Best movies like The Tenor - Lirico Spinto

Mary Barrett is an aspiring opera singer who is taken under the wings of a famous operatic maestro, Guilio Monterverdi. After spending endless working hours together and arguing, their relationship develops into love. But, jealousy and misunderstandings prevent Mary and Guilio from acknowledging their true feelings.

A young girl who aspires to a singing career gets herself and her best friend a job as valet parking girls at a Malibu party in order to meet people who can help them achieve their dreams.

"Addiction Karaoke" is run by Sung-wook. When business is slow, he hires singing helper Ha-suck, a girl in her early 20s. She's a hopeless game addict, but somehow lures customers in. Na-ju joins the crew and brightens up the miserable place with her bubbly character. Just when everything starts turning for the better, little do they know that a serial killer on the loose in town is after something in the karaoke.

Sylvester sings opera and popular tunes while standing on a back alley fence; Elmer, who wants to sleep, tries to thwart him.

A fictionalized account of the last days of opera singer Maria Callas.

The story of Florence Foster Jenkins, a New York heiress, who dreamed of becoming an opera singer, despite having a terrible singing voice.

An opera star's manager tries to stop her romance with a penniless singer.

When Christine Day accidentally discovers a rare piece of music, she brings back to life its composer, Erik Destler. Through her fascination with the music she is transported back to Destler's time, 1889, and is thrust into stardom by singing his opera as no one else can. But against the exciting backdrop of the opera lurks a hideous danger—the Phantom—and Christine soon finds herself the object of his relentless desire.

Taped live and in concert at Constitution Hall in Washington, D.C. in August, 1983, Eddie Murphy: Delirious captures Eddie Murphy's wild and outrageous stand-up comedy act, which he performed in New York and eighteen other cities across the U.S. to standing-room-only audiences. Eddie's comedy was groundbreaking, completely new, razor sharp and definitely funny.Eddie Murphy pontificates in his own vulgarly hilarious fashion on everything from bizarre sexual fantasies to reliving the family barbecue, and is peppered with Eddie's one-of-a-kind wit. Laugh along as Eddie reminiscences of hot childhood days and the ice cream man intermixed with classic vocal parodies of top American entertainers.Experience Eddie Murphy at his best, live and red hot! Delirious! Uncensored and Uncut!

FIG TREES is a documentary opera about AIDS activists Tim McCaskell of Toronto and Zackie Achmat of Capetown as they fight for access to treatment drugs. Documentary interviews, speeches, press conferences and demonstrations are sampled, taken apart, and set to music, replayed this time as operatic scenes. A surreal fictional narrative is intercut with the stories of their struggles against government and the pharmaceutical industry. In this fictional world, Gertrude Stein decides to write a tragic opera about Tim and Zackie and their saint-like heroism. She kidnaps them, transports them to Niagara Falls, and forces them to sing a series of complicated avant-garde vocal compositions. However, when Zackie ends his treatment strike and starts taking his pills, Gertrude realizes that there will be no more tragedy, and thus, no more opera.

A man searching for his childhood best friend — a Polish violin prodigy orphaned in the Holocaust — who vanished decades before on the night of his first public performance.

A young teen's father dies, and he is sent to an orphanage. He's teased because he stutters almost runs away, until a beautiful, androgynous boy, Yasuo (Sora Toma), convinces him to join the choir.

Loosely traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso is unacceptable to both women's fathers: to one, because he sings; to Dorothy's, because he is a peasant. To New York patricians, Caruso is short, barrel chested, loud, emotional, unrefined. Their appreciation comes slowly. The film depicts Caruso's lament that "the man does not have the voice, the voice has the man": he cannot be places he wants to be, because he must be elsewhere singing, including the day his mother dies. Throughout, Mario Lanza and stars from the Met sing.

Loosely based biography of 1930s star Jean Harlow as she begins her climb to stardom. One of two "Harlow" film biographies that appeared in 1965, this one stars Carol Lynley in the title role that begins as Jean Harlow, a bit player in Laurel and Hardy comedies, is invited to test for director Jonathan Martin for the lead in Howard Hughes's "Hell's Angels." She is an instantaneous sensation, and in a series of films devoted more to her body than her talent, she becomes Hollywood's "Platanum Blonde."

