Best movies like La doctora quiere tangos

After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.

A young priest travels to Buenos Aires in order to help sick people during the 1871 yellow fever epidemic.

In 1847 Buenos Aires, a young noblewoman and a young Jesuit fall in love, much to the disapproval of her family and the Church.

Deep within Buenos Aires's labyrinthine subway system, a train mysteriously disappears along with its 30 passengers. The subway officials are greatly troubled and call in topographer Daniel Pratt to help them find it. Unfortunately, the tunnels are so vast and complex, that Pratt needs his mentor Hugo Mistein to help him. Unfortunately, he too has vanished.

On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.

In a town in the Northwest of the province of Buenos Aires, a group of neighbors is organized to recover the economy of the area, but when the corralito is implemented in the country and they suffer a fraud, their hopes disappear. Now, they will unite to recover the lost money and give the blow of their lives to their greatest enemy.

Buenos Aires, November 2001. Argentina is embroiled in crisis, with the Peso plunging deeper and deeper. Julio Färber, the charismatic bandoneon player of the "Vecinos de Pompeya," a five-piece working-class tango band, is trying to keep his head above water, but every month he is earning less and less from their gigs as well as from the traditional shoe shop he inherited from his father. At the very moment he takes the decision to leave his beloved Buenos Aires forever, it clearly appears that life is conspiring against him: overnight, the government freezes all bank accounts in the whole country, preventing Julio from purchasing the flight tickets and sparking violent protests throughout the town. And Mariela, a witty young woman and feisty cab driver, bumps into his car at full speed, damaging Julio's last possession of value before stealing his heart.

Buenos Aires, 1955. One of a family of Sicilian immigrants, the adolescent Laura is on the threshold of adulthood. Her father Francesco Lojacono, is a humble tailor whose relationship with his daughter is one of extreme conflict. As Laura becomes increasingly emancipated in Argentinian (and therefore American) fashion, her father feels personally betrayed. (IMDB)

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by

Three American expats living in Buenos Aires decide to steal a large sum of money so they don't have to return home. But what starts as a game soon turns violent and they find themselves on the verge of consequences none of them expected.

Fernando is on holiday with his closest male friends in a beautiful country house in a suburb of Buenos Aires. On their own without their girlfriends in a “men only” environment, the hunky young studs bask in the hot sun, play in the pool, smoke pot, and drink, most often semi-clad or naked. In this freewheeling and testosterone-infused environment, they talk of their desires and strengthen their individual bonds.

Checo and Once are two difficult teenagers who live and survive in Buenos Aires after a nuclear explosion with which the film begins. It turns the world to ashes, bringing incomprehensible social changes. But for Checo and Once, who are used to an uncertain existence, not much changes in this post-apocalyptic world.

While his investigating some violations, a commissioner of the Province of Buenos Aires looks for the meaning of the task that he carries out.

The film is about three friends in Buenos Aires: Paco, Salvador and Dino, going through their common history at three moments in their lives: the years '76, '89 and 2003.

A conflicted animation filmmaker travels to Argentina chasing after a girl he met online, only to end up living with her and her intimidating boyfriend on an isolated island on the outskirts of Buenos Aires.

A Young man from a wealthy family hide them his attraction for tango culture of arrabal. In a milonga he fell in love with Mirella and he have a knife fight with all others guapos that want her, he won. Time pass and Mirella became a mistress but this situation is unstable because of the society prejudices.

The members of a Buenos Aires family have three hobbies — "berretines" in Buenos Aires slang — that keep them apart of their duties. Because of that, the family business is going down, and the only one who is concerned is the father, who hopes for his fourth son, an architect, to save the situation.

In Argentina over 8,000 people die in traffic accidents every year. Behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes. Sosa is a lawyer who tours the A&E Departments of the public hospitals and the police stations in search of potential clients. Luján is a young doctor recently arrived from the provinces. Their love story kicks off one night when Luján and Sosa meet in the street. She's trying to save a man's life; he wants him on his client portfolio

Pedro, a humble beekeeper who lives in the mysterious Argentinian region of the Delta del Tigre, travels to Buenos Aires to visit his twin brother Agustín, a successful but troubled pediatrician with marital issues, to give him bad news and ask him for a favor hard to fulfill, a unexpected arrival which will change Agustín's life forever.

Cetarti is drowning in nothingness. With no job or purpose, he spends his days inside watching documentaries on television, until one day he is informed that his mother and brother were gunned down. He travels from Buenos Aires to Lapachito, a decrepit town in the province of Chaco in northern Argentina to deal with their bodies and to get the life insurance money. There he meets Duarte, a sort of boss in the town and a friend of his mother's murderer who also kidnaps people for money. Cetarti's path will lead him to committing illegal acts to get his hands on the insurance money and to his involvement in Duarte's dark dealings, leading to an absurd and unexpected outcome.

