Best movies like Easter Parade

The Happiest Musical Ever Made is Irving Berlin's Easter Parade

A unique, carefully handpicked, selection of the best movies like Easter Parade Starring Judy Garland, Fred Astaire, Peter Lawford, Ann Miller, and more. If you liked Easter Parade then you may also like: Rhythm Parade, Kelly and Me, Blue Skies, For Me and My Gal, Footlight Parade and many more popular movies featured on this list. You can further filter the list even more or get a random selection from the list of similar movies, to make your selection even easier.

On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him. To prove Nadine's not important to him, Don acquires innocent new protege Hannah Brown, vowing to make her a star in time for next year's Easter parade.

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Know any good movies to watch like Easter Parade 1948. With a similar plot or stoyline. Suggest it.

Rhythm Parade

A nightclub performer, jealous about the talents of an aspiring singer, tries to sabotage her chances at a professional career.

Kelly and Me

Failing vaudeville performer, Len, is taken under the wing of the German Shepherd wonder dog, Kelly, and a new act is born. Len hopes all his dreams are coming true when he finds himself in Hollywood ... but Kelly is the one in demand on the big screen.

Blue Skies

Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who can't stay committed to anything in life for very long.

For Me and My Gal

Two vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.

Footlight Parade

A fledgling producer finds himself at odds with his workers, financiers and his greedy ex-wife when he tries to produce live musicals for movie-going audiences.

Give a Girl a Break

When the temperamental star of a new Broadway musical revue in rehearsals walks out, director and choreographer Ted Sturgis suggests casting an unknown for the role. When it is announced in the newspapers, throngs of hopefuls show up. The revue's musical composer, Leo Belney, champions ballerina Joanna Moss, while gofer Bob Dowdy is enchanted by novice Suzy Doolittle. Then producer Felix Jordan persuades Ted's former dance partner, Madelyn Corlan, to come out of retirement to try out, much to Ted's great discomfort.

Glorifying the American Girl

A young woman, who wants to be in the Follies, is making ends meet by working at a department store's sheet music department, where she sings the latest hits. She is accompanied on piano by her childhood boyfriend, who is in love with her, despite her single-minded interest in her career. When a vaudeville performer asks her to join him as his new partner, she sees it as an opportunity to make her dream come true. Upon arriving in New York City, our heroine finds out that her new partner is only interested in sleeping with her and makes this a condition of making her a star. Soon, however, she is discovered by a representative of Ziegfeld.

Playmates

Lulu Monahan, the press agent for John Barrymore, is attempting to get a sponsor for a radio program. To that end, she and the agent for bandleader Kay Kyser, plant a story that the great Shakespearean actor, over his heartfelt objections, will teach Kyser how to play Shakespeare, which isn't the same as playing Paducah, which soon becomes evident.

Holiday Inn

Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after fickle Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and his manager.

Star!

Gertrude Lawrence rises to stage stardom at the cost of happiness.

The Star Maker

This is a film about the life of Gus Edwards, a well known vaudeville composer, entertainer, and producer.

Take Me Home

Chorus girl Peggy Lane, finds a small part in a new show for David North, a stages-truck country boy. At rehearsal, David meets Delerys Devore, the show's star, and she quickly offers him a larger part in her act. Quite taken with David, Delerys invites him to her home on the pretext that Peggy will be there; when Peggy does not show up, David leaves, infuriating his hostess. Derelys has Peggy fired the next day, and in reprisal Peggy goads her into a Carmenesque fight backstage just before the show. Derelys is unable to go on stage, and Peggy takes her place, becoming the hit of the show. Peggy and David are later married and give up show business, finding contentment living on a farm.

There's No Business Like Show Business

Molly and Terry Donahue, plus their three children, are The Five Donahues. Youngest son Tim meets hat-check girl Vicky and the family act begins to fall apart.

Step Lively

Fly-by-night producers dodge bill collectors while trying for one big hit.

This Way Please

A famous singer and matinée idol helps a pretty young theater usher in her dreams of becoming a singer, but when her career begins to take off and she becomes engaged to a wealthy young man, he realizes he's fallen for her and plots to break up her impending marriage.

The Thrill of Brazil

Steve, revue producer in Rio de Janeiro, is still in love with his ex-wife Vicki, his star Linda is in love with Steve and Tito is in love with Linda. Because of this they all get small problems.

