Best movies like Romanza final (Gayarre)

Set in the fictional village of "Ogw" in the valleys of south-east Wales. After her father Jack suffers a stroke Annie Mary Pugh is forced to take care of him but uses the circumstances to emancipate herself and find the courage to sing once again.

A workman finds a singing frog in the cornerstone of an old building being demolished. But when he tries to cash in on his discovery, he finds the frog will sing only for him, and just croak for the talent agent and the audience in the theater he's spent his life savings on.

A coming-of-age story centered around a small-town singer brokenhearted by the death of her brother in a car crash, who had secretly submitted her for a summer session at a performing arts academy in Los Angeles. In the academy, she experiences a whole new way of life in the big city, far from the small town lifestyle she's used to.

An intimate and moving meditation on the late musician and artist Kurt Cobain, based on more than 25 hours of previously unheard audiotaped interviews conducted with Cobain by noted music journalist Michael Azerrad for his book "Come As You Are: The Story of Nirvana." In the film, Kurt Cobain recounts his own life - from his childhood and adolescence to his days of musical discovery and later dealings with explosive fame - and offers often piercing insights into his life, music, and times. The conversations heard in the film have never before been made public, and they reveal a highly personal portrait of an artist much discussed but not particularly well understood.

Sylvester sings opera and popular tunes while standing on a back alley fence; Elmer, who wants to sleep, tries to thwart him.

The prospects for continuing life on Earth in the year 2058 are grim. So the Robinsons are launched into space to colonize Alpha Prime, the only other inhabitable planet in the galaxy. But when a stowaway sabotages the mission, the Robinsons find themselves hurtling through uncharted space.

A fictionalised exploration of Beethoven's life in his final days working on his Ninth Symphony. It is 1824. Beethoven is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer. A fictional character is introduced in the form of a young conservatory student and aspiring composer named Anna Holtz. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna's assistance and in the end becomes quite fond of her. By the time the piece is performed, her presence in his life is an absolute necessity. Her deep understanding of his work is such that she even corrects mistakes he has made, while her passionate personality opens a door into his private world.

Elisa has not seen her father Luis for nine years, but she receives a telegram from her sister Isabel in a moment of crisis of her marriage with Antonio telling that her father is ill and she decides to travel to the countryside of Madrid with Isabel and her brother-in-law Julián and their two children to visit Luis for his birthday. Elisa decides to stay with his father when her sister returns to Madrid with her family and she gets closer to Luis, understanding why he left her mother years ago. Later she tells him that Antonio cheated her with her best friend Sophie and their relationship has ended. When Antonio unexpectedly arrives in the house, Elisa takes a decision about her life.

A troubled and angry 11-year-old orphan from a small Texas town, ends up at a Boy Choir school after the death of his single mother. Completely out of his element, he finds himself in a battle of wills with a demanding Choir Master who recognises a unique talent in this young boy as he pushes him to discover his creative heart and soul in music.

Loosely traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso is unacceptable to both women's fathers: to one, because he sings; to Dorothy's, because he is a peasant. To New York patricians, Caruso is short, barrel chested, loud, emotional, unrefined. Their appreciation comes slowly. The film depicts Caruso's lament that "the man does not have the voice, the voice has the man": he cannot be places he wants to be, because he must be elsewhere singing, including the day his mother dies. Throughout, Mario Lanza and stars from the Met sing.

Danny has been in the army for 4 years, yet all he thinks about is Brooklyn and how great it is. When he returns after the war, he soon finds that Brooklyn is not so nice after all. He is able to share a place with Nick, the janitor of his old High School, and get a job as a singer in a music store. He also meets Leo, a talented pianist and his teacher Anne, whose dream is to singing Opera. When Jamie arrives from England, Danny tries to show him the Brooklyn experience and help him compose modern swing music. Together, these four also try to help Leo get the Brooklyn Music scholarship.

The corrupt Lord Ambrose D'Arcy steals the life's work of the poor musical Professor Petry. In an attempt to stop the printing of music with D'Arcy's name on it, Petry breaks into the printing office and accidentally starts a fire, leaving him severely disfigured. Years later, Petry returns to terrorize a London opera house that is about to perform one of his stolen operas.

A wealthy woman discovers a vineyard worker with a beautiful operatic singing voice. She helps make him a star but then breaks his heart. He flees in misery to Mexico where he meets a sweet farm girl.

After years of hopeful struggle, Al Stone (Jolson) is on his way. "I'm Sittin' on Top of the World", he sings to an appreciative speakeasy crowd. But, as Al discovers, getting there is one thing. Staying there is another. Singing waiter Stone gets his huge break on a magical night when his song wows a big-time producer and a gold-digging showgirl he fancies. Broadway success and marriage follow, but sure enough, hard times are on the way. Al's fickle wife abandons him, taking the beloved son he calls Sonny Boy with her. Heartbroken, Al becomes a devastated loner until friends from the speakeasy that launched his career rescue him from a life on the streets. Soon, Al is back in lights. But another crisis awaits: Sonny Boy is in the hospital and dying....