Bugs Bunny vs. a famous opera singer at the Hollywood Bowl.

A wealthy woman discovers a vineyard worker with a beautiful operatic singing voice. She helps make him a star but then breaks his heart. He flees in misery to Mexico where he meets a sweet farm girl.

Opera singer Prudence Budell, overhears truck driver Johnny Donnetti singing opera, and persuades her opera company to give him a chance in her new opera. They fall in love, but on meeting his colleague Mary while visiting Johnny's work, Prudence becomes convinced Johnny is in love with her.

Snooty opera singer meets a rough-and-tumble fisherman in the Louisiana bayous, but this fisherman can sing! Her agent lures him away to New Orleans to teach him to sing opera but comes to regret this rash decision when the singers fall in love.

A young opera singer finds her career stalled because of her cold and passionless performances, until she finds romance with a handsome admirer.

Interrupted Melody is the inspirational filmed biography of world-renowned Australian soprano Marjorie Lawrence. She’s a foremost Wagnerian, equal to the vocal and physical demands of the composer’s oeuvre. And she’s a beacon of triumph to anyone who fights back when personal tragedy strikes.

Broken hearts in Ireland. Sean is a great tenor, in semi-retirement, living in a village close to Mary, the woman he’s always loved. Mary’s aunt convinced her to marry a man for his money; he has recently deserted her, leaving her penniless. She and her two children, Eileen and Tad, move in with the selfish and austere aunt. Eileen is falling in love with Fergus, a young man who’s off to Dublin to seek his fortune. Sean is drawn out of retirement and goes on tour in America. At his first concert, he’s nervous and out of sorts until the last song, when peace descends on him like a gift. What has happened, and can family life be set right?

Five years ago, a Korean opera singer started a children's choir in a slum in India. Frustrated by the lack of support from the parents of his choir children, he decides to train the parents to sing for a joint concert. But it may be the toughest challenge of his life.

An ex-GI falls for a bathing beauty.

A young British woman, tricked into believing she was used during a whirlwind romance, marries a gentle widowed Italian opera star, whose songs she and her first love shared.

A womanizing opera star is smitten by a young music student.

Roger Deacon, a down-and-out record producer, is given the job of making a singing star out of an industry mogul's girlfriend, an attractive but talentless starlet. He discovers a housewife with a powerful singing voice and decides to secretly use her to lip sync the other woman's voice for record recordings as a path to fame for her and him.

A reclusive musician, once a huge rock star, takes a young female protegee. While on a tour she meets a younger, more popular rocker and switches her loyalties.

Every day, a young girl wearing a mask stands by the beach and sings a nostalgic melody. After experiencing two sudden heart-wrenching partings when she was only a child, Nino Arisugawa has been singing her songs to the ocean, bound by a promise made with her two childhood friends—her first love, Momo Sakaki, and a boy who composed music, Kanade "Yuzu" Yuzuriha. Having never met each other, the boys both individually promised that if Nino was ever separated from them, her voice would be the beacon to reunite them once again.

Holly has everything it takes to be a star; the voice, the dream and the dedication, but she lacks the means to break away from her humble Texas upbringing. Then she gets the chance to attend an art and music school on the East coast and her future suddenly looks bright. But the road to stardom is a bumpy one.

Country singer Leana Taylor (Dolly Parton) struggles to escape from her controlling manager/boyfriend Hank (John Terry) as well as her troubled past. After turning to her guitarist (Billy Dean), Leanna finally faces her past, including her estranged mother and the death of her father. Through flashbacks, Leana deals with her past as she attempts to move her life forward and begin a recording career.

Leonard Borland loves his monied wife, but with his wrecking business looking shaky he treasures her all the more. So when she decides to try again to become an opera singer he indulges her. While organising a concert for her he meets glamorous Cecil Carver. She in turn discovers Leonard has a splendid voice, and encourages him to use it for reasons very much her own.

Born with a serious eye condition that eventually leads to his blindness, Bocelli nevertheless rises above the challenges, driven by great ambitions towards his passion. The silent pursuit of his daily mission continues.

Biography of popular English composer Leslie Stuart (Robert Morley), who rose to fame through performances of his songs by the tenor Ellaline Terriss (Dorothy Hyson). The peak of Stuart's success in the early 1900s is followed by poverty and obscurity with the arriving Jazz Age. In debtor's prison, Stuart is rescued by friends from happier times, and achieves a comeback in British music halls shortly before his death.

