Best movies like Minstrel Man

The Disassociated Press wants Bugs Bunny's life story. Got a pencil? "First," says Bugs, "I was born." He quickly learns he is different from the other children: he's a "rabbit in a human world." He grows up to accept repetitive chorus boy jobs in such Broadway revues as "Girl of the Golden Vest," "Wearing of the Grin" and "Rosie's Cheeks." His career hits the skids and he's living on a park bench before he's discovered by that great vaudeville star, Elmer Fudd. Their dual comedy act is a hit, which leads to film roles. Will Bugs Bunny ever have to look back?

Harry and Inez are a dance team at the Wonder Bar. Inez loves Harry, but he is in love with Liane, the wife of a wealthy business man. Al Wonder and the conductor/singer Tommy are in love with Inez. When Inez finds out that Harry wants to leave Paris and is going to the USA with Liane, she kills him.

Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers' collaboration - elaborately staged numbers from their plays, characters' visits to night clubs, and impromptu performances at parties. We also see Larry's scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard's successful wooing of Dorothy Feiner.

Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Porter lead to a meeting at the alter. More than 20 of his songs grace this tail of triumph and tragedy, with Grant lending is amiable voice to "You're the Top", "Night and Day" and more. Monty Woolley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Showtune standards embraced by generations are yours to enjoy in "Night and Day."

A theatrical star, born on the wrong side of the tracks, marries a drunken blue-blood millionaire.

Fictionalized biography of George Gershwin and his fight to bring serious music to Broadway.

Rose Sargent, a Roaring '20s singer, becomes a Ziegfeld Follies star as her criminal husband gets deeper in trouble.

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.

In this sequel to The Jolson Story, we pick up the singer's career just as he has returned to the stage after a premature retirement. But his wife has left him and the appeal of the spotlight isn't what it used to be. This time Jolson trades in the stage for life in the fast lane: women, horses, travel. It takes the death of Moma Yoelson and World War II to bring Jolson back to earth - and to the stage. Once again teamed with manager Steve Martin, Jolson travels the world entertaining troops everywhere from Alaska to Africa. When he finally collapses from exhaustion it takes young, pretty nurse Ellen Clark to show him there's more to life than "just rushing around".

At the turn of the 20th century, young Asa Yoelson decides to go against the wishes of his cantor father and pursue a career in show business. Gradually working his way up through the vaudeville ranks, Asa — now calling himself Al Jolson — joins a blackface minstrel troupe and soon builds a reputation as a consummate performer. But as his career grows in size, so does his ego, resulting in battles in business as well as in his personal life.

Based on the life and career of legendary entertainer, Bobby Darin, the biopic moves back and forth between his childhood and adulthood, to tell the tale of his life.

Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. Sally purchases a horse, she used to train when her parents had a farm before the depression and with to ex-vaudevillians, Sonny Ledford and Peter Trott she trains it to win a race, providing the money Steve needs for his show.

A snobbish phonetics professor agrees to a wager that he can take a flower girl and make her presentable in high society.

The story of the life of comedienne Fanny Brice, from her early days in the Jewish slums of the Lower East Side, to the height of her career with the Ziegfeld Follies, including her marriage to and eventual divorce from her second husband, Nick Arnstein.

Things get tough for Carol and her showgirl pals, Trixie and Polly, when the Great Depression kicks in and all the Broadway shows close down. Wealthy songwriter Brad saves the day by funding a new Depression-themed musical for the girls to star in, but when his stuffy high-society brother finds out and threatens to disown Brad, Carol and her gold-digging friends scheme to keep the show going, hooking a couple of millionaires along the way.

Helen Chernen pushes her younger sister Katherine into show business in order to escape their small town poverty.

Construction worker Buzz Blackwell becomes the guardian of 12-year-old Pat Johnson after one of his buddies, her father, is killed. Buzz and Pat, along with their chum Axel Swensen, head to New York to look for the girl's uncle. The trio soon unexpectedly become owners of a tired restaurant.

Mammy features Al Jolson as the star of a travelling minstrel show, appearing in a small Southern town. Jolson falls in love with an actress in the troupe (Lois Moran), but she loves another. One of Jolson's fellow minstrels (Lowell Sherman) is shot backstage, and it is assumed thanks to several plot convolutions that Jolson is guilty of the deed.

After years of hopeful struggle, Al Stone (Jolson) is on his way. "I'm Sittin' on Top of the World", he sings to an appreciative speakeasy crowd. But, as Al discovers, getting there is one thing. Staying there is another. Singing waiter Stone gets his huge break on a magical night when his song wows a big-time producer and a gold-digging showgirl he fancies. Broadway success and marriage follow, but sure enough, hard times are on the way. Al's fickle wife abandons him, taking the beloved son he calls Sonny Boy with her. Heartbroken, Al becomes a devastated loner until friends from the speakeasy that launched his career rescue him from a life on the streets. Soon, Al is back in lights. But another crisis awaits: Sonny Boy is in the hospital and dying....

