Destroy, She Said

In an empty villa, Vera Baxter sits and contemplates her life, as she recounts to a woman who was drawn to the villa when she heard the name Vera Baxter pronounced. Vera tells her about her no-good husband, who has been using her to keep his failing business afloat, up to her present love affair.

A defense contractor who somehow becomes the sole survivor of a nuclear holocaust. In his solitude, he traces the history of U.S. civilization in the 20th century through musical numbers.

Carol, a college student, comes to John's office, her professor, to discuss the grade she has received for one of her papers.

A dying German magnate invites his youngest son and daughter-in-law home to discuss the future of the family's shipbuilding empire. There, the daughter-in-law stumbles upon a secret of the family's Nazi past.

Aline Issermann's "Shades of Doubt" ("L'Ombre du Doute"), a French film about a wrenching family crisis, is set forth with remarkable restraint. The subject is incest, but the story's potential for tawdriness is never exploited. Instead, Ms. Issermann presents a discreet, methodical account of how 12-year-old Alexandrine comes to bring and then recant charges against her father, Jean.

An old lady returns from Africa where she made a fortune to find her son in Paris, whom she has not seen in five years, with the intention of bringing him back with her. But this project fails.

A fascinating and unlikely reinvention story, The Royal Road simultaneously explores cinematic spiritual channeling, the conquest and colonization of Mexico and the American Southwest, fading historical Californian urban landscapes, and the passions found in butch identity to achieve an achingly beautiful and poetic defense of remembering. Probing roads from El Camino Real, to the Boulevard of Broken Dreams, to the road right outside the front door, Olson crafts a deeply intelligent and transcending observation of the human condition that reaches for redemption in the embrace of history, nostalgia, mindfulness, and sheer beauty. If you give yourself over to it, it will crack you wide open.

Hotel Monterey is a cheap hotel in New York reserved for the outcasts of American society. Chantal Akerman invites viewers to visit this unusual place as well as the people who live there, from the reception up to the last story.

The true life-story of Sara Góralnik, a 13 year-old Polish Jew whose entire family was killed by Nazis in September of 1942. After a grueling escape to the Ukrainian countryside, Sara steals her Christian best friend’s identity and finds refuge in a small village, where she is taken in by a farmer and his young wife. She soon discovers the dark secrets of her employers’ marriage, compounding the greatest secret she must strive to protect, her true identity.

A man and his sister meet at a seaside village to discuss their relationship.

Axèle is a photographer, Camille is a writer. They have been awarded an arts residency at the Villa Medicis in Rome. Camille is accompanied by her husband, the famous writer Marc Landré. When a strange rivalry takes shape between them, Camille bonds with Axèle. But who is Axèle really ? A total artist, who never compromises and confuses herself with her oeuvre ? Or a ghost ? This year at the Villa Medici, where bodies and souls free themselves, no one will come out unscathed.

In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.

With little or no embellishment, filmmaker Marguerite Duras offers a simple, often wordless chronicle of a woman's day. She and her friend are seen doing yard work, talking about their families and receiving the occasional visitor. The brightest spot in the day is when a washing machine salesman comes to call.

The full soundtrack to Marguerite Duras' 1975 film India Song, about a French ambassador's wife in 1930s India, is here repurposed with all new cinematography. As we hear all the dialogue of a bygone movie, we travel visually through images of absence and decay, bereft of life. It's the ghost of a film, and a further commentary on colonialism.

Each night in Paris, hundreds of men and women anonymously use telephone lines that date from the German Occupation and are no longer listed to talk to each other, to love each other. These people, shipwrecked lovers, are dying to love, to escape the abyss of solitude.

Doctor Snuggles is an animated television series created by Jeffrey O'Kelly based on original artwork by Nick Price, about a friendly and optimistic inventor named Doctor Snuggles who has unusual adventures with his friends. The show featured fantastical scenarios which usually involved Doctor Snuggles inventing something outlandish such as a robot helper or diamond-making machine, and had a variety of supporting characters who were mostly anthropomorphic animals.

In his basement in San Francisco, boy-genius Quinn Mallory unlocks the doorway to an infinite number of Earths. During a test run, Quinn invites co-worker Wade Welles and his teacher Professor Maximillian Arturo to see his new invention. But an increase in power and an early departure leave all three, plus a washed-up soul singer named Rembrandt "Crying Man" Brown, lost in a parallel world. Now they must "slide" from world to world, not only adapting to their changing surroundings, but also trying to get back to their world. Will they ever make it home?

This documentary series tackles one of history's most horrifying subjects: the Holocaust and the infamous Auschwitz-Birkenau concentration camp.

Welcome to this (nearly) world-class hotel run by (incompetent) Muppets. They are joined by Elmo and the Cookie Monster (guest reader on Bedtime Stories) who has landed his dream job as a waiter.

A mild-mannered young bird and his best friends, a pair of rambunctious siblings called Fee and Foo, seek adventure and mischief in the magical forest that they call home.

Survivors and first responders share personal stories of anguish, kindness and bravery that unfolded amid the Paris terror attacks of Nov. 13, 2015.

In a politically, morally and economically destroyed country, three sisters of an industrialist family in post-war Germany reinvent themselves and set the course for their future.

In this new series Rick Stein reveals the Cornwall that he knows and loves: a unique part of the British isles with a strong sense of identity and a history rooted in its Celtic past. With his famous natural inquisitiveness, Rick shares the road less travelled – championing the food, history, music, art and culture of the county many locals argue should be a country in its own right.

Lisa invites viewers to her extravagant garden at Villa Rosa for an al fresco evening full of unexpected surprises and revealing moments, as she hosts two to three celebrity guests for an unforgettable night full of cocktails, games, and delicious feasts crafted entirely by Lisa herself.

Master carpenter Simon Parfett and his team help families, couples and retirees cash in on untapped, income-generating potential in their unused or underused spaces by creating their own unique B&B.

An MI6 deputy's bright future takes a sharp turn after a reunion with a Russian spy forces him to question his entire life.

A detailed account of the two millennia of intolerance and persecution suffered by the Jews, from antiquity to the present day.

Caroline Randall Williams, an award-winning writer, cookbook author and restaurateur, travels the United States uncovering the fascinating, essential and often untold black stories behind American food.

Videos, photos, ads and games from the pre-Internet era and a focus on things that would have gone viral had the web existed back then. A group of guest panelists will join in and comment, as well as share their memories from the 1970s, 80s and 90s.

Author and critic John Mason Brown, who once commented that "some television programs are so much chewing gum for the eyes," offered this intellectual alternative in 1948-1949. It consisted of an informal living-room discussion on the arts with two or three guests, of the caliber of author James Michener, producer Billy Rose, publishrer Bennet Cerf, and critic Bosley Crowther. The subjects ranged from modern art to new novels, films, the theater and fashions.