Stan Laurel Movies and TV Shows

A series of feature-length and classic short films by the legendary comedy team.

Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).

A compilation of primarly Laurel and Hardy shorts---From Soup to Nuts, Wrong Again, Putting the Pants on Philip, The Finishing Touch, Sugar Daddies and short clips from others---plus Max Davidson's Call of the Cuckoo and Dumb Daddies, with some cross-over Charley Chase footage, which, along with Robert Youngson's previous "The Golden Age of Comedy", "When Comedy Was King", "Days of Thrills and Laughter", led to a renewed interest in and a revival of television showings of Laurel and Hardy shorts. The cast was billed in order of their appearance: Oliver Hardy, Stan Laurel, Vivien Oakland (with a Vivian typo), Glen Tyron, Edna Murphy, Anita Garvin, Tiny Sanford, Jimmy Finlayson, Charlie Chase, Viola Richard, Max Davidson, Del Henderson, Josephine Crowell, Anders Randolf (as Anders Randolph), Edgar Kennedy, Dorothy Coburn, Lillian Elliott and "Spec" O'Donnell.

The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.

From its distinctive neighborhoods to its architectural homes, Los Angeles has been the backdrop to countless movies. In this dazzling work, Andersen takes viewers on a whirlwind tour through the metropolis' real and cinematic history, investigating the myriad stories and legends that have come to define it, and meticulously, judiciously revealing the real city that lives beneath.

The Laurel & Hardy Moving Co. have a challenging job on their hands (and backs): hauling a player piano up a monumental flight of stairs to Prof. von Schwarzenhoffen's house. Their task is complicated by a sassy nursemaid and, unbeknownst to them, the impatient Prof. von Schwarzenhoffen himself. But the biggest problem is the force of gravity, which repeatedly pulls the piano back down to the bottom of the stairs.

Stan and Ollie travel to the mountains for Ollie's health, and park their caravan near a well into which a gang of moonshiners have earlier dumped their moonshine; and the boys proceed to quench their thirst thinking that it is iron-rich mountain water. The real trouble doesn't begin, though, until a married motoring couple stop by to borrow some gasoline, and the already-cranky husband leaves his thirsty wife with the boys while he goes off to refill his car's empty gas-tank. A sequel was made to this film: TIT FOR TAT, q.v.

Robert Youngson once again compiles scenes from the golden age of comedy's silent film era. Laurel and Hardy are shown battling a gum machine, and Hardy is a debaucherous Romeo whose amorous plans are thwarted by Rex, the Wonder Horse. Charley Chase is hampered by hiccups and a female professor, and he fleeces a drunken Oliver Hardy with a mannequin in a nightclub. The third part finds bachelor Buster Keaton desperately trying to get married by 7:00 PM in order to collect a $7-million-dollar inheritance. Keaton is pursued by money-hungry prospects in one of the best chase scenes ever filmed. Narration is provided by Jay Jackson.

An aged Charlie Chaplin narrates his life to his autobiography's editor, including his rise to wealth and comedic fame from poverty, his turbulent personal life and his run-ins with the FBI.

Michael is a 24-year-old who has cerebral palsy and long-term resident of the Carrigmore Residential Home for the Disabled, run by the formidable Eileen. His life is transformed when the maverick Rory O'Shea moves in.

Policeman Edgar Kennedy is told by his chief he better stop a string of burglaries that have been happening on his watch or else he will get the sack. He persuades vagrants Stan and Ollie to rob the chief's house so he can regain his reputation by catching them. The policeman promises to later get the boys off. Things do not go as planned.

Oliver's in trouble with his wife after missing a payment on their furniture, having given the money to Stanley, who used it instead to pay Mrs. Hardy for his room and board. At Stan's suggestion Ollie then withdraws the couple's savings from the bank to pay for the furniture and inadvertently pays virtually the whole amount at an auction for a grandfather clock which is soon crushed under a passing truck. Mrs Hardy then unintentionally causes serious injuries to Ollie requiring him to be rushed to hospital for a blood transfusion. The doctor conscripts Stan to be the unwilling blood donor. Problems occur with the transfusion and when Stan and Ollie leave the hospital they appear to have morphed into each other.

