John Adams: Doctor Atomic

Hungarian physicist Leo Szilard leaves Europe, eventually arriving in the United States. With the help of Einstein, he persuades the government to build an atomic bomb. The project is given to no-nonsense Gen. Leslie Groves who selects physicist J. Robert Oppenheimer to head the Los Alamos Laboratory in New Mexico, where the bomb is built. As World War II draws to a close, Szilard has second thoughts about atomic weapons, and policy makers debate how and when to use the bomb.

Spies hold the son of a nuclear physicist (Gene Barry) hostage in exchange for the Los Alamos bomb formula.

Assigned to oversee the development of the atomic bomb, Gen. Leslie Groves is a stern military man determined to have the project go according to plan. He selects J. Robert Oppenheimer as the key scientist on the top-secret operation, but the two men clash fiercely on a number of issues. Despite their frequent conflicts, Groves and Oppenheimer ultimately push ahead with two bomb designs — the bigger "Fat Man" and the more streamlined "Little Boy."

Able Seaman Dick Deadeye is charged by Queen Victoria to find the stolen Ultimate Secret. His ugliness means that his life has always been lonely but a buxom barmaid takes a shine to him. Together, they battle pirates and an evil magician before discovering that the Ultimate Secret is nothing but LOVE! Using songs based on the original works of Gilbert and Sullivan (but updated with modern lyrics), this film was created to commemorate the centenary anniversary of the first collaboration of the composers of the Savoy Operas.

Atomic Ed & the Black Hole tells the story of a scientist-turned-atomic junk collector known as Atomic Ed. More than 30 years ago, Ed quit his job making "better" atomic bombs and he began collecting what he calls "nuclear waste," non-radioactive high-tech discards from the Los Alamos National Laboratory. As the self-appointed curator of an unofficial museum of the nuclear age called "The Black Hole," Atomic Ed reveals and preserves a history of government waste that was literally thrown in a trash heap.

A romantic opera in three acts with music and libretto by Richard Wagner, performed by the Orchestra of the Teatro di San Carlo. The original title, Tannhauser und der Sangerkrieg auf Wartburg, reveals the real nature of the opera, born by a fusion of two traditional sagas and dedicated to the dualism of spirituality and sensuality and the possibility of redemption through love. Composed between 1843 and 1845, Tannhauser has a tormented musical theme, made up of constant variations. It debuted in Dresden in 1845 when Wagner was just over 30.

This production was originally staged for the Pepsico Summerfare Festival, The International Performing Arts Festival of the State University of New York at Purchase. Leaving the lyrics in their original Italian, acclaimed American director Peter Sellars transports Wolfgang Amadeus Mozart's "Don Giovanni" to a modern-day metropolis, nestling the opera's beloved characters among the brownstones of New York City's Harlem. Sellars's contemporary retelling of a classic musical tale is one of three performances in a Mozart series that also includes "Le Nozze di Figaro" and "'Così Fan Tutte."

"Rosa", with a libretto by Peter Greenaway and score by Louis Andriessen, is the first in a projected series of 10 operas, each dealing with the death of a famous composer - some real, others fictional. "Rosa" falls into the latter category; it tells the story of Juan Manuel de Rosa, a Brazilian who went to study music in America but spent most of his time in the cinema instead, becoming particularly entranced by Westerns. Now 32 years old and residing in an abandoned Uruguayan slaughterhouse, Rosa has become one of Hollywood's foremost composers, specialising in Westerns. He also has a beautiful 19-year-old fiancee, Esmeralda, but he pays her little heed, instead lavishing his attentions on a black mare named Bola. One day, a group of men attired as cowboys arrive at the abattoir and kill both Rosa and Bola; an investigation is conducted, with particular suspicion!

tt0255782. Aida (1981) San Francisco. Verdi / Italian. An Egyptian military commander, Radamès, struggles to choose between his love for the enslaved Ethiopian princess Aida, and his loyalty to the Pharaoh. To complicate the story further, the Pharaoh's daughter Amneris is in love with Radamès, although he does not return her feelings.

A lyric tragedy in three acts by Gaetano Donizetti, libretto by Salvatore Cammarano. Roberto Devereux was composed in the summer of 1837, the year, according to biographers, in which Donizetti seems to have suffered most, having lost his third son and his adored wife Virginia Vasselli. The opera made its debut at the San Carlo Theatre in Naples on October 28th in the same year and was a great success. The rehearsals of the original performance were postponed for a month due to censorship of the decapitation scene of the leading actor.

La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]

Since its debut in 1934 the Glyndebourne Festival has put a focus on Mozart operas and developed a great competence in staging them. Mozart s operas seem to be made for the small but fine opera house in Glyndebourne and it's not surprising that the 1977 Don Giovanni, one of Mozart's great masterpieces, was a huge success. This production is conducted by Bernard Haitink, who holds the opinion, that no other composer had more opera in his blood than Mozart. It has been proven, for example, that Mozart had no overture for Don Giovanni until the evening before the premiere in Prague and wrote it down in just one night. Like the premiere's success of the opera in Prague in 1787 the Glyndebourne's version staged by Peter Hall was praised by audience and critics alike: We witness a lively and wide-awake ensemble piece that has easily survived all these decades, and still manages to teach many directors the art of playing theatre.

