Best movies like Guns of the Trees

Zorns Lemma is a 1970 American structuralist film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma), a proposition of set theory formulated by mathematician Max Zorn in 1935. Zorns Lemma is prefaced with a reading from an early grammar textbook. The remainder of the film, largely silent, shows the viewer an evolving 24-part "alphabet" (where i & j and u & v are interchanged) which is cycled through, replaced and expanded upon. The film's conclusion shows a man, woman and dog walking through snow as several voices read passages from On Light, or the Ingression of Forms by Robert Grosseteste.

An epic portrait of the New York avant-garde art scene of the 60s.

Essay documentary explores eroded emulsions and images for lost vestiges of lesbian and gay culture. First feature by a pioneer of lesbian cinema, Hammer weaves gay and lesbian couples with footage that unearths the forbidden and invisible history of a marginalized people.

Against a backdrop of clashing cultures, John Myron and Angela Wilson find each other and over the years form a powerful bond. One tragic night, John rescues Angela from a wicked act of betrayal. Faced with its aftermath, Angela flees town, unaware that she has put into motion a dramatic and intense string of events that will forever change the course of their lives. Harboring a secret, John guides Angela to a shocking realization that will uncover the past. A dramatic contemporary love story combining elements of spirituality, heart and integrity.

Two 12-year-olds, the products of Upper West Side broken homes, struggle to make sense of their parents lives and their own adolescent feelings.

A blending of documentary and experimental narrative strategies, combining stunning 16mm landscape cinematography with a bold, lyrical voice-over to share two San Francisco stories: the history of the Golden Gate Bridge as “suicide landmark,” and the story of a butch dyke in San Francisco searching for love and self-discovery. The Joy of Life is a film about landscapes, both physical and emotional.

It took Anna 10 years to recover from the death of her husband, Sean, but now she's on the verge of marrying her boyfriend, Joseph, and finally moving on. However, on the night of her engagement party, a young boy named Sean turns up, saying he is her dead husband reincarnated. At first she ignores the child, but his knowledge of her former husband's life is uncanny, leading her to believe that he might be telling the truth.

It was Leonora Eames' childhood dream come true. She had married Smith Ohlrig, a man worth millions. But her innocent dream became a nightmare once she realizes the truth about her husband - he is power mad and insane! Since he will not grant her a divorce, she leaves her life of luxury on Long Island and goes to work as a receptionist in an impoverished doctor's office in NYC's lower east side. After Smith deceives her into a temporary reconciliation, Leonora becomes pregnant. By the time she realizes she is expecting, she and one of the doctors, Larry Quinada (James Mason), have fallen in love. But she is again lured backed to her wealthy husband to give her child financial security. Her sadistic husband is hell-bent on keeping her and her child prisoner. What will happen to Leonora?

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

The wife of a British Judge is caught in a self-destructive love affair with a Royal Air Force pilot.

A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.

College coeds in New York City, Al, the son of a celebrity chef, and Imogen, a talented artist, become smitten the second they lay eyes on one another at a bar. However, the road to happiness is not a smooth one. Outside forces, including a predatory porn star who wants to lure Al into her bed, threaten to pull apart the young lovers before their romance has a chance to really flourish.

Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.

A rapper finds himself possessed by the soul of a dead fashion designer; frequently switching personalities.

Wallace Shawn and Andre Gregory, apparently playing themselves, share their lives over the course of an evening meal at a restaurant.

Joe and Lucy are roommates and best friends. Lucy, whose love life is embarrassingly dull, convinces Joe, who is infatuated with a neighbor he's never met, that if they don't have stable romances within a month, they must jump off the Brooklyn Bridge.

An awkward 13-year-old leaves her cranky grandfather in rural Texas, to live with her mother in Fort Worth.

Two middle-aged lesbian couples accidentally kill a younger girl and decide to cover it up. But their crime comes back to haunt them when an unexpected stranger appears in their lives, bringing tension and discord.

Marty, a butcher who lives in the Bronx with his mother is unmarried at 34. Good-natured but socially awkward he faces constant badgering from family and friends to get married but has reluctantly resigned himself to bachelorhood. Marty meets Clara, an unattractive school teacher, realising their emotional connection, he promises to call but family and friends try to convince him not to.

A young woman in Manhattan lives in a world where the past, present and future mix.

After a suicide attempt, Lane has moved into her country house to recuperate. Her best friend, Stephanie, has come to join her for the summer. Lane's mother, Diane, has recently arrived with her husband Lloyd, Lane's stepfather. Lane is close to two neighbors: Peter, and Howard. Howard is in love with Lane, Lane is in love with Peter, and Peter is in love with Stephanie.

Footage of John Giorno sleeping for five hours.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

A production company begins casting for its next feature, and an up-and-coming actress named Rose tries to manipulate her filmmaker boyfriend, Alex, into giving her a screen test. Alex's wife, Emma, knows about the affair and is considering divorce, while Rose's girlfriend secretly spies on her and attempts to sabotage the relationship. The four storylines in the film were each shot in one take and are shown simultaneously, each taking up a quarter of the screen.

An experimental feature made by rephotographing the 1905 Biograph short Tom, Tom, the Piper's Son.

Jacqueline is a young mother living in 1960s Paris with her disabled son Laurent. Abandoned by her husband, Jacqueline sacrifices everything to care for her son and vows to give Laurent a “normal” life full of happiness. Antoine, is a successful DJ in present day Montreal who seems to have it all: a thriving career, two beautiful daughters, partner Rose, with whom he is passionately in love. However, nothing is perfect and Antoine’s ex-wife Carole remains devastated by their recent separation.

