Best Avant Garde Movies & TV Shows

An eight-hour contemplative epic, entirely starring sheep.

In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.

An epic portrait of the New York avant-garde art scene of the 60s.

A super pure tragicomedy rosary of pious prayers bringing unity, joy, and excellent living to the people of all sizes, sexualities, and colors. World Peace will unlock your closeted bigoted imagination, toss your inherent racism into the burning trash, and cleanse your intolerant spirit with pure unapologetic American funny_com. Open your eyes or you'll get thumb goggles. For what naive slob expects hemlock medicine to taste of milkshake? For the record, none of us plan on killing ourselves and if we do it’s CIA_Mossad.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

Described (rather cheekily) by director Michael Snow as a musical comedy, this deft probing of sound/image relationships is one of his wittiest, most entertaining and philosophically stimulating films. In his words, the film “derives its form and the nature of its possible effects from its being built from the inside, as it were, with the actual units of such a film, i.e. the frame and the recorded syllable. Thus its ‘dramatic’ element derives not only from a representation of what may involve us generally in life but from considerations of the nature of recorded speech in relation to moving light-images of people.’”

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

A dramatization of the relationship between heart surgery pioneers Alfred Blalock and Vivien Thomas.

BREAKFAST: After eating breakfast, a man is transformed into an elaborate dumb-waiter-style breakfast dispenser - and the same fate befalls the man who obtains breakfast from him. LUNCH: After failing to catch the waiter's eye, two would-be diners end up eating everything within reach. DINNER: Portraits of various meals made up of human organs.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

Victor Derval is returning home after a performance when he is hailed by Lisa, a young Hungarian woman. Her motives are mysterious; is she simply a star-struck peasant girl, or an ambitious, manipulative aspiring star?

Jakob arrives at the Institute Benjamenta (run by brother and sister Johannes and Lisa Benjamenta) to learn to become a servant. With seven other men, he studies under Lisa: absurd lessons of movement, drawing circles, and servility. He asks for a better room. No other students arrive and none leave for employment. Johannes is unhappy, imperious, and detached from the school's operation. Lisa is beautiful, at first tightly controlled, then on the verge of breakdown. There's a whiff of incest. Jakob is drawn to Lisa, and perhaps she to him. As winter sets in, she becomes catatonic. Things get worse; Johannes notes that all this has happened since Jakob came. Is there any cause and effect?

A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.

Now one of the world’s most celebrated artists, Yayoi Kusama broke free of the rigid society in which she was raised, and overcame sexism, racism, and mental illness to bring her artistic vision to the world stage. At 88 she lives in a mental hospital and continues to create art.

Wallace Shawn and Andre Gregory, apparently playing themselves, share their lives over the course of an evening meal at a restaurant.

First time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.

'The Shadow of the Sun' draws upon Derek Jarman’s interest with alchemical processes as a metaphor for reprocessing Super-8 film. Jarman once described film’s union of light and matter as “an alchemical conjunction” and experimented throughout his career with creating dream symbolism through the superimposition of image and action. Originally called English Apocalypse, the film’s final title is derived from a 17th Century alchemical text that used the phrase as a synonym for the philosopher’s stone – the highly sought substance that turns base metals into gold and silver. The film was intended as a step toward the idea of an ambient video, that like its musical counterpart, was designed to enhance an environment.

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

An African-American Mafia hit man who models himself after the samurai of ancient Japan finds himself targeted for death by the mob.

An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.

A depressed woman, Barbara, is on the verge of suicide while a man she meets in a church and a married couple try to convince her that life is worth living.

In the questionable town of Deer Meadow, Washington, FBI Agent Desmond inexplicably disappears while hunting for the man who murdered a teen girl. The killer is never apprehended, and, after experiencing dark visions and supernatural encounters, Agent Dale Cooper chillingly predicts that the culprit will claim another life. Meanwhile, in the more cozy town of Twin Peaks, hedonistic beauty Laura Palmer hangs with lowlifes and seems destined for a grisly fate.

Two co-workers, one a vain woman and the other an awkward teenager, share an increasingly bizarre relationship after becoming roommates.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

"Breathtaking in its techniques, rhapsodic in its passion, and encyclopedic in its scope, the film traces the long fall from paradise into modern barbarism." - Art Gallery of Ontario

A mathematical genius discovers a link between numbers and reality, and thus believes he can predict the future.

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.

The year is 1957. The cast and crew of the Lester Guy Show are extremely apprehensive about their upcoming live television broadcast on the Zoblotnick Broadcasting Co. network. Lester Guy despises fellow cast member Betty Hudson for unknowingly becoming more popular than him and schemes to destroy her career. Only two of the seven episodes were written by David Lynch.

