Best movies like Rich Hall's Countrier Than You

W.W. Bright is a robber with a heart of gold who travels the South knocking off banks and gas stations owned by a corrupt businessman. When he hijacks a car, he meets an aspiring country band, the Dixie Dancekings, led by Dixie. The two sides eventually take a liking to one another, especially after the Dancekings realize the size of Bright's thefts. Trailed by religious zealot cop Deacon Gore, Bright helps the band make it big while on the run.

This is a true story about the relationship between a mother and her daughter, and their struggle to make it to the top in the music world. It is about hopes and dreams... about relationships and about growing up.

The intersecting stories of twenty-four characters—from country star to wannabe to reporter to waitress—connect to the music business in Nashville, Tennessee.

A former Texas Ranger teams up with some of his old colleagues to rid the state of corruption in their new police force.

Chronicles the fascinating and often turbulent life of Townes Van Zandt.

Biography of Loretta Lynn, a country and western singer that came from poverty to fame.

Two Montana saddletramps head to Nashville to open up a detective agency. At first, the agency begins on a lark but, soon, they get involved in a case involving a kidnapped singer and an intricate blackmail scheme.

A young Scottish singer, Rose-Lynn Harlan, dreams of making it as a country artist in Nashville after being released from prison.

Seasoned musician Jackson Maine discovers — and falls in love with — struggling artist Ally. She has just about given up on her dream to make it big as a singer — until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.

The music speaks for itself in this performance documentary that highlights some of the biggest names within the country-folk scene in Texas and Tennessee during the last weeks of 1975 and the first weeks of 1976, eschewing narration and staged interviews.

Three angels bestow the gift of song to a young girl, who must follow a series of rules in order hold on to it during her rise to fame and fortune.

The story of sex, violence, race and rock and roll in 1950s Chicago, and the exciting but turbulent lives of some of America's musical legends, including Muddy Waters, Leonard Chess, Little Walter, Howlin' Wolf, Etta James and Chuck Berry.

Jim MacLaine is now enjoying the nomadic 'gigs and groupies' life on tour with his band. When he achieves all his wildest dreams of international stardom, the sweet taste of success begins to turn sour.

Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of his most famous: 'Showboat'.

Miranda Presley moves from New York to Nashville to become a songwriter. At an unsuccessful audition she meets James Wright, a promising newcomer. After only a few days they marry but start to quickly regret it.

Caroline Bird, the crotchety and stingy owner of Bird Milk Products, is not amused when her employees at the Dairyville factory, the oldest plant in the company, broadcast a special radio program in honor of her birthday. Employees Lulubelle, Scotty and Vera Vague, fed up with the terrible working conditions at Dairyville, cut into the broadcast, and Lulubelle asserts that Caroline is a "big hunk of cheese." Lane, the factory manager, cannot find the culprit, and so Caroline goes with her secretary, Dale Evans, to Dairyville.

A small-town singer is persuaded by his Army buddies to try and crash big-time TV.

With the increasing popularity of Republic's sagebrush crooner Gene Autry, rival company Columbia found it necessary to add a musical element to this Charles Starrett Western released in early 1937. As Starrett himself was no singer, the studio hired Donald Grayson to warble Lonesome River, Out in the Cow Country and Pancho's Widow, all by Ned Washington and Sam H. Stept.

From Nashville With Music is another slim plot that gives an excuse for Nashville country stars to perform. The stars are Leo G. Carroll, Marilyn Maxwell, Jose Gonzalez-Gonzalez, Marty Robbins (singing "El Paso"), Buddy Allen, Bill Anderson, Don Gibson, Merle Haggard, George Jones, Cousin Jody, Buck Owens, Bonnie Owens, Charley Pride, Susan Raye, Carl Smith, Wynn Stewart and Tammy Wynette. (from http://archive.tennessean.com/article/20070511/SPECIAL0907/705110501/1969-Movie-From-Nashville-Music)

An aging country singer becomes irritated with the success of a popular young country singer. However, she is not yet ready to become yesterday's news.

The story of an aspiring musician from Kaufman, Texas who travels to Nashville with the lifelong dream of trying his hand at country music. By embodying the title character under prosthetic make up, actor Stephen Dorff successfully infiltrates Music City and takes his character on an authentic singer / songwriter journey. With the help of key allies on the ground, "Wheeler" converses with real people in real locations, with every musical number performed live. The line between reality and fiction blurs as Wheeler chases his dream in this touching tribute to old school country legends.