Abigail Chandler has written her stuffy Boston relatives that she's a successful opera singer in New York. In reality, she works at a burlesque house and is billed as High-C Susie. When her sister Martha comes for a visit, Abigail tries to hide the truth from her.

A brilliant young fund manager leaves her unfulfilling job and long-term boyfriend to chase her lifelong dream of becoming an opera singer in the Scottish Highlands.

A female singing group from the '60s reunites for a TV special.

To help out his exact double, George Formby (in a dual role) takes the place of a noted South American tenor. This way he can help the opera star fulfill contract obligations and also win the heart of the man's lovely press agent, Linden Travers.

The documentary follows Nick's career, his personal rise, fall and the cult that continues to grow after his death. As this is told through personal recollection with no experts or celebrity fans, it is not a tribute but a film about memory and friendship.

Jonas Kaufmann and Anna Caterina Antonacci bring rare erotic intensity to the drama of Don José and Carmen in this darkly passionate reading of one of the most popular operas. Kaufmann uses his burnished tenor and smouldering good looks to portray the man undone by Carmen's love. As the object of his desire, Antonacci gives a physical and compelling performance.

Live at Montreux 1986 is a concert video release by the British band Talk Talk of a concert at 1986 Montreux Jazz Festival. The show was part of a tour that started in April 1986 to promote the band's recent album The Colour of Spring, and was to be their only appearance at Montreux, from their last tour. The video captures Talk Talk at the peak of their career.

Tony Bennett and Lady Gaga: Cheek to Cheek Live! is an American concert television special featuring live performances by Tony Bennett and Lady Gaga in support of their collaborative studio album, Cheek to Cheek, released in September 2014. It was held at the Rose Theater of Lincoln Center for the Performing Arts in July following the announcement of the album's release, and was aired on PBS on October 24, 2014, as part of the network's Great Performances series. The concert was watched by an audience consisting of invited guests and students from New York schools. Bennett and Gaga were joined on stage by 39-piece orchestra and jazz musicians associated with both artists.

This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)

Live performance from Zürich Opera House, 2001. “Vesselina Kasarova’s Rosina turned this Barber into a major event. Pearling coloratura, endless resources of vocal colour and nuance and phenomenal acting versatility became mere means to an end: that of making Rosina into a human being of flesh and blood, with heart, humour and considerable brains.

Live from ROH 1985. Giordano's Andrea Chenier is one of the greatest of verismo operas, full of heart-stopping big tunes and powerful emotional situations. If it is not as well-known as it should be, it is because in summary it sounds a little too like Puccini's Tosca: there is a tussle between political opponents over a woman, an attempt to save a condemned man, a tenor aria about writing poetry on the eve of execution. The difference is that Gerard (Giorgio Zancanaro) is not a villain like Scarpia, he is an idealist whom the French Revolution has betrayed as much as it has his rival the poet Chenier (Placido Domingo). His temptation to abuse his power to seduce the virtuous Maddalena (Anna Tomowa-Sintow) is a momentary one, though its consequences are terrible. There is a streak of post-Wagnerian decadence in much of this--Maddalena is at least as much in love with death as she is with Chenier, and the final love duet has a deeply sinister aspect. -- From Amazon.co.uk

This was a 1988 revival of a 1971 production that teamed Domingo (Vasco da Gama) and Verrett (Selika - both then very much in their prime) in Meyerbeer's discursive swan-song. Seventeen years on, they are more statuesque than sexy, but both give larger-than-life performances that contain moments of completely thrilling vocalism. The casting is very strong, with the exception of Justino Diaz's Nelusko, which has strong presence but not much vocal allure. As Inez, Vasco da Gama's fiancee and rival for Shirley Verrett, Ruth Ann Swneson sings with great beauty and has impressive stage presence, very much holding her own in the confrontation with Verrett in the last act. Domingo is refulgent of tone and dramatically convincing, and he and Verrett strike sparks. She really comes into her own in one of the most preposterous mad-scenes in all opera, where she is slowly poisoned by the scent of a giant tree, contriving to make this dramatically truthful and even moving.

In this opera-oriented musical, