Best movies like Bipedality

Zorns Lemma is a 1970 American structuralist film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma), a proposition of set theory formulated by mathematician Max Zorn in 1935. Zorns Lemma is prefaced with a reading from an early grammar textbook. The remainder of the film, largely silent, shows the viewer an evolving 24-part "alphabet" (where i & j and u & v are interchanged) which is cycled through, replaced and expanded upon. The film's conclusion shows a man, woman and dog walking through snow as several voices read passages from On Light, or the Ingression of Forms by Robert Grosseteste.

Guy and his sister grow up on an island. His domineering mother keeps watch over everything from the tip of a lighthouse, his eccentric father experiments in the basement laboratory. Then there are the orphans, on whose heads the adoptive parents later find puzzling wounds. Another brother and sister pair is sent to the island: the Lightball Kids, two detectives that are meant to bring light into the darkness. The brothers and sisters are all yanked into the emotional roller coaster of first love, while something cryptic comes to light in the parents' house.

Set against the backdrop of a decaying Midwestern town, a murder becomes the focal point of three people who work in a doll factory.

Love presents many challenges to couples...but none so daunting as the one Justin faces with his girlfriend April...

A young filmmaker decides to make a movie about his day-to-day activities in an attempt to understand himself and get his life back in order. A precursor to reality television and vlogs.

We enter the film like into a dream. Paris. Lenz looks for Madeleine who has mysteriously disappeared. He encounters Hélène, a young woman bewitched by her self-destructive impulses. A crazy love develops between them. Louis and Léna, devoured by their jealousy, lead Lenz to follow, against his better wishes, Hélène into the subterranean world of a dark sexual exploitation network. Although lost, lost from the first, love is what saves us.

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

This art experiment by Andy Warhol captures the simple act of a man eating mushrooms. This one-man show starring Robert Indiana presents the actor slowly eating some mushrooms, having an enjoyable time not only with the food but also with a friendly cat that from time to time comes to see what the man is doing.

HE, the third work in the ongoing collaboration between Rouzbeh Rashidi and actor James Devereaux, is a troubling and mysterious portrait of a suicidal man. Rashidi juxtaposes the lead character’s apparently revealing monologues with scenes and images that layer the film with ambiguity. Its deliberate, hypnotic pace and boldly experimental structure result in an unusual and challenging view of its unsettling subject.

Separation concerns the inner life of a woman during a period of breakdown – marital, and possibly mental. Her past and (possible?) future are revealed through a fragmented but brilliantly achieved and often humorous narrative, in which dreams and desires are as real as the ‘swinging’ London (complete with Procul Harum music and Mark Boyle light show) of the film’s setting.

Footage of John Giorno sleeping for five hours.

An avant-garde examination of the relationship between women and money in society. Mixing musical, silent melodrama, and philosophical treatise into a post-punk, heady brew.

The only journey is the one within. Mandorla explores a man's search for a meaningful life despite conflicts between his inner and outer worlds. Ernesto is a visual artist and seeker stuck in a corporate job, who is drawn by dark magical visions to a medieval French city. There he seeks an elusive banker to help him unlock an obscure dream that threatens his job, family, and sanity.

A lonely widower finds a mysterious video on his computer that leads him to an abandoned town occupied by an ominous entity.

Renee wakes up one morning in the middle of the desert with blood on her hands. She cannot remember why she is there, how she got there or with whom she came. Her quest to uncover forgotten events leads her on a journey of discovery where reality and memory collide and people are not what they seem.

An ordinary man (played by Tim Morton) lives a dull life till his friend Chet (played by Jimmy Kustes) comes over to stay for a few days. His friend ropes him to various schemes and generally makes a bunch of faux pas. His girlfriend (played by Johanna Sims) mostly runs around without alerting him of her whereabouts. He escapes his dull day-to-day existence by watching the TV show New Cops and dreaming various scenarios involving him being the President of the United States and Chet serving as his adviser. Chet recommends they hire detective Flaherty (played by David Maloney) to investigate a book heist at the local library.

A young, jobless woman stays in bed, reads, talks on the phone, smokes cigarettes, makes fresh coffee, and tries on some clothes from a large wardrobe.

