. But Mistress Ford's husband is a very jealous man and is pumping Falstaff for information of the affair. Meanwhile the Pages' daughter Anne is besieged by suitors.

A couple of lonesome wives, Marion Carter and Diana Cheswick fall for philanderer Leonard Drummon, and arrange to get their husbands, Geoffrey Carter and Morgan Cheswick, off to Paris so they can be free for one night of fun and frolic. The husbands are all for this as they think it will cure their wives of being infatuated with this man-about-town. And they might run into some fun in Paris. Actually, the philanderer is the one who put the idea in their heads to go away so the coast will be clear for his marauding raid party, with no intentions of curing anybody of anything.

A young poet named Hoffman broods over his failed romances. First, his affair with the beautiful Olympia is shattered when he realizes that she is really a mechanical woman designed by a scientist. Next, he believes that a striking prostitute loves him, only to find out she was hired to fake her affections by the dastardly Dapertutto. Lastly, a magic spell claims the life of his final lover.

A princess is determined to restore her homeland's throne to its rightful heir, a young prince with whom she falls in love.

Claude Brasseur stars in this cinemadaptation of the Moliere play Georges Dandin, ou le mari confondu. Written in 1668, the play has been somewhat dwarfed by such like-vintage Moliere classics as The Imaginary Invalid. Still, it was popular enough in its time to inspire imitation, most notably Betterton's Don Juan and The Amorous Widow. The plot, involving a wealthy man's avoidance of marriage until he is trapped by a crafty widow, is but a peg upon which to hang any number of comic complications and character vignettes. Brasseur's leading lady is the toothsome Zabou.

Two journalists from different papers are looking for the same story. They want to know, who a group of gangsters getting young women from Europe to South America, where they are forced to work in brothels. But the gangsters have their own battels against each over, so the journalists can escape the danger, in which they've brought themselves.

Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky's The Rite of Spring is about to be performed. The revolutionary dissonances of Igor's work parallel Coco's radical ideas. She wants to democratize women's fashion; he wants to redefine musical taste. Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable.

A successful aging dancer takes a young female protegee.

Etienne makes a good living out of marrying off poor but titled young men to rich but untitled young ladies. Millicent is now in his sights on the Riviera, and Grand Duke Gaspar is the bait. But what if Millicent starts to fancy planted chauffeur John instead, and Gaspar takes a shine to Etienne's secretary Janine?

Désespéré par la mort de sa femme, le banquier René Duchesne se promène le long de la Seine. Seule la rencontre de Suzanne, son ancienne femme de chambre lui révélant les infidélités de Madame, le sauve du suicide. Monsieur décide alors d'aider sa protégée à sortir de la prostitution, et d'empêcher ses beaux-parents de faire main basse sur l'héritage.

Director André Téchiné brings his usual obsessions -- including a preoccupation with the fortunes of the bourgeoisie -- to this episodic drama, which serves as a thinly-veiled portrait of France's economic peaks and valleys from the 1930s through the 1970s. Jeanne Moreau stars as Berthe Pedret, a simple laundry woman who marries Hector (Michael Auclair), son of a wealthy, upper class, Spanish immigrant family that owns a successful farm machinery factory. Through a series of vignettes, Techine depicts the passage of years, during which the ambitious working class woman blooms through several bold moves, such as negotiating a workers' strike settlement and using her alliance with the war-time French Resistance movement to increase the enterprise's prestige.

Framed in flashback, The Man Who Loved Redheads is an anecdotal comedy about a man (John Justin) whose life is defined by his first romantic experience. That liaison occurred in Justin's youth, when the young man matures and enters the diplomatic world, he spends the rest of his career searching for his first love.

Désiré is a fine servant and butler who regularly seduces the ladies of the house where he works, but then he moves on. This time he is working for Odette, the mistress of the minister of Posts and he is living a new situation. He has fallen in love with with Odette.

At the age of 51 and after 20 months on unemployment, Thierry starts a new job that soon brings him face to face with a moral dilemma. How much is he willing to accept to keep his job?

For her latest project, commissioned by Arte and starring members of the Comédie-Française, Valeria Bruni Tedeschi (A Castle in Italy, Rendez-Vous 2014) shot an idiosyncratic, half-modernized adaptation of one of Chekhov’s greatest, most expansively melancholy plays.

The quest of the bourgeois Jourdain for the nobility status in the France of king Louis XIV

A dark-themed and redesigned West End production of Rodgers & Hammerstein's seminal Broadway musical tells the story of farm girl Laurey and her courtship by two rival suitors, cowboy Curly and the sinister and frightening farmhand Jud.

Two housewives discuss philosophical themes (actually an updated dialogue between Plato and Socrates) while doing the house work. The husband of one of them rehearses his part in a theatrical play, reading a 20th century philosophical text about totalitarianism.

Sara joins Julliard in New York to fulfill her and her mother's dream of becoming the Prima ballerina of the school. She befriends her roommates, Zoe and Miles, who teach hip-hop classes. She has ballet classes with the rigid and famous Monique Delacroix that she idolizes - Monique requires full commitment, discipline and hard work from her students. When Miles, who is a composer, invites Sara to help him compose the music for the dance choreography Sara's passion for hip-hop is sparked and she also falls in love with Miles. When she is assigned to perform Giselle in an important event, she feels divided between the technique of the ballet and the creative work offered by Miles.