In WW I dancer Jerry Jones stages an all-soldier show on Broadway, called Yip Yip Yaphank. Wounded in the War, he becomes a producer. In WW II his son Johnny Jones, who was before his fathers assistant, gets the order to stage a knew all-soldier show, called THIS IS THE ARMY. But in his pesonal life he has problems, because he refuses to marry his fiancée until the war is over.

Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of his most famous: 'Showboat'.

Jenny Stewart is a tough Broadway musical star who doesn't take criticism from anyone. Yet there is one individual, Tye Graham, a blind pianist who may be able to break through her tough exterior.

Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must leave behind her ageing vaudevillian father; vulnerable Sheila, the working girl pursued both by a millionaire and by her loyal boyfriend from Flatbush; and the mysterious European beauty Sandra, whose concert violinist husband cannot endure the thought of their escaping from poverty by promenading her glamor in skimpy costumes.

The road-show troupe of a top Broadway show go cross-country while taking the audience along on the on-stage scenes as well as what happens and is happening back stage of the production. The spectacular dancing ensembles and colorful costumes and pulchritude on-stage offers a contrasting background to the drabness of the backstage, where joy, sorrow, tragedies, deception, and romance are intertwined.

Broadway producer Johnny Demming is only interested in big-name talent and scoffs that his sister, father and other small-time talent could be used in a successful show.

Three movie genres of the 1930s, boxing films, WWI aviation dramas, and backstage Broadway musicals, are satirized using the same cast.

After discovering his star dancer is expecting and can't perform, film producer H.W. Workman and his publicist concoct a scheme to stage a college dance contest to find a new star.

A tangled web of affairs is weaved around actress, Desirée Armfeldt, and the men who love her: a lawyer by the name of Fredrik Egerman and the Count Carl-Magnus Malcom. When the traveling actress performs in Fredrik's town, the estranged lovers' passion rekindles.

When theatrical producer Robert Chandler (E. Alyn Warren), believed drowned in a fishing accident, turns up as a lonely, broken amnesiac three months later, he arrives just in time to see his actress wife Carol Chandler (Claire Windsor), thought to be a widow, marrying her leading man Jimmy Keane (John Bowers). Rather than mar her new-found happiness, he takes a job washing cars. New York City is a small town. Will Carol need her car washed?

Based on the semi-hit Broadway musical of 1968 starring Joel Grey, this TV version has been re-fashioned in significant ways. The premise here is that a small group of modern-day performers have gotten together in a rehearsal studio to celebrate George M. Cohan's life and work. Joel Grey and Bernadette Peters (also from the original cast) and the other cast members are apparently playing themselves, with Austin Pendleton serving as a stage manager/director.

The second television adaptation of Once Upon a Mattress was broadcast on December 12, 1972, on CBS. This production, videotaped in color, included original Broadway cast members Burnett, Gilford and White, and also featured Bernadette Peters as Lady Larken, Ken Berry as Prince Dauntless, Ron Husmann as Harry, and Wally Cox as The Jester. It was directed by Ron Field and Dave Powers. Again, several songs were eliminated and characters were combined or altered. Since the parts of the Minstrel and the Wizard were cut from this adaptation, a new prologue was written with Burnett singing "Many Moons Ago" as a bedtime story.

Once Upon a Mattress is a musical comedy with music by Mary Rodgers, lyrics by Marshall Barer, and book by Jay Thompson, Dean Fuller, and Marshall Barer. The musical story of THE PRINCESS AND THE PEA, this television adaption of the 1959 Broadway hit was videotaped in black and white in front of a live audience and featured Burnett, Bova, Gilford, and White from the original Broadway cast, as well as new principals Bill Hayes as the Minstrel, Shani Wallis as Lady Larken and Elliott Gould (in his first appearance on any screen) as the Jester. Due to the reduced running time of 90 minutes, several songs and scenes were either cut or shortened. The conflict concerning Sir Harry and Lady Larkin was downplayed so that they were married in secret.

A Broadway show is forced to bow to the whims of a talentless, whacky, but rich, Broadway actress with a contract.

Neurotic Broadway star Al Jackson faces professional ruin when he loses his voice. While recuperating in the country, he falls in love with farm girl Ruth Haines, the pretty aunt of precocious little Sybil Haines.

Vaudevillian Joe Pitt sweeps young Sally Patter off of her feet and steals the lovestruck girl away from her small-town family to join his act. She winds up heartbroken, pregnant and broke when Joe runs off with the magician's sexy assistant. Sally bravely persists and her immense dancing and singing talent gain the notice of prominent producer, Wade Valentine. Under Valentine's tutelage, she rockets to Broadway stardom while Joe Pitt is reduced to waiting on tables. Alone, Sally proudly gives birth to a baby son. Wade proposes marriage to his beloved protege and it appears that Joe Pitt may never learn about the son he has fathered.