Best movies like Atlantic City

A Broadway producer is in a quandary when he discovers that the opening of his newest big production coincides with that of a major charity event. He despairs that the show will close after opening night until an ingenious writer suggests that he simply give the production snob-appeal by making the tickets nearly impossible to get by fabricating a story that they were all purchased by a flamboyant Texas oil baron who is totally besotted by the show's star.

The story of a small-time vaudeville trio and their rise to the big time.

Failing vaudeville performer, Len, is taken under the wing of the German Shepherd wonder dog, Kelly, and a new act is born. Len hopes all his dreams are coming true when he finds himself in Hollywood ... but Kelly is the one in demand on the big screen.

Two people go to Coney Island to find romance and wind up in jail.

Classical violinist, Roger Grant disappoints his family and teacher when he organizes a jazz band, but he and the band become successful. Roger falls in love with the band's singer, Stella, but his reluctance to lose her leads him to thwart her efforts to become a solo star. When the World War separates them in 1917, Stella marries Roger's best friend and, when Roger returns home after the war, an important concert at Carnegie Hall brings the corners of the romantic triangle together.

Promoter "Smoothie" King helps a pair of phonies con their way into a movie company. As Wanda heads toward stardom, she turns more and more from King toward the matinée idol. King must decide between his plans and her happiness.

The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognizes that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.

Nicky Nelson is a fast-talking sideshow barker with a wax-and-alive concession on Atlantic City's boardwalk. Even with the band of his friend, struggling musician Gene Krupa, playing on the sidewalk to attract the customers, "The Living Corpse" and other low-rent acts aren't enough to lure the seen-it-all boardwalk strollers, and the landlord closes the show in lieu of never-paid rent. Nicky, always promoting, goes to Stephen Hanratty, head of the pier's Dance Pavilion, to plug Krupa's band as an attraction, but Hanratty won't even listen to them. But, while there, he meets singer Lily Racquel, who knows he is a phoney but might have the ability to to talk a radio-station manager into giving her an audition. She gives him a ring to help finance the project; he promptly loses it in a crap-game.

On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him. To prove Nadine's not important to him, Don acquires innocent new protege Hannah Brown, vowing to make her a star in time for next year's Easter parade.

Extra-marital fun and games at a convention of the Honeywell Rubber Company in Atlantic City.

Entertainers get stranded in a small boomtown, and open up a restaurant.

An immigrant leaves his sweetheart in Italy to find a better life across the sea in the grimy slums of New York.

Gertrude Lawrence rises to stage stardom at the cost of happiness.

This is a film about the life of Gus Edwards, a well known vaudeville composer, entertainer, and producer.

Chorus girl Peggy Lane, finds a small part in a new show for David North, a stages-truck country boy. At rehearsal, David meets Delerys Devore, the show's star, and she quickly offers him a larger part in her act. Quite taken with David, Delerys invites him to her home on the pretext that Peggy will be there; when Peggy does not show up, David leaves, infuriating his hostess. Derelys has Peggy fired the next day, and in reprisal Peggy goads her into a Carmenesque fight backstage just before the show. Derelys is unable to go on stage, and Peggy takes her place, becoming the hit of the show. Peggy and David are later married and give up show business, finding contentment living on a farm.

A man left at the alter goes on his honeymoon trip anyway, taking his best man along instead.

Carla de Hulvea is a rumba dancer who makes news by posing as a South-American heiress. She is doing fine with her hoax until she meets American Peter Jackson, a high-pressure promoter who is looking for movie-producing money. He does some big-time bluffing on his own in order to get Carla to invest in a film he is making with his partner, Roy Harley. Through Carla, Roy meets actress Diana West, who is given a role in the movie, and Roy falls in love with her.

This autobiographical story traces the career of playwright Moss Hart. Moss struggles as a dramatic writer until he concentrates his efforts on writing comedy. He suffers through a series of professional and romantic failures before a meeting with George S. Kaufman which changes his fortunes.

Fly-by-night producers dodge bill collectors while trying for one big hit.

Unscrupulous agent Rush Blake makes singing waiter Buddy Clayton a big radio star while Peggy Cornell, who has lost her own radio show, helps Buddy.

An all-girl band flees to Argentina to avoid their creditors. Comedy with songs.

Joan Daley, a New York booking/press agent, attempts to recruit two local stand-ins, Jinx Terry and Lois Morgan, when the Cuban sister-act, Marianela and Rosita she as booked into the nightclub for which she works fails to materialize. Complications arrive when the real Cuban sisters show up.

Disparate twin brothers find themselves involved in romantic mayhem when their respective girl friends get them confused in this musical comedy.

Musical about vaudeville performers, from 1944.

In this amiable Columbia B musical, society girl Ann Miller escapes her Back Bay family by performing in the chorus line in a burlesque house. But trouble starts when her boss (William Wright) decides to build her up as a star. One of the many bread-and-butter Columbia productions graced by the contributions of Cole’s in-house dance studio. Cole dances behind Miller in “I’m Gonna See My Baby.” --Museum of Modern Art

The film concerns a family vaudeville troupe headed by patriarch Pete Monahan. Because of his love affair with the bottle, Pete manages to get himself and his family blacklisted from every major vaude house in the country. Though Pete's kids Jimmy and Patsy love their dad, they're forced to break away from the act and go off on their own to survive. Eventually, the whole gang is reunited in a shamelessly lachrymose musical finale.

A private eye and a niece investigate when six World War I veterans start dying in the same week.

Ex-vaudeville performer Trixie makes a come-back, and threatens to thwart the ambitions of her song-writing step-children, Bob and Judy.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

A Broadway star devises a scheme to win back her husband when she suspects he's being unfaithful.

