Jawab

The film is about an ordinary middle class man whose life turns upside down when a criminal tries to control him. It's about his struggles and how he comes to terms with his life.

A bomb disposal expert becomes bitter and lonely and is unable to fall in love until he is forced to deal with his past.

In the late 17th century, a boy-king ruled the Ahom dynasty of Assam. But the executive power over the whole administration was vested on the Prime Minister. Owing to the presence of a large body of princes, each of whom was a positive material for insurrection, no king could sit on the throne safely. The Prime Minister, therefore, instituted search for the suitors to capture and kill them, or let off after mutilating thereby banning them for succession. The principal target of massacre was Godapani, a man of personal - vigor and energy. But Godapani became aware of The Prime Minister's design and fled to the Naga hills. Unable to trace Godapani, the army led by, one Gathi Hazarika, came upon his wife Joymoti. Gathi inflicted tortures on her to elicit the much sought-after information. She stuck to plea of ignorance, and replied to the increasing tortures by silence and patience. She breathed her last in the midst of torture.

After waking up from a coma, Alice has no memory. As she learns the horrible truths about her past self, she must fight for redemption.

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.

Six couples who do not know each other are brought together by destiny, fate and love

During anatomy class, students learn that war has broken out. Several enlist and are sent to Camp Poodle, for rookie training. At first the constant shelling bothers them, but within a week they are veterans, unfazed. Barker sort of volunteers to parachute behind enemy lines disguised as a nurse to get the enemy's troop movements. He's captured and sentenced to die, so his mates in the Airdale Army attempt a rescue. Will they succeed?

A debauched young aristocrat entrusts the running of his country house to Tom, the butler, on whom he depends absolutely. Before long the servant begins to dominate his master, to the alarm of the newly hired German nanny who senses sinister, demonic intent in Tom's control of the house.

A young British woman is hired as a governess by a wealthy Argentine family. Through her position, she slowly sees how the upper class of society is slowly crumbling, and how a fascist movement is preparing to install itself in power.

Bernard Salzmann's thriller Assumed Killer tells the tale of a reporter investigating a serial killer. After she suffers an accident and becomes an amnesiac, she begins to suspect her husband may be the person responsible for the brutal slayings

Two Aliens visit the Earth in an effort to enlist converts to travel the universe with them.

This movie explores the possibilities of interaction between man and computer, with some historical background. It demonstrates techniques introduced in the Walt Disney movie _Tron (1982)_, combining computer-synthesized animation and real-life object photography.

I AM I is the story of a young woman, Rachael, who meets the father she never knew, Gene, at her mother's funeral. She discovers that her father is completely delusional and believes her to be her dead mother. After Rachael visits Gene in an assisted living home, she learns that he suffers from a disease called Korsakov's Syndrome, a form of retrograde amnesia and that her mother had placed him in this facility for treatment a year earlier. He does not remember anything past the age of thirty-three, and believes that he is still a young man. Unable to convince him of who she really is, Rachael decides to go along with her father's delusions by pretending to be her mother and discovers that under this guise, she and Gene can have "normal" conversations. Before long, Rachael is visiting Gene everyday, finding new ways to bring elements from his past into their present relationship.

A food and wine critic who hits her head and loses memory while accidentally visiting a winery she panned in the past, owned and operated by single dad Michael.

Tina, who is from an aristocratic English family, believes in the new freedom for women and is an ardent follower of a group of pseudo-bohemians. While riding through the neighboring estate of John Humphries, a wealthy commoner resented by the Carteret family, she is retrieved from a fall by John and blames him for the accident. The following day, she invites him to dinner, pretending repentance, but taking pleasure in ridiculing his old-fashioned dignity.

At the Movies is a movie review television program produced by Disney-ABC Domestic Television in which two film critics shared their opinions of newly released films. The program aired under various names. Its original hosts were Roger Ebert of the Chicago Sun-Times and WLS-TV and Gene Siskel of the Chicago Tribune and WBBM-TV. Richard Roeper of the Sun-Times became Ebert's regular partner in 2000 after Siskel died in 1999.

The Critic is an American prime time animated series created by writing partners Al Jean and Mike Reiss, who had previously worked as writers and showrunners on The Simpsons. The show follows the life of a 36-year-old film critic from New York named Jay Sherman, voiced by Jon Lovitz. 23 episodes were produced, first broadcast on ABC in 1994 and finishing its original run on Fox in 1995.