Double Tide documents the work of a female clam digger in the mudflats of coastal Maine and is filmed on the rare occasion in which low tide occurs twice within daylight hours—once at dawn and once at dusk.

A tall, skinny boy obsessed with traffic cones, a lesbian Adam and Eve, a wise bearded man, and the self-proclaimed King of the Sea all wander about the surreal landscape of GLAMARUS, watched over by a man who lives in a television set.

This film was inspired by a real event—a young US Marine, recently back from the Gulf War, was found digging a grave for his murdered wife in the middle of the California Mojave.

Experimental drama set in London during the Thatcher administration involving four characters: Neil, a science-fiction illustrator, who is accidentally killed in Mexico City; Kim, a woman rock musician; Vermilion, an analyst of satellite photography; and Julian, an old friend of the illustrator who has just finished his Ph.D thesis on the fairy-tales of Charles Perrault. Their four lives are closely interlinked as events happen to each of them.

A vampire in the East Village picks up women, and while having sex with them kills them and drinks their blood. Meanwhile, a young Puerto Rican guy begins searching the Village for his sister, who is one of the vampire's victims.

Two twenty-something women dream of the ideal man and slowly realize that reality is very different from their fantasies.

Alienated in politically-ambiguous Moscow, young woman deals with severe OCD, while her cousin in Berlin tries to build a romantic relationship ignoring her own condition. In a parallel New York City realm, a heartbroken boxer struggles with addiction, self worth and online anxiety, which connects all the heroes from a universal level.

Morrissey and Warhol's commercial take on the Swedish film I, A Woman. Somebody suggested to Warhol that they wanted a sexploitation film in the vein of I, A Woman, and so he and Morrissey concocted I, A Man. They created the story of this male hustler who talks with and sleeps with a series of women over the course of the film. The women are: a young woman who worries about parental acceptance of her sexuality, a woman who is on a couch, a woman with whom he does a seance, a woman who speaks French, a lesbian, and a married woman.

A depressed woman, Barbara, is on the verge of suicide while a man she meets in a church and a married couple try to convince her that life is worth living.

65 shots making up a cryptically alluded-to narrative: a lesbian couple's Midwest travels, a hitchhiking young man's journeys, the story of a man who may be having an affair.

Dreamwood narrates the oniric quest of a modern argonaut in a mysterious island located somewhere on the borders of the unconscious.

After a silent, masked individual encounters a man with a television for an arm; horror, euphoria and madness ensue.

A man (James Devereaux) sits on a park bench talking to the camera, trying to weave together a thought that won’t cohere while commenting on passers-by, his ‘guests’… Mysterious images intervene, overturning the serenity of the park-bench monologue. Rouzbeh Rashidi’s feature proves as engaging as it is elusive.

This beautiful film about the immigrant experience is a San Francisco film about Eritrea. Sephora Woldu plays "Sephora" who, like the director, is an architecture student but also a filmmaker. She is pitching to her traditional mother a film she wants to make about a man who fled their home country and ended up in San Francisco. As a recently arrived immigrant, he is terribly homesick for his native Eritrea, but will not admit it due to unease towards speaking ill of the country; and more consciously in hesitance of admitting hard truths about his culture and himself. "It’s colorful and visually whimsical in a way that can only be described as if the Wizard of Oz went to Africa," said Woldu.

Complete strangers meet in a room to act out their sexual desires.

Three Worlds is a psychological genre-bending drama that explores the three lives, or 'worlds,' of a man who undergoes an experiment that triggers haunting memories and alternate life memories.

A frantic young woman begs a stranger to help save her marked husband, not realizing that the stranger is the hit man hired to kill him. Experimental digital movie shot entirely in one take and in real time.

A movie about making movies about making movies. In 1968, William Greaves shot several pairs of actors in a scene in which a woman confronts her husband and ends their relationship. In "Take 2 1/2," Greaves starts with 1968 takes of one of these pairs of actors plus footage of the crew discussing the film's progress. Then, 35 years later, Greaves brings back to Central Park those actors and some of the original crew (plus others) to film a reunion of the characters Alice and Freddie. We watch scenes of these characters and discussions among the actors and crew. Greaves explores and dramatizes the dialectic in the creative process.