Recorded at the Musiektheater, Amsterdam on 21 & 25 January 2008. Performed by De Nederlandse Opera, composer Jean-Philippe Rameau's renowned tragedy "Castor et Pollux" tells the myth-based story of the selfless love between two brothers: Castor, who is mortal, and the immortal Pollux. When Castor dies trying to prevent the kidnapping of the woman he loves, Pollux decides to become mortal and replace his brother in the Underworld. Finnur Bjarnason, Henk Neven and Anna Maria Panzarella star.

What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary. This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.

This essential, Academy Award–nominated documentary offers an urgent warning from history about the dangers of nuclear warfare via the story of J. Robert Oppenheimer, the enigmatic physicist and all-around Renaissance man who led the Manhattan Project to develop the atomic bomb that America unleashed on Japan in the final days of World War II. Through extensive interviews and archival footage, THE DAY AFTER TRINITY traces Oppenheimer’s evolution, from architect of one of the most consequential endeavors of the twentieth century to an outspoken opponent of nuclear proliferation who came to deeply regret his role in ushering in the perils of the atomic age.

The best in the performing arts from across America and around the world including a diverse programming portfolio of classical music, opera, popular song, musical theater, dance, drama, and performance documentaries.

Hotel is an American prime time drama series which aired on ABC from September 21, 1983 to May 5, 1988 in the timeslot following Dynasty. Based on Arthur Hailey's 1965 novel of the same name, the series was produced by Aaron Spelling and set in the elegant and fictitious St. Gregory Hotel in San Francisco. Establishing shots of the hotel were filmed in front of The Fairmont San Francisco atop the Nob Hill neighborhood. Episodes followed the activities of passing guests, as well as the personal and professional lives of the hotel staff.

Set against the backdrop of the greatest clandestine race against time in the history of science with the mission to build the world's first atomic bomb in Los Alamos, New Mexico. Flawed scientists and their families attempt to co-exist in a world where secrets and lies infiltrate every aspect of their lives.

After an unusual event, Zoey Clarke, a whip-smart computer coder forging her way in San Francisco, suddenly starts to hear the innermost wants, thoughts and desires of the people around her through popular songs.

Presidio Med is an American medical drama that aired on CBS from September 2002, to January 2003. The series centers on a San Francisco hospital. It was created by John Wells and Lydia Woodward, who also created ER.

The Division is an American crime drama television series created by Deborah Joy LeVine and starring Bonnie Bedelia. The series focused on a team of women police officers in the San Francisco Police Department. The series premiered on Lifetime on January 7, 2001 and ended on June 28, 2004 after 88 episodes.

Kindred: The Embraced is an American television series produced by John Leekley Productions and Spelling Television. Loosely based on the role-playing game Vampire: The Masquerade, the series premiered on Fox on April 2, 1996, and ran for eight episodes before it was canceled on May 9, 1996. The series focused on San Francisco Police Detective Frank Kohanek who discovers his city is home to numerous vampires while investigating alleged mobster, Julian Luna. Julian is the "prince" of the city, ruler of five groups of vampires in the city, collectively called "The Kindred". The vampires survive through the "masquerade", disguising themselves as humans, and Julian strictly enforces the laws that govern them to protect their anonymity. Julian and Frank form an uneasy bond as they work together to try to prevent a vampire war and Julian struggles with his romantic feelings for human reporter Caitlin Byrne. The eight episodes of the series have been released on VHS and DVD.

This seven-part series highlights scientist J. Robert Oppenheimer from 1938 to 1953 as he develops the Atomic bomb.

After a deadly plague kills most of the world’s population, the remaining survivors split into two groups - one led by a benevolent elder and the other by a maleficent being - to face each other in a final battle between good and evil.

Contemporary artists describe their work and discuss why and how they do it. The programs are grouped according to themes of place, spirituality, identity and consumption. A PBS series, educational resource, archive, and history of contemporary art, Art21: Art in the Twenty-First Century premiered in 2001 and is now broadcast in over 50 countries worldwide. Premiering a new season every two years, Art21 is the only series on United States television to focus exclusively on contemporary visual art and artists.

Howard Goodall examines the work of The Beatles, Cole Porter, Bernard Herrmann and Leonard Bernstein.

During the thrilling social change of the mid-1950s, four remarkable women who previously served secretly during WWII as code-breakers, turn their skills to solving murders overlooked by police. In the process they are plunged into fascinating corners of the city, forge powerful relationships, and rediscover their own powers and potential.

In the pivotal struggle for WWII victory, the race to develop the first atomic bomb was critical to secure world dominance; now, experts reveal new evidence behind Nazi Germany's top-secret and cutting-edge development of catastrophic nuclear weapons.

The Hamptons is a limited run prime-time soap opera which aired during the summer of 1983 for 5 episodes on ABC. It was produced by Gloria Monty, the producer credited with turning General Hospital from a low-rated daytime serial to a soap phenomenon. The series is set in Manhattan and the affluent Long Island community referenced in the show's title. The cast includes actors with previous experience in daytime and prime-time serials: Leigh Taylor-Young, Michael Goodwin, John Reilly Bibi Besch, etc. The series was shot on videotape rather than film, which gave it a look consistent with most daytime soap operas. The focus of the series was on the wealthy Chadway and Duncan-Mortimer families, who co-owned the stylish Duncan-Chadway department stores. The Chadways were positioned as the noble family, while the Duncan-Mortimers were the schemers. The plots concerned power maneuvers to gain control of the retail corporation, and illicit sexual couplings.

This two-part docuseries celebrates the musical and artistic renaissance that exploded in the Bay Area from the mid-sixties into the mid-seventies. Featuring the music of Jefferson Airplane, Janis Joplin, the Grateful Dead, Steve Miller, and many more.