Eadie Was a Lady

In this amiable Columbia B musical, society girl Ann Miller escapes her Back Bay family by performing in the chorus line in a burlesque house. But trouble starts when her boss (William Wright) decides to build her up as a star. One of the many bread-and-butter Columbia productions graced by the contributions of Cole’s in-house dance studio. Cole dances behind Miller in “I’m Gonna See My Baby.” --Museum of Modern Art

The Merry Monahans

The film concerns a family vaudeville troupe headed by patriarch Pete Monahan. Because of his love affair with the bottle, Pete manages to get himself and his family blacklisted from every major vaude house in the country. Though Pete's kids Jimmy and Patsy love their dad, they're forced to break away from the act and go off on their own to survive. Eventually, the whole gang is reunited in a shamelessly lachrymose musical finale.

The Matinee Idol

The famous matinee idol and blackface comedian, Don Wilson, heads out of town to escape adulation. There, calling himself Harry Mann, he accidentally joins a traveling acting troupe, and falls in love with Ginger Bolivar, who runs the troupe and stars in their Civil War melodrama. Don's producer sees the play, and thinks it's a comic masterpiece, and just what Don's Broadway show needs. But when Ginger finds out she's been played for a fool, will she forgive Don?

Smooth as Silk

An attorney enraged over the prosecution of two innocent people goes on a killing spree.

Rainbow Over Broadway

Ex-vaudeville performer Trixie makes a come-back, and threatens to thwart the ambitions of her song-writing step-children, Bob and Judy.

Sweethearts on Parade

Cam Ellerby brings his traveling medicine show to town and it spells glamour and excitement to young Sylvia Townsend.

One Sunday Afternoon

The third film version of James Hagan's play, this time with songs added, starring Dennis Morgan as a dentist who marries patient and loyal Dorothy Malone despite his constant infatuation with sexy flirt Janis Paige. Filmed previously in 1933 ("One Sunday Afternoon") and 1941 ("The Strawberry Blonde").

My Gal Loves Music

A sister act finds itself stranded and broke, and teams up with a medicine man who is promoting a child talent contest.

Double or Nothing

A philanthropist's will dictates that four people receive $5,000 apiece, with the stipulation that the first one who can double the amount -- without dishonesty-- will win a cool million. Hindering the four are the avaricious relatives of the late millionaire.

The Broadway Hoofer

Broadway dancing star Adele Dorey who, overworked and exhausted, suddenly ups and leaves New York in favor of a country village. But when promoter Bobby Lewis (Egan) of the barnstorming Gay Girlies Burlesque Company arrives in town, he picks an incognito Adele among all the pretty village girls to star in his new show. On a lark, Adele introduces her maid Jane (Louise Fazenda) as her mother and accepts a contract. When Adele's identity is finally revealed, the slumming star apologizes for her deception by offering Bobby a Broadway job.

Ma, He's Making Eyes at Me!

In this musical, a sharp witted press agent teams up with an unemployed chorine and dubs her "Miss Manhattan" to promote a cheap line of clothing. To escort her about town, the agent invents a "Mr. Manhattan." He then has them fake a marriage. When he realizes that he is in love with his creation, the agent promptly fires "Mr. M" and takes her to the altar personally. Songs include: "Ma, He's Making Eyes At Me," "Unfair To Love," and "A Lemon In The Garden Of Love."

Meet the Boy Friend

A heartthrob singer, Tony Paige, also known as "America's Boyfriend" decides to wed a Swedish actress. His manager doesn't want this because he is afraid of Tony losing female fans so he takes up a 300 hundred thousand dollar insurance policy if Tony does in fact wed. Tony soon meets a girl name June Delaney on a bus who doesn't swoon over him like other girls. He falls for her but doesn't know her true identity.

Take It Big

Jack Haley plays Jack North, the nether end of a vaudeville horse act who inherits a western ranch. When he heads to the Great Outdoors to take possession, Jack winds up at the wrong place: a swanky dude ranch. He immediately begins running things, at it's quite a while before his error is discovered. By the time he shows up at his own ranch, he's up to his ears in unpaid debts-which naturally requires a fund-raising musical show as a bail-out. Harriet Hilliard handles the romantic portion of the proceedings, occasionally dueting with her real-life husband, bandleader Ozzie Nelson.

Show Folks

Eddie Kehoe is a young vaudeville hoofer who thinks his inability to hit the big time is the fault of stage managers, agents, musicians...everybody but himself. Eddie likes to tell others how good he is, but seldom shows them. Kitty Mayo, an old-time burlesque queen, who is with the McNary Vaudeville Company, advises Eddie to get himself a partner, as his solo abilities can only be stretched so far. He decides to follow her advice and, while in a theatrical supply shop, he sees Rita Carey rehearsing her dancing act that includes a trained duck. Eddie tells Rita he is a good friend of McNary's, and, with him as her partner, her future in show business will be secured. She agrees to join him and Eddie promptly names the act "Eddie Kehoe and Partner". Despite his conceit, Rita likes Eddie, as do others in the troupe, including Cleo a little gold-digger.

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