Dancing Lady

A Broadway artiste turns a faded film star's comeback vehicle into an artsy flop.

The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognizes that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.

Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. Sally purchases a horse, she used to train when her parents had a farm before the depression and with to ex-vaudevillians, Sonny Ledford and Peter Trott she trains it to win a race, providing the money Steve needs for his show.

After putting together another Broadway flop, down-on-his-luck producer Max Bialystock teams up with timid accountant Leo Bloom in a get-rich-quick scheme to put on the world's worst show.

On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him. To prove Nadine's not important to him, Don acquires innocent new protege Hannah Brown, vowing to make her a star in time for next year's Easter parade.

When the temperamental star of a new Broadway musical revue in rehearsals walks out, director and choreographer Ted Sturgis suggests casting an unknown for the role. When it is announced in the newspapers, throngs of hopefuls show up. The revue's musical composer, Leo Belney, champions ballerina Joanna Moss, while gofer Bob Dowdy is enchanted by novice Suzy Doolittle. Then producer Felix Jordan persuades Ted's former dance partner, Madelyn Corlan, to come out of retirement to try out, much to Ted's great discomfort.

Things get tough for Carol and her showgirl pals, Trixie and Polly, when the Great Depression kicks in and all the Broadway shows close down. Wealthy songwriter Brad saves the day by funding a new Depression-themed musical for the girls to star in, but when his stuffy high-society brother finds out and threatens to disown Brad, Carol and her gold-digging friends scheme to keep the show going, hooking a couple of millionaires along the way.

Helen Chernen pushes her younger sister Katherine into show business in order to escape their small town poverty.

After one member of their group is murdered, the performers at a burlesque house must work together to find out who the killer is before they strike again.

A wealthy young man falls hard for a beautiful showgirl, and her wily father quickly realizes the naïve boy would make the perfect investor for his daughter's new show. Comedy with music.

In a series of vignettes, New York bachelor Bobby learns about the perils and pleasures of love, marriage, dating and divorce from his married friends.

A group of sailors invest in a musical revue.

Benny and Flo are a husband and wife dance team, Sloane and Darrel, traveling around the country as part of a revue. The revue gets picked up and taken to New York City, to be on Broadway. However, it quickly folds, and the two are forced to look for other employment. They eventually find work in a nightclub, becoming famous.But while performing at the nightclub, Flo becomes entranced by a young, sophisticated millionaire playboy, Winston.

A Broadway show is forced to bow to the whims of a talentless, whacky, but rich, Broadway actress with a contract.

Broadway dancing star Adele Dorey who, overworked and exhausted, suddenly ups and leaves New York in favor of a country village. But when promoter Bobby Lewis (Egan) of the barnstorming Gay Girlies Burlesque Company arrives in town, he picks an incognito Adele among all the pretty village girls to star in his new show. On a lark, Adele introduces her maid Jane (Louise Fazenda) as her mother and accepts a contract. When Adele's identity is finally revealed, the slumming star apologizes for her deception by offering Bobby a Broadway job.

The trials and tribulations of a two man, digi-folk band who have moved from New Zealand to New York in the hope of forging a successful music career. So far they've managed to find a manager (whose "other" job is at the New Zealand Consulate), one fan (a married obsessive) and one friend (who owns the local pawn shop) -- but not much else.

The story of the romantic and creative partnership between Bob Fosse and Gwen Verdon. He was a filmmaker and one of theater's most influential choreographers and directors; she was the greatest Broadway dancer of all time. Together, they changed the face of American entertainment — at a perilous cost.

A group of East High students countdown to the opening night of their school’s first-ever production of “High School Musical.” Showmances blossom; friendships are tested while new ones are made; rivalries flare and lives are changed forever as these young people discover the transformative power that only a high school drama club can provide.

Go behind the curtains as Kermit the Frog and his muppet friends struggle to put on a weekly variety show.

Fran, fresh out of her job as a bridal consultant in her boyfriend’s shop, first appears on the doorstep of Broadway producer Maxwell Sheffield peddling cosmetics, and quickly stumbled upon the opportunity to become The Nanny for his three children. But soon Fran, with her offbeat nurturing and no-nonsense honesty, touches Maxwell as well as the kids.

A songwriting duo tries to create a hit with a Broadway musical based on the life of Marilyn Monroe.

How Do You Solve a Problem Like Maria? is an English reality television talent show that documented the search for an undiscovered musical theatre performer to play the role of Maria von Trapp in the 2006 Andrew Lloyd Webber and David Ian stage production of The Sound of Music. The series was devised by executive producer Gigi Eligoloff, and was announced by the BBC in April 2006. BBC One broadcast the programme, which was hosted by Graham Norton, on Saturday evenings from 29 July through 16 September 2006. The title derives from the refrain of "Maria", a song from the first act of The Sound of Music.

This syndicated anthology series staged a different play every week covering all genres, dramas, comedies, musicals, fantasies, mysteries, et al, utilizing some of the best talent appearing on Broadway.

As manager of a talent agency she inherited from her father, Sophie Paquin, single and afraid of commitment, lives through a series of events outrageous enough to make the tabloids. Double betrayals, one-night stands with lifetime consequences, secrets, lies, a temperamental mother and an ex-con brother, she survives a dizzying array of ups and downs without ever losing hope or her smile.

This six part documentary miniseries presents the evolution of the Broadway musical from its inception in 1893 to current day 2004. It presents those influential players both on stage and behind the scenes, as well as a variety of influential Broadway shows, a handful which are known to have transformed the musical into what the audience knows it to be today.

Jacob Gordon can't catch a break. A struggling actor with a personal life to match. His epic streak of bad luck just might change when he's cast in a Broadway musical; "The Ice Queen", opposite stage and screen royalty Veronica Bailey.

Variety show featuring talented acts from around the world displaying their mastery of performance, with disciplines ranging from singing and stand-up routines to acrobatics and aerial dance, along with everything in between.

Change your life? Little Mix are on the search to salute incredible talent. Six brand new bands - but only one will have the DNA to support them on their UK tour.

The series follows Daniella Hernandez, a highly sought-after entertainment lawyer in Los Angeles, as she navigates the nefarious lives of her rich and famous clients while dealing with her own complicated personal life as a recovering alcoholic who compensates for her suppressed addiction with men and the adrenaline of defending the worst in the entertainment world against an over-zealous D.A. sworn to bring them all to justice. She is the classic conundrum of doing good for bad reasons and doing bad for good reasons.

In 1954, a time before rock ‘n’ roll ruled, before the T-Birds were the coolest in the school, four fed-up outcasts dare to have fun on their own terms, sparking a moral panic that will change Rydell High forever.