Maverick is an American Western television series with comedic overtones created by Roy Huggins. The show ran from September 22, 1957 to July 8, 1962 on ABC and stars James Garner as Bret Maverick, an adroitly articulate cardsharp. Eight episodes into the first season, he was joined by Jack Kelly as his brother Bart, and from that point on, Garner and Kelly alternated leads from week to week, sometimes teaming up for the occasional two-brother episode. The Mavericks were poker players from Texas who traveled all over the American Old West and on Mississippi riverboats, constantly getting into and out of life-threatening trouble of one sort or another, usually involving money, women, or both. They would typically find themselves weighing a financial windfall against a moral dilemma. More often than not, their consciences trumped their wallets since both Mavericks were intensely ethical. When Garner left the series after the third season due to a legal dispute, Roger Moore was added to the cast as their cousin Beau Maverick. Robert Colbert appeared later in the fourth season as a third Maverick brother, Brent Maverick. No more than two of the series leads ever appeared together in the same episode, and usually only one.

Upstairs: the wealthy, aristocratic Bellamys. Downstairs: their loyal and lively servants. For nearly 30 years, they share a fashionable townhouse at 165 Eaton Place in London’s posh Belgravia neighborhood, surviving social change, political upheaval, scandals, and the horrors of the First World War.

You Rang, M'Lord? is a British comedy series written by Jimmy Perry and David Croft, the creators of Dad's Army, It Ain't Half Hot Mum and Hi-de-Hi! It was broadcast between 1990 and 1993 on the BBC. The show was a comedy set in the house of an aristocratic family in the 1920s, contrasting the upper-class family and their servants in a house in London, along the same lines as the popular drama Upstairs, Downstairs. The series featured many actors who had also appeared in their earlier series, notably Paul Shane, Jeffrey Holland and Su Pollard, all of whom had previously been in Perry and Croft's holiday camp sitcom, Hi-de-Hi!. Also featured were Donald Hewlett and Michael Knowles from Perry and Croft's It Ain't Half Hot Mum, and Bill Pertwee and occasionally Frank Williams from Dad's Army. The memorable 1920s-style theme tune was sung by Bob Monkhouse.

The renowned definitive eight part series on the rise and fall of the modern art movement presented by Australian art critic Robert Hughes.

John Berger's Ways of Seeing changed the way people think about painting and art criticism. This watershed work shows, through word and image, how what we see is always influenced by a whole host of assumptions concerning the nature of beauty, truth, civilization, form, taste, class and gender. Exploring the layers of meaning within oil paintings, photographs and graphic art, Berger argues that when we see, we are not just looking - we are reading the language of images.

Tropes vs. Women in Video Games aims to examine limiting, sexist patterns associated with female representations in games, and to illuminate how these patterns reinforce and perpetuate harmful attitudes about women in our culture.

Belgravia, London, November 7th, 1974. Sandra Rivett, nanny of the aristocratic Lucan family, is found beaten to death. Shortly thereafter, the prime suspect, John Bingham, 7th Earl of Lucan, mysteriously disappears. When the manhunt begins, the subsequent scandal shakes the foundations of the British ruling class like never before.

A team of inventive scientists use cutting-edge science as the foundation for outrageous stunts and practical jokes. From showcasing classic chemical reactions under the guise of a cooking class, to controlling the movement of objects with their brains using electroencephalography, the pranks not only contain mind-blowing science, but a heaping dose of chaos too.

The plot of the series revolves arounds a story of a freezer van driver in Dhaka named Taqdeer (played by Chanchal Chowdhury) whose whole life turns upside down when he finds a dead body inside his van. A trail of chaotic events thereby follows which pushes Taqdeer and his best friend Montu (played by Shohel Mondol) into bigger difficulties

Articulate connects audiences to the human stories behind art, offering a trustworthy, visually stimulating, never ordinary take on classical, contemporary, and popular art forms. From acclaimed musicians and best-selling authors to designers changing the way we live, each episode explores what great creative thinkers and doers can tell us about who we are, who we’ve been, and who we might become.

The two-part documentary event “Right to Offend: The Black Comedy Revolution” explores the progression of Black comedy and the comedians who have used pointed humor to expose, challenge and ridicule society’s injustices and to articulate the Black experience in America. The series examines Black comedy through a unique lens, tracing the evolution and social awakening of the courageous comedians who dared to push against the constraints of their time and spoke truth to power.

Through conversations with artists, scholars, and other great creative thinkers, the complex world is explored through a lens of arts, culture, and science.

One hopeless romantic is given a second chance at love in the search for a partner with whom to share the sunset years of life. The women arriving at the mansion have a lifetime of experience, living through love, loss and laughter, hoping for a spark that ignites a future full of endless possibilities. In the end, will our Golden man turn the page to start a new chapter with the woman of his dreams?