Snooty opera singer meets a rough-and-tumble fisherman in the Louisiana bayous, but this fisherman can sing! Her agent lures him away to New Orleans to teach him to sing opera but comes to regret this rash decision when the singers fall in love.

Tonight We Sing is a 1953 musical biopic film, directed by Mitchell Leisen, based on the life and career of the celebrated impresario Sol Hurok. It stars David Wayne and Ezio Pinza.

Ricardo, a young law student in his home town of Madrid, is a carefree playboy who loves nightclubs and courting pretty girls. His father hopes to instill a more serious attitude in his son by transferring him to a school in the rural town of Santiago. At Santiago, his father's old friend is to be his guardian. When Ricardo arrives at Santiago he joins a fraternity, and continues his carefree lifestyle while serenading and courting his guardian's daughter, Carmina.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

A restaurant owner falls in love with an opera singer and, desperate to impress her, travels to Italy to learn how to sing.

During World War II, German soldiers occupy the home of a beautiful Belgian girl and her mother.

Born with a serious eye condition that eventually leads to his blindness, Bocelli nevertheless rises above the challenges, driven by great ambitions towards his passion. The silent pursuit of his daily mission continues.

Aarron Lambert is a controversial man that provokes the system and inspires the public. A cinematic documentary following the struggles and successes of a voice that must be heard from childhood through to adult life.

The talented Korean tenor, Bae, who penetrate the audience's hears through his delicate and powerful singing, is on the rise to stardom at the European opera scene. Sawada, a Japanese music producer, is searching for a new tenor for an upcoming performance. He watches a performance of Bae and invites him to Japan, which marks the beginning of friendship. But, the thyroid cancer strikes Bae. During an operation, the nerves of his vocal cords has be cut due to the widely spread cancer. Unfortunately, Ba ends up losing his voice at the peak of his career. Sawada cant's stand to watch Bae's miserable so he starts to look for a solution.

Biography of popular English composer Leslie Stuart (Robert Morley), who rose to fame through performances of his songs by the tenor Ellaline Terriss (Dorothy Hyson). The peak of Stuart's success in the early 1900s is followed by poverty and obscurity with the arriving Jazz Age. In debtor's prison, Stuart is rescued by friends from happier times, and achieves a comeback in British music halls shortly before his death.

Matias meets Violeta, his cousin one morning in Madrid at the Plaza de Opera. He is twenty-five. She is 18. He's a divorced journalist trying to write a thriller. She studies violin. She's a vegetarian. He loves meat. Many things separate them, but he moves into her apartment.

Set in one-day, three people embark together on a car trip from Madrid to Almeria. Antonio (Cebrián) is a successful industrialist, however he is dismayed that his personal life does not reflect his glittering career. He is insecure about his faltering marriage to Teresa (Chaplin), whom he believes is having an affair with his best friend, Antonio (Galiardo).

A tragic and secretive romance ensues over many years after two men meet while herding sheep on Brokeback Mountain in this opera based on Annie Proulx's short story and its subsequent Oscar-winning film adaptation.

A drama based on the life of 18th century Italian lyricist Lorenzo da Ponte, who collaborated with Mozart on his "Don Giovanni" opera.

Diamonds are being smuggled across the border from Mexico in a specially made shoe of a palomino mare. One of the smugglers is killed when the mare runs off. The sheriff blames Trigger for the death. To keep his horse from being destroyed, Roy confesses and goes to jail. The smugglers buy Trigger and put him to work smuggling diamonds. The mare, who had earlier heard a trist with Trigger, foals Trigger, Jr. who Roy, finally out of jail, uses to help capture the smugglers.

This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)

Jean-Marie Villegier's modern interpretation of Handel's "Rodelinda" – filmed live at the world-renowned Glyndebourne Opera House in the United Kingdom, sets the timeless tale of jealousy and treachery in the black-and-white world of the silent-movie era. Soprano Anna Caterina Antonacci sings the title role of Rodelinda, with tenor Kurt Streit and bass Umberto Chiummo performing the parts of Grimoaldo and Garibaldo, respectively.

Meant primarily as TV fare, this standard, song-filled romantic drama stars Louis Prima as himself, and his real-life wife Keely Smith as Dorothy Spencer, a devout woman with a good singing voice. Dorothy is active in her local parish which like all parishes, is constantly thinking of ways to raise funds. One of the needy projects is a boys' camp, so when Dorothy is approached by Louis Prima to sing with his band she agrees only on one condition -- that he perform a concert benefit for the parish church and boys' camp. The interactions between Dorothy and Prima lead toward romance and a happy ending, as well as a popular album with the same title song featured in this film. ~ Eleanor Mannikka, Rovi (NY Times Review).

An orphan (Eight-year-old boy soprano Bobby Breen) gets a chance to sing opera in New York.

In this opera-oriented musical, Riccardo Gatti, an Italian young tenor in Venice, meets a young woman who sneaks into the opera house to try and get her fiancé hired as the orchestra's pianist.