A priest relates the tale of his friend, a WWI veteran, to the Post-War Planning Committee. Unable to get a job upon his return from the war, he puts off his marriage and works for a bootlegger. He is forced to take a rap for his boss, goes to prison, and forms a gang.

Pretty Melinda Howard has been abroad singing with a musical troupe. She decides to return home to surprise her mother whom she thinks is a successful Broadway star with a mansion in Manhattan. She doesn't know that her mother is actually a burnt-out cabaret singer with a love for whiskey. When she arrives at the mansion, she is taken in by the two servants who are friends of her mother's. The house actually belongs to Adolph Hubbell, a kind-hearted Broadway producer who also gets drawn into the charade. Hubbell takes a shine to Melinda and agrees to star her in his next show. Melinda also finds romance with a handsome hoofer who's also in the show. All is going well for Melinda except that she wants to see her mother who keeps putting off their reunion.

Gangsters, nightclubs and the Roaring '20s.

A young singer hopes to become a success on Broadway.

A trio of veteran pilots joins an aerial circus.

Dot starts out as a bartender in Havana when in walks Dingo Mike (Charles Bickford) and orders up a drink that sounds like something you'd consume on a dare. He drinks the concoction down in one swallow and also manages to outsmart Dot's boss and his rum-running hooligans. You see, Dingo is a bootlegger himself. He literally sweeps the lady off her feet and they set up housekeeping in a tropical hotel full of colorful characters, some of whom are in the bootlegging business too.

Fame goes to a priggish singer's head and almost costs him his girlfriend.

Promoters set up a radio contest to find the average American and use him to sell food, apparel and notions. All goes well until he falls in love with a girl who upsets things.

When a waiter makes a lucky hit and wins a benefit prizefight, gamblers rig some fights for him; but a reporter arranges for a real boxer to put him in his place.

A lost film - Mary Gray, whose father manufactures cold cream, is engaged to sappy Horace Niles, the son of Hugo Niles, the elder Gray's most competitive rival in the cosmetics business. Chip Armstrong, a hot-shot public relations man, quits the employ of Hugo Niles and goes to work for Gray, persuading Mary to enter the Miss America contest at Atlantic City, with the intention of using her to endorse her father's cold cream should she win. Mary breaks her engagement with Horace. When it appears that she will win the contest, Hugo lures her home on the pretext that her father is ill, and she misses the contest. Chip and Mary return to Atlantic City, discovering that the new Miss America has told the world that she owes all her success to Gray's cold cream. On this note, Chip and Mary decide to get married.

Before handing over a large inheritance, a guardian hires three chorus girls to educate his charge about the "underside" of big-city life.

Because Thornwood's portraits of comely model Sally Dennis are in such great demand, he is obliged to spend virtually all his time with Sally, which prompts Toni to seek retribution in divorce court.

A secretary by the name of Emily Borden comes up with a convoluted plan to get her boss to marry her which backfires after some bad advice.

A vaudeville magician team is broken up when Carlee, an ex--circus performer, becomes infatuated with socialite Hilda Schmittlap. Meanwhile his vaudeville partner, Claire, has chosen a new partner, but her "heart isn't in it" because she is disconsolate over Carlee. Curious about her new act, Carlee attends a performance and sees Claire nearly killed when she fails to substitute fake bullets for real ones. Rushing to her aid, Carlee realizes how much Claire means to him.

In this drama, an ex-vaudevillian dancer opens up a dance band agency and help street kids at the same time by hiring them to help out. Unfortunately, the local gang of hood's leader resists his attempts. More trouble ensues when the dancer helps a convict gain parole by hiring him. It later turns out that the ex-con is only interested in trying to use the agency as a front for extortion. Songs include the Oscar nominated "When There's a Breeze on Lake Louise," "Your Face Looks Familiar," "Heavenly, Isn't He?" "Let's Forget It," "You're Bad For Me," and "A Million Miles From Manhattan."

Director Ted Brooks and comedians Jack Norcross, Dandy Joslyn and Phil Miller are part of a troupe of promising young players rehearsing for a WPA show at the Garrick Theater in New York and are stunned when the government withdraws their funding on the day of the show's dress rehearsal. Destitute, the troupe plans to return home when Mac, the stage doorman, offers to allow four of the men, Phil, Dandy, Jack and Ted, to use the theater for a boardinghouse. After accepting Mac's offer, the men improvise bedrooms out of the set pieces and meet amateur actress Lorie Fenton from Cleveland, who is eager to audition for them. When the men learn she recently received a small inheritance, they allow her to audition, hoping she will back the show.

Eddie Kehoe is a young vaudeville hoofer who thinks his inability to hit the big time is the fault of stage managers, agents, musicians...everybody but himself. Eddie likes to tell others how good he is, but seldom shows them. Kitty Mayo, an old-time burlesque queen, who is with the McNary Vaudeville Company, advises Eddie to get himself a partner, as his solo abilities can only be stretched so far. He decides to follow her advice and, while in a theatrical supply shop, he sees Rita Carey rehearsing her dancing act that includes a trained duck. Eddie tells Rita he is a good friend of McNary's, and, with him as her partner, her future in show business will be secured. She agrees to join him and Eddie promptly names the act "Eddie Kehoe and Partner". Despite his conceit, Rita likes Eddie, as do others in the troupe, including Cleo a little gold-digger.

A former bootlegger is now the prosperous owner of a popular nightclub. A hustling promoter manages to pass off a young singer as the heir to a fortune and gets her booked at the club.

Susan Kent, hoping to establish herself as a song-plugger, tries to obtain a second song from a young songwriter, Johnny Crane, after his first song becomes a hit. While pursuing her objective, she falls in love with Johnny, and lands in jail, but she acquires the song, the job, and Johnny.

An Irish crooner flirts with prize-fighting.