Best movies like Yo maté a Juan Charrasqueado

Emilio Fernandez directs Dolores Del Rio and Pedro Armendariz in a classic tale of family and obsession. Raimunda's daughter Acacia hates her stepfather Esteban, and in order to escape her suffocating home life she's accepted a marriage proposal from a man she doesn't even love. But Esteban has become obsessed with Acacia, and in order to ensure that she doesn't leave he's plotting to murder the girl's unsuspecting fiancée. As Esteban's true nature emerges, mother and daughter must band together to support one another and make sure that their family bond remains strong even in the darkest of times.

Oklahoma Badlands is a western film directed by Yakima Canutt in 1948. Oliver Budge is after the Rawlins ranch. His henchman Sanders kills Ken Rawlins but when he tries to kill Leslie Rawlins, Rocky Lane breaks it up. But Leslie is a woman and knowing the bad guys are looking for a man, Rocky now poses as Leslie, an Eastern dude, and goes after the man that killed his friend.

The love between María Ángela and Fernando is impossible because there's an ancient history of hate between their families. His father killed hers, and other family members have killed each other for years. When María Ángela's grandfather finds she's in love with Fernando, he frames the young man and forces her to marry Manuel. Maria Ángela finds that Manuel doesn't love her and together plan her escape with Fernando. But things go wrong and the lovers find their destiny in The Spirit's Canyon.

Fifteen years ago, Edwin went to clown camp to fulfill his lifelong dream of bringing laughter to the world... but nobody laughed. Humiliated on graduation night, Edwin viciously murdered the entire camp before vanishing into legend. Now, despite the warnings of the town drunk, old man Bonzo has reopened the ranch and a new class of clowns have unwittingly signed up. When their die-hard instructor Sgt. Funnybone (Miguel Martinez, The Donor Conspiracy) is found dead in a puddle of cream pie and blood, the curriculum changes from comedy to survival! Edwin slashes, stabs, strangles, and disembowels the clowns while laughing insanely at his own bad jokes.

Film version of a play about a Mexican bandit.

Lopez is a bandit who has stolen the herd at Gil's ranch, so Hardy is about to foreclose. But Lucia has come back from New York and Gil is happy until he meets her husband, Morgan.

Jim Waters arrives at Ed Parks' ranch to find Parks' cattle herd mysteriously increased. Hamp Harvey has been losing cattle and he suspects Parks. But the culprit is Harvey's foreman Brent who gets his orders from the town's leading citizen Sig Barstell. Barstell wants Harvey's ranch and after trying to frame Harvey by killing Parks, Waters takes over and goes after both the killer and the rustlers.

Shadrach Jones, ex-Texas State Policeman, has the ruthless determination to find and kill the man who shot his brother in the back and stole the money with which he was to buy a ranch for the two of them. At the saloon-hotel run by Adelaide, Shadrach is convinced that one of the cowhands on the Captain McKellar cattle drive to Montana is his man. He takes the job of trail-herd boss to find the killer. McKellar preaches to Jones that he should forget revenge and let the law of retribution take care of the killer. Shadrach's hard driving of the men and his hunt for the killer makes him bitterly hated, and his retribution quest ends in a manner he did not anticipated.

ZaSu Pitts and Slim Summerville meet when both are sold deeds to an abandoned ranch in the California desert. Their lonely lives become much more crowded when a drifter discovers gold on the property—though all he’s found is Slim’s missing filling. (adapted from MoMA capsule)

When a young girl is injured by a riding accident, she overcomes her injury with the help of her family and her beloved horse.

Late one night, Bill Greer and his son Jackson patrol their ranch when Jackson accidentally kills an immigrant Mexican boy. When Bill tries to take the blame for his son, Jackson flees south on horseback, becoming a gringo "illegal alien" in Mexico. Chased by Texas Rangers and Mexican federales, Jackson journeys across Mexico to seek forgiveness from the dead boy's father only to fall in love with the land he was taught to hate.

Searching for a doctor who can help him get his son to speak again--the boy hadn't uttered a word since he saw his mother die in the fire that burned down the family home--a Confederate veteran finds himself facing a 30-day jail sentence when he's unfairly accused of starting a brawl in a small town. A local woman pays his fine, providing that he works it off on her ranch. He soon finds himself involved in the woman's struggle to keep her ranch from a local landowner who wants it--and whose sons were responsible for the man being framed for the fight.

Aging gunslinger Jacob Wade hopes to settle down with his estranged son, but his old enemies have other plans for him. Gunslinger Jacob Wade finds his long-abandoned son Riley, now a young man who hates his father but has nowhere else to go. Hoping to settle down, Jacob finds no town will have him. They end at Monolith, the ranch of Jacob's former girlfriend Ada, to whom he had no intention of returning. A mustang hunt finds Riley himself attracted to the shapely Ada...and Jacob having trouble with his eyesight. And his visions of a quiet life are doomed by the re-appearance of enemies from his past...

"The Man from Cairo", a Michaeldavid production for distribution by Lippert, with Ray Enright the only credited director on the film print, finds Mike Canelli, the man from Cairo, nosing around Algiers with mystery surrounding the people he meets and the things he does and has done to him, all deriving from the war-time theft of $100,000,000 in gold which lies somewhere in the adjacent desert. People representing many nationalities and reasons are also seeking the gold. It boils down to a battle between Canelli and the original looter aboard a speeding train.