Ordered out of town by angry Judge Beaumont, vagrants Stanley and Oliver meet a congenial drunk who invites them to stay at his luxurious mansion. The drunk can't find his key, but the boys find a way in, sending the surprised woman inside into a faint.

Oliver is making plans to marry his sweetheart Dulcy with Stan as his best man, but the plans are thwarted when Dulcy's father sees a picture of Ollie and forbids the marriage. The couple plan to elope, and run away to a Justice of the Peace. After typical Laurel and Hardy blundering, they manage to sneak the girl away from her father's house.

Stan and Ollie try to deliver the deed to a valuable gold mine to the daughter of a dead prospector. Unfortunately, the daughter's evil guardian is determined to have the gold mine for himself and his saloon-singer wife.

Although they are successful fishmongers, Stan convinces Ollie that they should become fishermen too, but making a boat seaworthy isn't an easy task.

A look back at Charlie Chaplin's early life and career, from his rough childhood and music hall success in England to his early Hollywood days and the development of his enormously popular character, the Little Tramp, also called Charlot.

Two bumblers, failures as businessmen and air raid wardens, stumble across a nest of Nazi saboteurs bent on blowing up the local magnesium plant.

Ollie and Stan deceive their wives into thinking they are taking a medically necessary cruise when they are really going to a lodge convention.

Stan and Ollie are on their way to Atlantic City with their wives, when Ollie gets a phone call from a lodge buddy telling him that a stag party is taking place that night in their honor. Ollie pretends to be sick and sends the wives on ahead, promising that he and Stan will meet them in the morning. The pair dress in their lodge gear, but their wives return having missed their train. With no obvious escape route, Stan and Ollie take to a bed in fear and in response to Stan's plea of "What'll I do?", Ollie replies "Be big!".

It's 1938, but Stan doesn't know the war is over; he's still patrolling the trenches in France, and shoots down a French aviator. Oliver sees his old chum's picture in the paper and goes to visit Stan who has now been returned to the States and invites him back to his home.

Two sailors get caught in a mountain of mix-ups when they meet their long-lost twins. Laurel and Hardy play themselves and their twins.

Two families embark on a pleasant Sunday picnic but manage to run into a variety of issues with their temperamental automobile. Each incident requires repeated exits and reboardings by Laurel, Hardy, their wives and grouchy, gout-ridden Uncle Edgar.

Dance hall Romeos and an irresponsible father create comic complications in the life of a nickel-per-whirl taxi dancer.

Sailors Stan and Ollie offer to buy sodas for two women they meet in a park, even though they are short on cash. Luckily Stan wins the jackpot on a slot machine and the boys have enough money to rent a boat to cruise on a lake. They soon tangle with other boaters and everyone ends up in the water.

Some of MGM'S musical stars review the studios history of musicals. From The Hollywood Revue of 1929 to Brigadoon, from the first musical talkies to Gene Kelly in Singin' in the Rain.

With their golden era long behind them, comedy duo Stan Laurel and Oliver Hardy embark on a variety hall tour of Britain and Ireland. Despite the pressures of a hectic schedule, and with the support of their wives Lucille and Ida – a formidable double act in their own right – the pair's love of performing, as well as for each other, endures as they secure their place in the hearts of their adoring public

Down and out Stan and Ollie beg for food from a friendly old lady who provides them with sandwiches. While eating, they overhear the lady's landlord tell her he's going to throw her out because she can't pay her mortgage. They don't realize that the old lady is really rehearsing for a play. Stan and Ollie decide to help the old lady by selling their car. During the auction a drunk puts a wallet in Stan's pocket. Ollie accuses Stan of robbing the old lady, but when the truth is revealed Stan takes revenge on Ollie.

Two homeless vagabonds hide out in a vacant mansion and pose as the residents when prospective lessees arrive and try to rent it.

The boys get jobs as a butler and maid-- Stan in drag-- for a dinner party. When that ends in disaster, they resort to sweeping streets and accidentally capture a bank robber. The grateful bank president sends them to Oxford, at their request, and higher-education hijinks ensue.