A touching story of eight very different people who are at a crossroads in life and must make decisions that will forever change who they are. Jack must decide to spend the rest of his life with his girlfriend Terri. Marina must reconnect with her aging father. Laurel must embrace her new pregnancy and come to terms with her father’s early Alzheimer's. And Dave must learn why life is worth living.

On a one-day business trip to New York, a German business executive falls in love with a singer-songwriter who exposes him to her Brooklyn world and emotions he's never experienced before.

This is the story of a young Irish woman who comes to Spain to escape from the pressures she feels about her impending marriage to a political activist in Ireland. But in Spain in the 1930's, taking a job of governess in a wealthy family, she finds the same kinds of political unrest. In fact, it isn't long before she finds herself attracted to a married man who is similarly involved in the struggle against fascism and Franco. This awakens her to her nature that brings her to such men and resolves for her what she must do about the life she left in Ireland

John and Mary meet in a singles bar, sleep together, and spend the next day getting to know each other.

A director whose life crumbled when Cello, his Hollywood starlet girlfriend, killed herself, becomes obsessed with a robot designed to replicate her after he's offered the chance to direct the film of Cello's life.

An amnesiac wanders the streets of Manhattan, trying to solve the mystery of who he is.

Renee wakes up one morning in the middle of the desert with blood on her hands. She cannot remember why she is there, how she got there or with whom she came. Her quest to uncover forgotten events leads her on a journey of discovery where reality and memory collide and people are not what they seem.

A small Oklahoma town is stripped of its innocence when one of its boys turns up mute and bloodied by the lakeside. Unable to tell his story, the local sheriff embarks on a quest to uncover the roots of a gruesome crime. He's led to Ainsley DuPree and her new husband, Jack, a man whose interest in family may very well outweigh his morals.

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.

After saving each other from jumping off a bridge, Henry Bell and Karen Knightly plot to avenge the people who drove them to suicide. Henry will ruin the life of the woman who married Karen's boyfriend, while Karen will work as a secretary for the man who took Henry's job. Whether revenge will be sweet – or bittersweet – is anyone's guess.

Paul Keller is a minister who has found himself heavily involved in an illicit affair with his son's teacher. Unable to see an end to his deceptive and sinful path, he concocts a scheme to fake his own death. However, his cunning plan goes awry and he is left with no recollection of himself or his former life.

The world has ended. All that is left behind are individual beauty cults, groups of girls seeking safety and identity in numbers. Basing their bond on hair color and giving themselves strangely evocative gang names, the blond Phayrays (King Kong), the brunette Satanas (Faster Pussycat, Kill! Kill!), and the wicked, redheaded Tempests (as in Storm, the stripper) are constantly battling the brutish cavemen roaming the afterworld ruins and looking for potential dye job converts. Only one group tries to incorporate all follicle factions. They are the Superstarlets.

Jakob arrives at the Institute Benjamenta (run by brother and sister Johannes and Lisa Benjamenta) to learn to become a servant. With seven other men, he studies under Lisa: absurd lessons of movement, drawing circles, and servility. He asks for a better room. No other students arrive and none leave for employment. Johannes is unhappy, imperious, and detached from the school's operation. Lisa is beautiful, at first tightly controlled, then on the verge of breakdown. There's a whiff of incest. Jakob is drawn to Lisa, and perhaps she to him. As winter sets in, she becomes catatonic. Things get worse; Johannes notes that all this has happened since Jakob came. Is there any cause and effect?

A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.

Wartime romance about a lonely man and woman who meet one rainy afternoon in New York.

A reworking of the myth of Hippolytus, in which a chaste youth rejects the incestuous advances of his mother and is saved from death by a caring physician.

A journey through the dark side of 1950s Los Angeles. "The Savage Eye" is largely composed of documentary street footage, which, when coupled with its dramatized material, takes the form of a hybrid narrative about a divorcee who escapes to L.A. to eviscerate her past -- and all notions of love and faith -- with a boozy, cynical abandon.

Following both the death of her father-in-law and a divorce, Jesse, a New Yorker, returns to a small town to live with her now widowed mother-in-law. Jesse struggles to fit in with the local townsfolk who don’t welcome her with open arms to say the least. Jesse becomes acquainted with the local pastor, her widowed brother-in-law, falling in love with him, much to the dismay of the community. Things get even more complicated when her ex-husband comes calling, suspiciously trying to win her back. Between her love life and entangled in-laws, Jesse is tested as she seeks the answer to where she truly belongs.

The Angelic Conversation is a lyrical, haunting film about a young man’s search for love in a dreamlike landscape. Its tone is set by the juxtaposition of slow moving homo-erotic images and opaque landscapes through which two men take a journey into their own desires. Offscreen, Dame Judi Dench recites a sequence of Shakespeare's sonnets that counterpoint the action. Jarman called it, “My most austere work, but also the closest to my heart.”

Morrissey and Warhol's commercial take on the Swedish film I, A Woman. Somebody suggested to Warhol that they wanted a sexploitation film in the vein of I, A Woman, and so he and Morrissey concocted I, A Man. They created the story of this male hustler who talks with and sleeps with a series of women over the course of the film. The women are: a young woman who worries about parental acceptance of her sexuality, a woman who is on a couch, a woman with whom he does a seance, a woman who speaks French, a lesbian, and a married woman.

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound , finds the personalities of his characters to have a timeless universality.

65 shots making up a cryptically alluded-to narrative: a lesbian couple's Midwest travels, a hitchhiking young man's journeys, the story of a man who may be having an affair.

Dreamwood narrates the oniric quest of a modern argonaut in a mysterious island located somewhere on the borders of the unconscious.

"Breathtaking in its techniques, rhapsodic in its passion, and encyclopedic in its scope, the film traces the long fall from paradise into modern barbarism." - Art Gallery of Ontario