A young widow takes her two children and mother and opens a school in the untamed West and immediately comes into conflict with the local Indians

When Wyatt returns home for the holidays to try to convince his mom to sell their family ranch, an unexpected romance with handsome ranch hand Heath may throw off his plans.

Kittridge is hired by the villans but turns to defend the rancher Saxon after learning the true situation. Kittrige wins Saxon's ranch with a cut of the cards but Saxon has other reasons for loosing the gamble. Telford and Lake try everything from bushwacking to setting a wildfire to stop the Saxon/Kittridge herd of cattle from reaching the railhead.

A remake of a 1917 Dustin Farnum Western, Durand of the Bad Lands is the story a rancher falsely accused of a crime actually committed by Sheriff Clem Allison and his henchman Pete Garson.

Visiting his vast properties incognito, Hugh Nichols (Tom Mix) discovers that his land agent (Cyril Chadwick) is forcing Peggy Swain (Clara Bow) and her dad (Frank Beal) off their neighboring ranch. When decent-minded Nichols demands that the agent cease harassing the farmers, the nasty villain blows up the nearby dam, flooding the valley.

A bad man holds the power of life and death over the inhabitants of a village... for no apparent reason... and he's fond of torturing them, tying them to crosses and leaving them to die. A cowboy with necromantic powers comes along and leads a rebellion to overthrow that reign of terror.

A spoiled girl is sent to her family's ranch to work during summer vacations.

In a small Mexican village the news shock neighbors, Ricardo Alfaro, a wealthy local rancher has disappeared without a trace. Taking advantage of the circumstance, Aurora Campos, a strong woman with overwhelming beauty, convinces the authorities to sell her the property in exchange for twelve thousand dollars. Soon after, when Ricardo suddenly reappears, a real battle is about to begin.

Orlando (Juan Manuel Bernal) is a neurotic dubbing director of series B that desqui-ta of all your frustrations and anger with their coworkers. Orlando lives with Sonia (Mariana Gaja), a woman "new age" in quest for inner peace. He, in crisis, stifled by the love of So-nia and tempted by the novelty of another woman, can not desci-FRAR the complicated language of life as a couple of young people, and going from flower to flower revealing its inability of being alone. On the other hand we have to Mauritius (José María Yazpik), a young and awkward to relate hermit who loves and despises while René (Cecilia Suárez), a beautiful woman "postmodern"

Marsha Sprinkle is a suitcase thief, scammer and master of disguise. Dogs and children hate her. Her own family wants her dead. She’s smart, she’s desperate, she’s disturbed, and she’s on the run with a big chip on her shoulder. They call her Liarmouth ― until one insane man makes her tell the truth.

A young man from a small mining town embroils himself with a wealthy family with a dubious past.

While still mourning the loss of her husband and daughter, recently widowed Ellie King visits her brother Aaron Davis and his children for Christmas. Ellie does her best to enjoy the holidays, even making new friends with Mrs. Thompson, a local shop keeper, and handsome admirer Deputy Strode. Settling in nicely with her brother's family, Ellie also meets Erik, a young man abandoned by his outlaw father whom Aaron has taken in as one of his own. When Aaron travels out of town to purchase adjacent land for farming, Ellie agrees to watch his children, but the season’s festivities are threatened when Aaron goes missing.

Tragedy ignites a group of teens on a quest to find a legendary landmark hidden in the wilderness. Together, they navigate the quest while confronting the darkness within themselves.

In Mexican Revolution times, a guerrilla general and his troops take the conservative town of Cholula, near by Mexico City. As the revolutionaries mistreat the town's riches, Armendáriz falls for beautiful and wild Beatriz Peñafiel, the daughter of one of the town's richest men.

Drama - Hated and betrayed by his brothers, Brady Gray is forced off of the family ranch and must start a new life in Dallas. With a good job and a promising romance, better days seem to lie ahead until Brady is framed for a crime he didn't commit. - Andrew Cheney, Megan Parker, Akron Watson

Lorna Drake has inherited a ranch. Hoppy teaches her a bit about ranching and handles Scar Lewis, the bad guy, in the process.

A sheep farmer brings his new wife to his father's ranch and the old man takes an instant dislike to her.

Rancher Reynolds has fired his men and hired killers and is now using a crooked land deal to put the other ranchers off their land. Calico finds the reason why when he runs into his old nemesis Porter.

Ben Trego dies defending his twin sons from Indian attack. Separated, the two boys grow up very differently, one as Paul Marsden, the other as a cowboy named Three Word Brand. Paul becomes governor of Utah while Brand partners with George Barton in a ranch. The owner of the adjacent ranch plots to get Barton and Brand out of the way in order to control water rights. When Governor Marsden comes to the area to investigate, Brand sees the resemblance between them, though neither knows about his twin. Brand waylays Paul and takes his place as governor in an attempt to thwart the crooked rancher in the water rights scheme.

Alma leaves Panama to go live with her aunt Antonia and with Manuel, her husband. There she meets Julio, who tries to woo her.

Nando, a young horse wrangler in a rural Mexican village, has taken his own life following a disagreement with his father. Caballerango shows the boy’s family members and townspeople as they reckon with the new realities borne out of this inexplicable tragedy. Each account of Nando’s story reveals a different aspect of this rural town, which is deeply affected by modernization. The confrontation between the centuries-old ways of life and the modern-day world seems to be creating serious identity crises among the younger generation. The story is told in a patient, observational style with methodical shots of the landscape, ranches, and of the two white horses, whom Nando and his father tended to. Those horses, the last to see Nando alive, connect us to an ethereal sensation of almost otherworldly mystical beings.