A con artist and a midget dressed as her infant son, are unmasked aboard a ship by a steward.

Stan and Ollie try to sleep in a room-for-rent. Ollie, suffering from a cold, coughs frequently, while Stan snores. Both of them have trouble falling asleep because of this. They try to solve their problems, but this results in total chaos.

The story begins in 1917 with Stan and Ollie being drafted into the U.S. Army to fight in World War I. While in the Army, the pair befriend a man named Eddie Smith, who is killed by the enemy during a battle. After the war is over, Stan and Ollie venture to New York City, where they begin a quest to reunite Eddie's little daughter with her rightful family. The task proves both monumental and problematic as the boys discover just how many people in New York have the last name Smith.

Stan and Ollie play door-to-door Christmas tree salesmen in California. They end up getting into an escalating feud with grumpy would-be customer James Finlayson, with his home and their car being destroyed in the melee.

Stan and Ollie work in a horn factory. Ollie starts having violent fits every time he hears a horn. His doctor prescribes a restful sea voyage. Mayhem ensues.

Stan and Ollie are hired to build a house in just one day. When they are done, a bird lands on the house and it collapses. Naturally, the owner wants his money back.

Stan and Ollie have set up their own electrical appliance store but, unfortunately for them, the grocery right next door is run by the man and wife whom they encountered in "Them Thar Hills" (1935). Stan and Ollie go and visit to offer the hand of friendship, but the grocer again becomes convinced that Ollie and his wife are fooling around.

A compilation featuring comedic stars of the silent era including Fatty Arbuckle, Charles Chaplin, Buster Keaton, Charley Chase, and Laurel and Hardy.

Mickey leads his polo team Donald (on a mule), Goofy, The Big Bad Wolf against an all-star team: Stan Laurel, Oliver Hardy, Harpo Marx (on an ostrich), Charles Chaplin, in a game refereed by Jack Holt. Featured spectators include the Three Little Pigs with Shirley Temple, W.C. Fields, and Clarabelle Cow with Clark Gable. Game action proceeds pretty much as you might expect from this bunch of comedians.

Gene Kelly and Fred Astaire present more golden moments from the MGM film library, this time including comedy and drama as well as classic musical numbers.

Stan and Ollie are chimney sweeps working at the home of mad scientist Professor Noodle.

Stan and Ollie stow away to Scotland expecting to inherit the MacLaurel estate. When things don't quite turn out that way, they unwittingly enlist in the Scottish army and are posted to India.

Loony scientist hires Laurel and Hardy to raid the cemetery to keep him supplied with dead bodies for his experiments.

While changing clothes in a getaway car, escaped convicts Stan and Ollie mistakenly put on each other's pants. They spend the rest of the film trying to exchange pants in various unlikely settings.

Oliver stands to inherit a large fortune from his rich Uncle Bernal, with the condition that he be happily married. But when Mrs. Hardy walks out just before Uncle Bernal is due for a visit, Stanley is pressed into duty (and into drag) to impersonate Oliver's loving spouse.

Fight manager takes out an insurance policy on his puny pugilist and then proceeds to try to arrange for an accident so that he can collect.

Biography of the legendary filmmaker directed by his son.

Stable hands Stan and Ollie are tending a thoroughbred named "Blue Boy." But when they overhear two men talking about a $5000 reward for the return of the stolen "Blue Boy," they miss the part about it being the painting, not the horse. They take the horse to the owner's house to claim the reward. The owner instructs them to put "Blue Boy" on the piano and Ollie explains, "these millionaires are peculiar."

Since the early days, Jerry Lewis—in the line of Chaplin, Keaton and Laurel—had the masses laughing with his visual gags, pantomime sketches and signature slapstick humor. Yet Lewis was far more than just a clown. He was also a groundbreaking filmmaker whose unquenchable curiosity led him to write, produce, stage and direct many of the films he appeared in, resulting in such adored classics as The Bellboy, The Ladies Man, The Errand Boy, and The Nutty Professor.