A brash songwriter who buys a detective agency as a tax shelter finds himself and his photographer's model bride involved in a puzzling murder, when a dead body turns up in their honeymoon suite, and on a trail that leads them to Nashville.

Rose, a 17-year-old Filipino-American teenager from Texas, dreams of becoming a country music icon. She has to fend for herself when her mother is arrested by ICE, and must choose between following her dreams without her mother or leaving her passions behind.

After country music starlet Tess Stapleton’s album sales keep dropping, her label forces her to record a Christmas album with ex-teen heartthrob and pop-star, Derek Copeland, in an attempt to resurrect each’s career. Reluctantly, Tess agrees. At first, they appear to be polar opposites; clashing over song styles and irritated that they were forced together. However, to their combined surprise, as the album shapes up, they find themselves growing closer over their shared love of music. As they finish the album sparks begin to fly and love blooms just in time for Christmas.

Country singer Leana Taylor (Dolly Parton) struggles to escape from her controlling manager/boyfriend Hank (John Terry) as well as her troubled past. After turning to her guitarist (Billy Dean), Leanna finally faces her past, including her estranged mother and the death of her father. Through flashbacks, Leana deals with her past as she attempts to move her life forward and begin a recording career.

Charled Dicken's tale A Christmas Carol takes a contemporary jolt in this original musical set in modern-day Tennessee. Cyrus Flint is a mean old banker whose one and only concern is the welfare of Flint City Bank. Dennis and Laura Pritchett are two parents struggling to make enough money to pay for an operation their son needs. Flint is organizing a songwriting and singing contest with a $2000 first prize to promote his bank.

An aspiring musician is released from prison to find that a song he had written while locked up has been stolen and made into a hit record by a country music superstar. When his confrontation with the star takes a violent turn the ex-con has to go back on the run, but he finds an unexpected ally in a shrewd background singer with a plan to turn the tables in his favor.

Robert Johnson was one of the most legendary and mysterious Delta Bluesmiths of all time. Little is known about his life, but his music has influenced many different artists, like Eric Clapton and Keith Richards. Now, John Hammond Jr., son of legendary record producer John H. Hammond, who also organized a concert for Robert Johnson right before he died, goes to the Deep South to learn more about this amazing man, trying to find information about Johnson's birth date, place and parents, his early musical development, performances and travels, romances, his mythic "pact with the devil," his untimely murder in his late twenties, the discovery of possible offspring, and the uncertainty over where Johnson is buried. Throughout, Johnson's music is both foreground and background, from recordings of Johnson and as performed on camera by Hammond, David Honeyboy Edwards, and Johnny Shines.

New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers to help out, on the condition that his daughter be in the show.

A Texas millionaire travels to Europe to meet his girlfriend, a European countess. He stops in a rustic mountain village and meets a beautiful peasant girl. He falls in love with her, then must decide if he wants her or the rich countess.

In this musical gem, big-hearted Jubal Bristol (Arnold Stang) takes it upon himself to mount a country and western benefit concert after the opera company that his wife (Pamela Hayes) booked suddenly backs out. Along with country icons Minnie Pearl, Dottie West, Connie Smith and Faron Young, the film features great tunes such as "Born to Lose," "Abilene" and "Young Love." Huntz Hall and Leo Gorcey (of Bowery Boys fame) portray stagehands.

Comedian Rich Hall goes west to find out what killed off that most quintessentially American of all film genres, the western. Through films such as The Searchers, The Man Who Shot Liberty Valence, Little Big Man, The Wild Bunch and Unforgiven, Rich charts the rise and fall of America's obsession with its own creation myth - the Wild West. He explores how the image of the cowboy as a moral, straight-talking heroic figure was created by Hollywood but appropriated by Washington, as one president after another sought to associate themselves with this potent symbol of strength and valour.

Take a nostalgic ride through movie history and relive the glory days of the Western -- when kids spent their Saturdays watching double-feature matinees and eating popcorn that cost a nickel. Through movie clips and interviews with film critics, actors and fans, this tribute to a bygone era explores the genre from the early days of the Thomas Edison Studios to the heyday of cowboy stars Tom Mix, Hoot Gibson and Gene Autry and the Singing Cowboys.

Comedian Rich Hall hits the road as he takes us on his personal journey through the road movie, which, from the earliest days of American cinema has been synonymous with American culture. With his customary wit and intelligence, Rich takes us through films such as Bonnie and Clyde, The Grapes of Wrath, Thelma and Louise, Vanishing Point, Five Easy Pieces and even The Wizard of Oz. He explores what makes a road movie and how the American social, economic and political landscape has defined the genre.

