Best movies like Cleopatra

Wealthy passengers fogged in at London's Heathrow Airport fight to survive a variety of personal trials.

Andy Warhol’s screen adaptation of Burgess's "A Clockwork Orange”.

Three young ladies perform yoga without clothes in the open air of Cyprus. Another does the same in a studio. These visuals are interspersed with images of Eastern art, processed for "psychedelic" effect. The narrator relates the practice of yoga to Buddhist philosophy.

A surreal and disturbing distillation of Western Civilization, Necropolis is the unhinged vision of Italian director Franco Brocani. Pierre Clémenti is Attila the Hun, naked and on horseback, while Warhol superstar Viva is a drunken and abusive Countess Bathory. A pop pastiche for the psychedelic generation, Necropolis features a soundtrack by Gavin Bryars.

At a New York City restaurant, the patrons are men, nude but for a G-string, waited on by one woman, also clad in a G-string and a G-bestringed waiter.

Danny Ocean and his gang attempt to rob the five biggest casinos in Las Vegas in one night.

The assassination of the would be ruler of Rome at the hands of Brutus and company has tragic consequences for the idealist and the republic.

Viva and Louis Waldon spend an idyllic afternoon together in an apartment in New York City.

Shot at Warhol's Silver Factory, Camp features a group of Superstars putting on a "summer camp" talent show complete with singing, dancing, jokes, poetry, and Gerard Malanga as master of ceremonies.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Determined to hold on to the throne, Cleopatra seduces the Roman emperor Julius Caesar. When Caesar is murdered, she redirects her attentions to his general, Marc Antony, who vows to take power—but Caesar’s successor has other plans.

Former child star Joe Davis, reduced to living in a cheap Hollywood motel while struggling for acting jobs, is lusted after by nearly every woman he meets, including Jessica Todd, a tightly wound feminist who has recently come out as a lesbian. When Jessica's mother, Sally, an emotionally needy has-been actress, meets Joe, she moves him into her enormous, tacky mansion as her new boy toy and attempts to get him acting work.

Explores the confrontation between the woman who has everything, including emptiness, and a penniless poet who has nothing but the ability to fill a wealthy woman's needs.

Faustus is a scholar at the University of Wittenberg when he earns his doctorate degree. His insatiable appetite for knowledge and power leads him to employ necromancy to conjure Mephistopheles out of hell. He bargains away his soul to Lucifer in exchange for living 24 years during which Mephistopheles will be his slave. Faustus signs the pact in his own blood and Mephistopheles reveals the works of the devil to Faustus.

This art experiment by Andy Warhol captures the simple act of a man eating mushrooms. This one-man show starring Robert Indiana presents the actor slowly eating some mushrooms, having an enjoyable time not only with the food but also with a friendly cat that from time to time comes to see what the man is doing.

A young woman who works in a beauty parlor discovers that she has a unique and special talent, which causes her no end of trouble.

Three actors in Hollywood live and love together. A director comes from New York to make a movie about actors and Hollywood.

A documentary ostensibly about Anna, a young drug addict taken off the streets by one of the filmmakers. Through her they attempt to explore the social issues from their hippie perspective, instead they create a revealing, uncomfortable self-portrait and inadvertently raise questions about documentary film-making.

In 1972, young women looking for a fresh start in life endure isolated captivity in a true 98-day human experiment studying the effects of marijuana on females.

Jack and Leo vie for the affections of Vera – who appears a little differently to each man – over the course of a series of energetic sketches, flashbacks and homages.

Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

Lovelife is a 1997 romantic comedy film written and directed by Jon Harmon Feldman. The ensemble cast includes Matt Letscher, Sherilyn Fenn, Saffron Burrows, Carla Gugino, Bruce Davison, Jon Tenney and Peter Krause. Lovelife was nominated for a Feature Film Award at the 1997 Austin Film Festival, and won an Audience Award at the Los Angeles Independent Film Festival. The film was winner of the screenplay award at the L.A. Indie fest.

1930s Hollywood is reevaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane.

"Tub Girls" features Warhol superstar Viva lying in a bathtub with different people of both sexes, including Brigid Berlin (as Brigid Polk), who appeared fully clothed in the tub.

Gay secondary school-boy runs away after principal embarrasses him in front of school.

On the set of Cleopatra, Hollywood's most beautiful star, Elizabeth Taylor, fell into the arms of one of the world's greatest actors, Richard Burton - and she didn't leave. Their subsequent white-hot, scandalous love affair gave rise to the paparazzi and they became the most hunted and photographed couple on earth. Their rocky, passionate, relationship, born in front of the cameras, was subsequently captured in a series of films, including The V.I.P.s and Who's Afraid of Virginia Woolf? The last of the great, extravagant stars, flaunting diamonds, yachts and private planes, they continually seized the headlines. They even divorced and married again - only to divorce again - but remain in each other's hearts. This Elizabeth Taylor - Richard Burton story is a no-holds barred account of their undying, but impossible love.

Drama telling the story of Hollywood's most glamorous couple, Richard Burton and Elizabeth Taylor, who acted together for the last time in Noel Coward's Private Lives in 1983.

On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.

Julie, a teen who died from a PCP overdose in the early '70s, searches from beyond the grave for her younger brother Bob, who now in the '90s is an obese watch seller suffering with sucrose intolerance.

The world has ended. All that is left behind are individual beauty cults, groups of girls seeking safety and identity in numbers. Basing their bond on hair color and giving themselves strangely evocative gang names, the blond Phayrays (King Kong), the brunette Satanas (Faster Pussycat, Kill! Kill!), and the wicked, redheaded Tempests (as in Storm, the stripper) are constantly battling the brutish cavemen roaming the afterworld ruins and looking for potential dye job converts. Only one group tries to incorporate all follicle factions. They are the Superstarlets.

Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute reels) only once, at the Film-Makers' Cinematheque in the basement of the now-demolished Wurlitzer Building at 125 West 41st Street in New York City. The imagery in the film is dense, wearying and beautiful, but ultimately hard to decipher, for, in contrast to his earlier, and more famous film Chelsea Girls, made in 1966, Warhol directed that two reels be screened simultaneously on top of each other on a single screen, rather than side-by-side.

Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.

A young, jobless woman stays in bed, reads, talks on the phone, smokes cigarettes, makes fresh coffee, and tries on some clothes from a large wardrobe.

This mockumentary about fictional movie studio Adequate Pictures boasts an interesting cast. Tony Randall hosts, and James CoCo (practically on his deathbed) stars as head of the studio. Includes parodies of everything from silent comedies to porn, including an ultra violent "three stooges" style comedy team who put a new spin on the eye poking gag.

Ondine is a gay man attempting to re-adjust his sexuality via various encounters with different women. After trying his luck with three women, Ondine becomes a background character in a sequence in which a group of Latin American men, calling themselves The Bananas, engage in a food fight. Ondine then engages in a wrestling match with Joe Dallesandro, who is married to Brigid Berlin.

The Humphrey Bogart story from the early '30s until his death, covering the period as a struggling young actor through movie stardom and his marriages to Mayo Methot and Lauren Bacall.

Andy Warhol’s film Lupe (1966) restages the mythic account of one celebrity’s suicide as a strategic ploy to envision another’s. Lupe is known to be Warhol’s take on Kenneth Anger’s own fabricated account of Lupe Vélez’s (also known as Hollywood’s ‘Mexican Spitfire’) suicide; Edie Sedgwick is cast as Vélez living out her last morning, evening and final dramatic exit. (berlinfilmjournal.com)

Vintage 1975 documentary about the life of movie queen Elizabeth Taylor hosted by Peter Lawford, and featuring appearances by actors Roddy McDowall and Rock Hudson, directors Richard Brooks and Vincente Minnelli, Elizabeth's mother Sara Taylor, costumer Helen Rose, and producer Sam Marx.

Naive Iowa farm boy Lewis Tater dreams of being a famous Western novelist like his hero, Zane Grey. He leaves home to answer a writing correspondence course's ad for on-campus classes, only to discover that the school consists of a row of postboxes at an isolated Nevada train depot. On the run from the con men responsible, Lewis stumbles across "real" cowboys--cowboy actors shooting a movie in the desert. The would-be writer soon finds himself instead acting in Westerns, for the rundown Tumbleweed Productions studio, in Depression-era Hollywood.

Shot during Warhol's cross-county trip to Los Angeles during his second exhibition at the Ferus - the same trip during which he filmed the footage for Elvis at Ferus. Locations included Hollywood, Malibu, Venice, Pasadena, Topanga Canyon, the Santa Monica pier and the Beverly Hills Hotel.

Homage to the cult classic “Mondo Hollywood”, a groovy mushrooms dealer and a man from the 5th dimension journey through Hollywood to find the meaning of “Mondo.”

Documentary about the making of 20th Century Fox's 1963 film "Cleopatra," then the most expensive film of all time.

TV-documentary about the actress.

A melancholy man meets a stunning, mysterious woman while he is traveling, and discovers she may or may not be involved in a prostitution ring. She disappears after their relationship lasts a few days, and though he searches for her, those around him pretend not to know who he is speaking of.

Two versions of Dylan Thomas' classic play "Under Milk Wood" were shot, with the same cast, one in Welsh, "Dan y Wenallt", and one in English. Directed by Kevin Allen, narrated by and starring Rhys Ifans, the films were shot largely in the Pembrokeshire village of Solfa during the summer of 2014. This surreal and erotic interpretation of Dylan Thomas' work is the first theatrical production of the brilliant, haunting radio play since Elizabeth Taylor and Richard Burton's 1972 film. Certain to astonish and excite in equal measures, this production reunites director Kevin Allen with actor Rhys Ifans over 15 years after the release of their cult classic "Twin Town". An ensemble Welsh speaking cast of familiar faces is led by Ifans as First Voice and Captain Cat, with Charlotte Church as Polly Garter.

Two bored suburban housewives, neglected by their workaholic husbands, take on a couple of college kids for kicks, then decide to join a wife-swapping club. Complications arise when love, jealousy and resentment arise.

While on a leisurely ride in the country, a kinky dominatrix picks up a young male hitchhiker. At the first opportunity she handcuffs and blindfolds him, then takes him to a farmhouse where she ties up the young man and brings out three of her fellow dominatrixes, who take turns abusing and humiliating their captive--and each other.

Morrissey and Warhol's commercial take on the Swedish film I, A Woman. Somebody suggested to Warhol that they wanted a sexploitation film in the vein of I, A Woman, and so he and Morrissey concocted I, A Man. They created the story of this male hustler who talks with and sleeps with a series of women over the course of the film. The women are: a young woman who worries about parental acceptance of her sexuality, a woman who is on a couch, a woman with whom he does a seance, a woman who speaks French, a lesbian, and a married woman.

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound , finds the personalities of his characters to have a timeless universality.

Warhol plunked a horse named Mighty Byrd in the middle of the Factory for this dark, homoerotic take on the classic oater that later anticipates his later western epic Lonesome Cowboys.