An exploration of the United States of America's war on drugs from multiple perspectives. For the new head of the Office of National Drug Control Policy, the war becomes personal when he discovers his well-educated daughter is abusing cocaine within their comfortable suburban home. In Mexico, a flawed, but noble policeman agrees to testify against a powerful general in league with a cartel, and in San Diego, a drug kingpin's sheltered trophy wife must learn her husband's ruthless business after he is arrested, endangering her luxurious lifestyle.

After serving prison time for a self-defense killing, Sailor Ripley reunites with girlfriend Lula Fortune. Lula's mother, Marietta, desperate to keep them apart, hires a hitman to kill Sailor. But he finds a whole new set of troubles when he and Bobby Peru, an old buddy who's also out to get Sailor, try to rob a store. When Sailor lands in jail yet again, the young lovers appear further than ever from the shared life they covet.

On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest.

In a decaying castle surrounded by a dank, mirrored lake live the morbidly nervous Roderick Usher and his sickly twin sister, Madeline. Their tale is told and dimly comprehended by the unnamed narrator, a boyhood friend whom Roderick has summoned. When Madeline soon dies—or seems to die—they entomb her body. On a stormy night, "cracking and ripping" sounds and a "shriek" from below convince the panicky Roderick that "We have put her living into the tomb!" The shrouded, emaciated figure of Madeline appears at the door of Roderick's book-strewn study, falls upon him, "and in her violent and now final death-agonies, bore him to the floor a corpse."

A 1971–72 documentary film by Jonas Mekas. It revolves around Mekas' trip back to Semeniškiai, the village of his birth.

A young man walks into a meticulously clean and sterile bathroom and proceeds to shave away hair, then skin, in an increasingly bloody and graphic bathroom scene. Many film critics have interpreted the young man's process of self-mutilation as a metaphor for the self-destructive involvement of the United States in the Vietnam War.

Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.

A figure known as "The Assassin" descends from the heavens into a nightmarish pit full of monsters, titans, and cruelty.

A documentary on the influential musician Scott Walker.

65 shots making up a cryptically alluded-to narrative: a lesbian couple's Midwest travels, a hitchhiking young man's journeys, the story of a man who may be having an affair.

12 oz. Mouse revolves around Mouse Fitzgerald, nicknamed "Fitz", an alcoholic mouse who performs odd jobs so he can buy more beer. Together with his chinchilla companion Skillet, Fitz begins to recover suppressed memories that he once had a wife and a child who have now vanished. This leads him to seek answers about his past and the shadowy forces that seem to be manipulating his world.

Guy and his sister grow up on an island. His domineering mother keeps watch over everything from the tip of a lighthouse, his eccentric father experiments in the basement laboratory. Then there are the orphans, on whose heads the adoptive parents later find puzzling wounds. Another brother and sister pair is sent to the island: the Lightball Kids, two detectives that are meant to bring light into the darkness. The brothers and sisters are all yanked into the emotional roller coaster of first love, while something cryptic comes to light in the parents' house.

A social event choreographed in the manner of a dance, illuminated by concepts drawn from Greek legend; one of filmmaker Maya Deren’s most intriguing works.

Two teachers vie for the right to stage a play written by Jane Austen when she was twelve years old.

H₂O (1929) is a short silent film by photographer Ralph Steiner. The film serves as a cinematic tone poem, showcasing the dynamic nature of water through its various forms.

Shot entirely without dialogue and filled with suggestive violence and psycho-sexual imagery, it's like a skid row expressionist thriller following the nocturnal prowling of a young woman haunted by homicidal guilt.

On a faraway mountaintop, eight kids with guns watch over a hostage and a conscripted milk cow.

Solomon and Tummler are two teenagers killing time in Xenia, Ohio, a small town that has never recovered from the tornado that ravaged the community in the 1970s.

Strings is a mythological story about the son of a king, Hal Tara, who sets out on a journey to avenge the death of his father. To his surprise he discovers the truth of his own people - and where he least expects it - he finds true love.

Witch’s Cradle is an unfinished Maya Deren film made in the Guggenheim Gallery during a surrealist “Art of this Century” exhibit. It was assembled long after her death by staffers within the preservation department at Anthology Film Archives.

Arrival in the Bronx is shown with a view from an elevated train as it enters the city. Then follows a montage of sights from the Bronx. Many typical neighborhood activities are shown, along with scenes from many local businesses.