Best movies like Lupe

Andy Warhol’s screen adaptation of Burgess's "A Clockwork Orange”.

An epic portrait of the New York avant-garde art scene of the 60s.

In 1967, New York City is host to the Miss All-American Camp Beauty Pageant. This documentary takes a look behind the scenes, transporting the viewer into rehearsals and dressing rooms as the drag queen subculture prepares for this big national beauty contest. Jack/Sabrina is the mistress of ceremonies, and their protégé, Miss Harlow, is in the competition. But, as the pageant approaches, the glamorous contestants veer from camaraderie to tension.

Instructed by Warhol to write a vehicle for Edie Sedgwick in a “completely white” setting, scenarist Ronald Tavel created one of Warhol’s most iconic films. Here a group of performers of all stripes – the sink and litter basket receive equal billing to the human actors – are forced into Warhol and Tavel’s cruelly comical theatre of the absurd. Inside this cramped domestic space, boredom, confusion and a sense of existential dread hang heavy in the air. Warhol and Tavel transform the modern 1960s kitchen – replete with the latest gadgets and conveniences – into a chaotic laboratory for self-creation and interpersonal conflict.

An insane independent film director and his renegade group of demented filmmakers kidnap an A-list Hollywood actress and force her to star in their underground film.

a prizefighter poses as a poet as a publicity ploy. As an actress hired to impersonate his high-class love interest, she can’t help falling for the big lug, leading to an elegantly understated climax.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.

Banksy is a graffiti artist with a global reputation whose work can be seen on walls from post-hurricane New Orleans to the separation barrier on the Palestinian West Bank. Fiercely guarding his anonymity to avoid prosecution, Banksy has so far resisted all attempts to be captured on film. Exit Through the Gift Shop tells the incredible true story of how an eccentric French shop keeper turned documentary maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner.

In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. She joins Warhol's famous Factory and becomes his muse. Although she seems to have it all, Edie cannot have the love she craves from Andy, and she has an affair with a charismatic musician, who pushes her to seek independence from the artist and the milieu.

Three actors in Hollywood live and love together. A director comes from New York to make a movie about actors and Hollywood.

A dictatorial film director hires an unknown actress to play the lead role in a planned movie biography of a late, great Hollywood star.

Carla de Hulvea is a rumba dancer who makes news by posing as a South-American heiress. She is doing fine with her hoax until she meets American Peter Jackson, a high-pressure promoter who is looking for movie-producing money. He does some big-time bluffing on his own in order to get Carla to invest in a film he is making with his partner, Roy Harley. Through Carla, Roy meets actress Diana West, who is given a role in the movie, and Roy falls in love with her.

Newlyweds Dennis and Carmelita have several obstacles to deal with in their new marriage: Carmelita's fiery Latin temper, a meddling aunt and a conniving ex-fiancee who's determined to break up their marriage.

An advertising executive and his temperamental wife adopt a war orphan who turns out to be a beautiful woman.

Warhol superstar and icon of sixties bohemia Edie Sedgwick delivers her final performance in this semiautobiographical look at the price of fame. Fiction and documentary—including snippets from Sedgwick’s own audio dairies—mingle in a freewheeling portrait of Susan Superstar (Sedgwick), a New York celebrity on a drug-fueled downward slide that mirrors Sedgwick’s own self-destructive spiral. Released after her death from an overdose of barbiturates, CIAO! MANHATTAN endures as a testament to Sedgwick’s unique magnetism and as a haunting elegy for the counterculture she embodied.

On the set of Cleopatra, Hollywood's most beautiful star, Elizabeth Taylor, fell into the arms of one of the world's greatest actors, Richard Burton - and she didn't leave. Their subsequent white-hot, scandalous love affair gave rise to the paparazzi and they became the most hunted and photographed couple on earth. Their rocky, passionate, relationship, born in front of the cameras, was subsequently captured in a series of films, including The V.I.P.s and Who's Afraid of Virginia Woolf? The last of the great, extravagant stars, flaunting diamonds, yachts and private planes, they continually seized the headlines. They even divorced and married again - only to divorce again - but remain in each other's hearts. This Elizabeth Taylor - Richard Burton story is a no-holds barred account of their undying, but impossible love.

Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute reels) only once, at the Film-Makers' Cinematheque in the basement of the now-demolished Wurlitzer Building at 125 West 41st Street in New York City. The imagery in the film is dense, wearying and beautiful, but ultimately hard to decipher, for, in contrast to his earlier, and more famous film Chelsea Girls, made in 1966, Warhol directed that two reels be screened simultaneously on top of each other on a single screen, rather than side-by-side.

The movie has a fixed point of view showing a bed with two characters on it, Sedgwick and Piserchio. Chuck Wein is heard speaking but is just out of view. Sedgwick is wearing a lace bra and panties, and Piserchio, wearing only jockey shorts, engage in flirting and light kissing. Wein asks Sedgwick questions seemingly designed to harass and annoy her. Piserchio is more or less a bystander not interacting with Wein. The dialogue seems created adlib and no conclusions are reached in the film. The only conceivable climax is when Sedgwick finally becomes so mad, she throws a glass ashtray at Wein, breaking it.

A young, jobless woman stays in bed, reads, talks on the phone, smokes cigarettes, makes fresh coffee, and tries on some clothes from a large wardrobe.

Lupe Vélez plays a dual role, twin sisters Rita and Elaine. After escaping a torpedoed ship, Rita shows up in Manhattan, where she takes the place of her Broadway-star twin sister Elaine, who's having problems with her marriage and needs to make a getaway. Neither Elaine's husband or Rita's saxophone-player boyfriend are aware of the switch.

The dramatic account of actress Patricia Neal's miraculous recovery from a near-fatal stroke in 1966 with the help of her then-husband, author Roald Dahl, and their close friend, veteran actress Mildred Dunnock.

A biography about the love affair between 1930s Hollywood superstars Clark Gable and Carole Lombard.

Actress Sharon Stone hosts this documentary about the life and career of 1930s sex symbol Jean Harlow. Included are clips from many of her films, photos and stories about her life before she became a movie star, and accounts of her troubled personal life, including a domineering mother, the failure of her three marriages and the suicide of her second husband.

Jimmy Durante is jungle movie star Schnarzan the Conqueror, but the public is tiring of his fake lions. When Baron Munchausen comes to town with real man-eating lions, Durante throws him a big Hollywood star-studded party so that he might use the lions in his next movie. But, his film rival sneaks into the party to buy the lions before Durante.

Shot during Warhol's cross-county trip to Los Angeles during his second exhibition at the Ferus - the same trip during which he filmed the footage for Elvis at Ferus. Locations included Hollywood, Malibu, Venice, Pasadena, Topanga Canyon, the Santa Monica pier and the Beverly Hills Hotel.

Carmelita and Uncle Matt find themselves in a haunted house, but the "ghosts" are actually enemy agents who are trying to frighten away visitors in order to develop a nitroglycerin bomb.

An advertising executive and his temperamental wife sail to Hawaii in search of business. The fifth entry (of eight) in the "Mexican Spitfire" comedy series.

Dennis mistakenly believes Carmelita is going to have a baby. Little does he know that the blessed event is her cat's new kittens.

Dennis heads west to work on an important business deal minus the Mexican Spitfire, Carmelita. His hot-tempered spouse decides to surprise him, but ends up as the surprised one when she sees him with another woman. Instead of a second honeymoon, Carmelita begins divorce proceedings

Actress Sally Field looks at the dramatic life and successful career of the superb actress Barbara Stanwyck (1907-90), a Hollywood legend.

Docu-fiction hybrid about Ulli Lommel and Andy Warhol.

Warhol plunked a horse named Mighty Byrd in the middle of the Factory for this dark, homoerotic take on the classic oater that later anticipates his later western epic Lonesome Cowboys.

Former Andy Warhol star Ivy Nicholson make an exclusive statement about life on stage and in the gutter.

A pair of shipboard smugglers have a large diamond hidden inside a small elephant statuette, which they plant on absentminded Lord Epping to get it past customs. Now, his lordship is visiting Uncle Matt Lindsay who looks just like him. Thanks to flirtatious Diana's efforts to get the elephant back, the comic confusion proliferates, with 'spitfire' Carmelita (now a blonde) playing a prominent part.