An aspiring country singer and his feisty younger sister/manager struggle to reach their dreams of Nashville stardom-as long as she can keep her brother out of trouble with the ladies and the law-in this drama "inspired by," but not really connected to, the hit '70s ballad.

A struggling country singer meets a Nashville songwriter in need of inspiration. Teaming up to write a song, their work gets complicated but results in both a hit song...and true love.

Years after their personal and professional breakup, the singing duo of Georgia and Joe Winter agree to reunite after their daughter, Belle, asks them to participate in a Christmas Charity concert, only to find themselves getting back in tune on stage and off.

A workaholic television producer receives a visit from her recently deceased mentor, who warns her that her current path leads to a dark future.

A struggling country music singer returns home after years spent on the road for one last chance to correct wrongs made and reunite with loved ones he abandoned.

National DJs help a promoter make an unknown girl a star, to prove the power of radio over TV.

The two nieces of the deceased Charley Bronson arrive to learn that an unknown judge will determine which one of them will inherit his ranch. But Bronson is still alive and posing as the cook. Hilda learns of this and sets out to use this information to win the ranch from her cousin Laurie.

In this musical western, a cowboy band is offered the chance to appear in a Hollywood movie and begins the journey to the West Coast. Unfortunately, the band ends up stranded in Texas and must take a job running a ranch. Musical mayhem ensues: Songs include: "Let's Love Again," "Where the Prairie Meets the Sky," "Don't You Ever Be a Cowboy," "Texas Polka," "No Letter Today," "I Got Mellow in the Yellow of the Moon," "Sip Nip Song," "Salt-Water Cowboy," "The Blues," "Little Brown Jug" and "And Then."

Produced by Cook Group Incorporated and Star of Indiana, BLAST! brings together 68 brass, percussion and visual performers in a unique explosion of music and theatre. Born on athletic fields across the nation, BLAST! is a novel art form evolved from the showmanship of outdoor pageantry. Ranging from classical to the blues, it is jazz, rock and roll, and techno-pop. With color, light, movement and music, BLAST! explores and explodes the genre with new artistry.

Arriving in Arizona, the band members discover that the hotel is haunted and that it properly belongs to young Jimmy Benson (Curtis), the nephew of the previous owner. The "ghosts," however, turns out to be a trio of confidence men, Zeke Winslow (Guinn "Big Boy" Williams), Noah Jones (Raymond Hatton) and Slim Jensen Victor Potel, who are hoping to buy the place themselves.

R&B legend, Grammy winner, and Rock 'n' Roll Hall of Fame inductee, Solomon "The King" Burke makes a once in a lifetime trip to Nashville in an evening of country and roots music at the famed Belcourt Theatre. Emmylou Harris, Patty Griffin, Gillian Welch and band leader Buddy Miller join Solomon along with songwriters Jim Lauderdale, Paul Kennerley, Kevin Welch and Shawn Amos in a soul inspiring night of collaboration and music.

Blood on the Carpet is an arthouse musical film written and produced by Bladde. The film follows a lonely character braving a steep mountain attempting to reach its peak. As he journeys the mountain, he is forced to confront a plethora of internal demons. Blood on the Carpet is the debut film work of Bladde, blending together performance art drag elements with arthouse horror qualities. The film features music from a variety of artists and genres including a recurring score borrowed from the work of composer Jacob Abrams.

Memphis is set in the places where rock and roll was born in the 1950s: the seedy nightclubs, radio stations and recording studios of the musically-rich Tennessee city. With an original score, it tells the fictional story of DJ Huey Calhoun, a good ole' local boy with a passion for R&B music and Felicia Farrell, an up-and-coming black singer that he meets one fateful night on Beale Street. Despite the objections of their loved ones (Huey's close-minded mama and Felicia's cautious brother, a club owner), they embark on a dangerous affair. As their careers rise, the relationship is challenged by personal ambition and the pressures of an outside world unable to accept their love. Originally shown in select theatres, then broadcast as an episode of the PBS series "Great Performances" (season 39, episode 11).

A singer determined to make it in country-western music lets nothing stand in his way, including stealing. The girl who loves him and a female preacher try to straighten him out and help him make it legitimately.

With Christmas fast approaching, concert violinist Beth returns to her hometown after the recent death of her mother, the elementary school’s beloved music department head.

A raw and emotionally revealing look at one of the most iconic artists of our time during a transformational period in her life as she learns to embrace her role not only as a songwriter and performer, but as a woman harnessing the full power of her voice.