Buenos Aires Province, a summer in the 30's. Mateo, an ex convict anarchist, travels around the Pampa in his old truck, carrying stolen hens and the illusion of finding his lost rooster, The King, which, he hopes, will lead him to glory at the cockfights. Fate faces him with Aurelia and Carmelo, two siblings in search for their father. Wandering, uncertain about his final destination, Mateo decides to give them a ride southbound.

The protagonist of Dog Lady is a woman (Llinás) who lives on the outskirts of Buenos Aires with a pack of dogs, in a house like so many other humble shacks in the urban sprawl of the city.

A solitary man's only pastime is to go to a movie theatre, the Teatro San Martín, on Corrientes Avenue in Buenos Aires. There he exorcises his ghosts.

Ricardo Fuentes (Carlos Gardel) leaves Buenos Aires after loosing in horse races to go to Barcelona, where he plans to open a tango bar, a new concept of tango dance show and dance saloon. On the ship he meets Laura Montalván (Rosita Moreno) who happens to be a thief working with a thief pal. Ricardo watches them robbing a lady's bracelet aboard but decides not to report them because he has fallen in love with Laura. Once in Barcelona, he opens the tango bar but Laura's partner tells him he sold the bracelet and now needs to recover it to avoid both Laura and him going to jail.

Lucia arrives to Buenos Aires with a mission, take care of a Hungarian filmmaker invited to present his film at the Buenos Aires Independent Film Festival. Lucia meets Pablo, who introduces himself as the angel of prestigious film director Béla Tarr. Lucia and Pablo will join Laszlo Novak in a tragic adventure, moving heaven and earth to find his lost film.

Carlos Lopez is a handsome Argentine sportsman. Many women love him and he toys with them all. His days are filled with romance and intrigue and he manages to get himself feared and hated by most of the married men in Buenos Aires.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

In the Buenos Aires of 1900, a man seeks to avenge the death of his brother, killed at the exit of a fight.

Helena is a talented singer in Buenos Aires. Just as she and her band get a residency at a prestigious theater in the city, the boyfriend she's mad about coldly announces that he doesn't love her any more. The film is punctuated by intense bursts of tango. Every song moves the story along, providing an insight into the characters and access to the protagonist's feelings: nostalgia, passion, sadness, and joy in turn. The lyrical and musical wealth of tango, brilliantly performed by Eugenia Ramírez Miori, unites the two stories, past and present. 'La cantante de tango' is a poignant auteur film about a woman trying to get back on her feet after a devastating break-up.

Newsreels, songs and films by Gardel, real scenes with events and historical figures from Argentina and the world, images of the accident that took his life in Medellín and the funeral in Buenos Aires.

Franco kills a tango singer, and the weight of his guilt pushes him to search for information about his victim. His quest leads him into an unknown and fascinating world, a true and deep place where the tango is still alive, habitat of the last real and authentic bohemian artists in Buenos Aires.

Desideria, a servant girl, dreams of traveling to Buenos Aires. Incredibly, Blas Pastrana, a relative of her employers, is dying in Argentina and expressly asks them to travel with her. When he arrives at his deathbed, he says that he inherits everything to the employee, confessing that she is his daughter, but on one condition: that in less than two weeks she gets married. Her employers try to convince her to marry the son of the family, Jorge, but Desideria is interested in Tito, a nice porteño. Everything ends in a surprise ending.

An Argentinean born Spaniard, writer and journalist, whose parents were tortured and murdered during the Military Coup, returns to finish a novel about them, with the ambiguous determination to get even with their murderer, a former Sheriff who lives nearby in Patagonia. He and the Sheriff's daughter fall in love. He takes DNA samples of the Girl's family and realizes the truth; she is not their daughter, which means she might have been abducted from her murdered parents. He indirectly feeds her mistrust. The girl travels to Buenos Aires to investigate. She finds out the truth and faces her father, who avows never agreeing on saving those children. On her question, "Who am I?" he says she is a mistake and that she is alive thanks to his decision. It is her who ultimately solves the Writer's conflict in a tragical showdown with the Sheriff.

A young couple romantically contemplate the sunrise on the Buenos Aires waterfront. The talk becomes a discussion. The discussion in fight. And some fights can be irreconcilable. Each of them will go through the city separately, meeting with friends, family and even strangers, generating situations that will lead them to question how and why they got where they are. An external and internal journey, with learnings and reflections about love, the couple and life.

The inheritance from her former boss is a poisoned chalice for Indigenous housekeeper Justina: a huge, derelict mansion in the back of beyond. Justina’s daughter Alexia would much prefer to return to Buenos Aires and work as a car mechanic.