Best movies like Los Tres Berretines

A unique, carefully handpicked, selection of the best movies like Los Tres Berretines Starring Luis Arata, Luis Sandrini, Héctor Quintanilla, Florindo Ferrario, and more. If you liked Los Tres Berretines then you may also like: The Four Horsemen of the Apocalypse, Amigomío, La edad del amor, Fuckland, The Sect and many more popular movies featured on this list. You can further filter the list even more or get a random selection from the list of similar movies, to make your selection even easier.

The members of a Buenos Aires family have three hobbies — "berretines" in Buenos Aires slang — that keep them apart of their duties. Because of that, the family business is going down, and the only one who is concerned is the father, who hopes for his fourth son, an architect, to save the situation.

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The Four Horsemen of the Apocalypse

Set in the years before and during World War I, this epic tale tells the story of a rich Argentine family, one of its two descending branches being half of French heritage, the other being half German. Following the death of the family patriarch, the man's two daughters and their families resettle to France and Germany, respectively. In time the Great War breaks out, putting members of the family on opposing sides.

Amigomío

A young father takes his son on a journey away from Buenos Aires and through the strange and wondrous world of rural South America. The man is unemployed and separated from the boy's mother. The trip teaches the man to rediscover both the world outside urban Argentina, and also to rediscover his son.

La edad del amor

Many years ago, a young aristocrat wanted to marry a famous singer, but his father destroyed the marriage before twediing, believing that singer is not suitable wife for future diplomat. After several years their adult children now met in the theater of Buenos Aires.

Fuckland

Fabián, a magician from Buenos Aires, saves his money from weddings, birthdays, and bar mitzvahs, and uses a hidden camera to document a week-long trip to the Falkland Islands where he has a patriotic plan: to impregnate a British woman. If 500 Argies do this annually, the islands will soon be overrun with children belonging to both cultures. He spends his first couple of days in Stanley doing reconnaissance, setting his sights on Camila, whom he's first seen in church. He chats her up at an Internet café. They go out for drinks, then dinner, then to the see the King penguins and a 1982 battlefield. Back home, editing his Dogma 95 film, he receives a final message from Camila.

The Sect

Kalima, a young foreigner just arrived in Buenos Aires, attends a job interview, without suspecting that the job is with a mysterious sect working in the human trafficking business.

The Bitter Stems

Buenos Aires, Argentina. A failed reporter teams up with a Hungarian immigrant to set up a fake correspondence journalism school.

The Tango Lesson

On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.

Superclasico

Christian is a Copenhagen wine seller on the brink of bankruptcy. Equally unsuccessful in just about every other aspect of life, it has been 17months since his wife Anna left him. Anna works as a soccer agent in Buenos Aires and now lives a life of luxury with Argentina's top player Juan Diaz. Then one day Christian and their 16-year-old son Oscar get on a plane to Buenos Aires. Christian arrives under the pretense of wanting to sign the divorce papers, but in truth, he wants to try to win Anna back.

Adiós Buenos Aires

Buenos Aires, November 2001. Argentina is embroiled in crisis, with the Peso plunging deeper and deeper. Julio Färber, the charismatic bandoneon player of the "Vecinos de Pompeya," a five-piece working-class tango band, is trying to keep his head above water, but every month he is earning less and less from their gigs as well as from the traditional shoe shop he inherited from his father. At the very moment he takes the decision to leave his beloved Buenos Aires forever, it clearly appears that life is conspiring against him: overnight, the government freezes all bank accounts in the whole country, preventing Julio from purchasing the flight tickets and sparking violent protests throughout the town. And Mariela, a witty young woman and feisty cab driver, bumps into his car at full speed, damaging Julio's last possession of value before stealing his heart.

Me, Myself and My Dead Wife

Bernardo is a renowned architect and professor at the University of Buenos Aires. He just buried his wife, refusing to fulfill her desire to be cremated and her ashes scattered into “Costa del Sol”. Only when his wife’s grave is desecrated, he decides to take the trip to Spain. With Abel, owner of a bankrupt real estate business, and Amalia, a beautiful public relations employee, Bernardo will be involved in absurd situations to get rid of the ashes of his wife. Bernardo will discover that he didn’t know his wife as much as he imagined.

Anni ribelli

Buenos Aires, 1955. One of a family of Sicilian immigrants, the adolescent Laura is on the threshold of adulthood. Her father Francesco Lojacono, is a humble tailor whose relationship with his daughter is one of extreme conflict. As Laura becomes increasingly emancipated in Argentinian (and therefore American) fashion, her father feels personally betrayed. (IMDB)

Lost Embrace

In Buenos Aires, the twenty-something Jewish-Argentinean Ariel Makaroff ditches the University of Architecture and spends his time wandering through the downtown gallery where his mother has a lingerie shop and his brother runs an importation business. Ariel has never understood why his father left him when he was a baby, but when his dad returns to Argentina, that will soon change.

Viaje inesperado

Pablo lives happily in Rio de Janeiro, but his son is about to be expelled from school in Argentina. He has to go back to Buenos Aires and fix things.

Tangos Are for Two

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by

Te quiero tanto que no sé

It's a Friday night in Buenos Aires and Francisco is going around the city looking for Paula. His erratic journey through the "porteño" neighborhoods gets tense due to couples arguing, soccer matches, ephemeral love affairs, technical issues and old songs.

Moon of Avellaneda

The story of a social and sports club in a Buenos Aires neighborhood and of those who try to save it from being closed.

The Road to San Diego

A young Argentine learns that soccer star Diego Maradona is ailing in a Buenos Aires hospital, and resolves to bring him a tree root he's discovered.

Mercado de abasto

The action occurs in Abasto Market in Buenos Aires, Argentina. A grown up single woman marries a mafia man who promised her he would change. After they've married, his past come to ruin the wife's life.

Don't Cry for Me England

In 1806, in the mist of the British invasion of Buenos Aires, football is introduced. A merchant of the time sees in this sport a unique business opportunity and in the process awakens a passion so great that it can replace the war.

The South

After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.

Don't Forget About Me

Buenos Aires Province, a summer in the 30's. Mateo, an ex convict anarchist, travels around the Pampa in his old truck, carrying stolen hens and the illusion of finding his lost rooster, The King, which, he hopes, will lead him to glory at the cockfights. Fate faces him with Aurelia and Carmelo, two siblings in search for their father. Wandering, uncertain about his final destination, Mateo decides to give them a ride southbound.

El día que me quieras

Carlos Argüelles is the son of a wealthy man whose only interests in life are business and making money. While trying to succeed in show business he falls in love with a dancer and they elope to marry. But success is not easy to obtain.

Tango Bar

Ricardo Fuentes (Carlos Gardel) leaves Buenos Aires after loosing in horse races to go to Barcelona, where he plans to open a tango bar, a new concept of tango dance show and dance saloon. On the ship he meets Laura Montalván (Rosita Moreno) who happens to be a thief working with a thief pal. Ricardo watches them robbing a lady's bracelet aboard but decides not to report them because he has fallen in love with Laura. Once in Barcelona, he opens the tango bar but Laura's partner tells him he sold the bracelet and now needs to recover it to avoid both Laura and him going to jail.

Gotán

o Jorge Cedrón this was an act of wistful and political affirmation. He could not explain why he made it, but stated: «It necessary to make it». The outcome, never screened publicly in Argentina, is of a joyous creative freedom, a musical collage here the history of tango and its roots get interwoven with Argentine political history. A Buenos Aires street reconstructed in Ariane Mnouchkine 's theatre, a European old man who can play the tunes the bandoneón was made for, but who does not know the tango, a friends gathering at Antonio Seguí's studio, the music of Cuarteto Cedrón, hobbyhorses and a disconcerted Indian are some of the many elements combined by the film-maker in this singular, unique work.

Cock o' the Walk

Carlos Lopez is a handsome Argentine sportsman. Many women love him and he toys with them all. His days are filled with romance and intrigue and he manages to get himself feared and hated by most of the married men in Buenos Aires.

¡Tango!

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

Historia del 900

In the Buenos Aires of 1900, a man seeks to avenge the death of his brother, killed at the exit of a fight.

The Tango Singer

Helena is a talented singer in Buenos Aires. Just as she and her band get a residency at a prestigious theater in the city, the boyfriend she's mad about coldly announces that he doesn't love her any more. The film is punctuated by intense bursts of tango. Every song moves the story along, providing an insight into the characters and access to the protagonist's feelings: nostalgia, passion, sadness, and joy in turn. The lyrical and musical wealth of tango, brilliantly performed by Eugenia Ramírez Miori, unites the two stories, past and present. 'La cantante de tango' is a poignant auteur film about a woman trying to get back on her feet after a devastating break-up.

Carlos Gardel, Historia de un Ídolo

Newsreels, songs and films by Gardel, real scenes with events and historical figures from Argentina and the world, images of the accident that took his life in Medellín and the funeral in Buenos Aires.

Garúa

Franco kills a tango singer, and the weight of his guilt pushes him to search for information about his victim. His quest leads him into an unknown and fascinating world, a true and deep place where the tango is still alive, habitat of the last real and authentic bohemian artists in Buenos Aires.

La doctora quiere tangos

Luisa Soler, a young and wealthy lawyer, travels to the province of Buenos Aires with her aunt Totona and there she meets a humble composer of tangos, Martín Salazar. The meeting between them creates confusion for his girlfriend and, after several moments of tension and strong arguments, Martin asks Luisa to clarify the situation with her fiancée. But when the lawyer decides to do something, it changes for both of them. Both realize that they love each other and that, beyond the different lives they lead, they will fight to be together.

Tres anclados en París

Three Argentines who live in Paris and dream of returning to Buenos Aires but lack resources for the passage, find their opportunity when a landowner, a business man and his daughter arrive in Paris. In a game of rigged poker the three anchors obtain the money for the passages from the newcomers; it happens however that the employer has made an embezzlement and will go to jail if he does not return the money. The character represented by Parravicini, who is the true father of his adopted daughter, gives him the money won to solve his problem and the three remain in Paris to see them in an end with the best poetry of Romero crossing a bridge under the mist , silent, once again anchored but with the happy sadness of recovered self-esteem.

P'al otro lado

Desideria, a servant girl, dreams of traveling to Buenos Aires. Incredibly, Blas Pastrana, a relative of her employers, is dying in Argentina and expressly asks them to travel with her. When he arrives at his deathbed, he says that he inherits everything to the employee, confessing that she is his daughter, but on one condition: that in less than two weeks she gets married. Her employers try to convince her to marry the son of the family, Jorge, but Desideria is interested in Tito, a nice porteño. Everything ends in a surprise ending.

City in Heat

A group of friends in their 30's meet at a bar in Buenos Aires everyday. They used to hang here as students, laughing at the world, and now they still dream of changing the world from the cafe's table. Unable discuss politics or football, the only thing they can talk about is women. When one of their friends commits suicide, a female from his past shows up to confront old feelings.

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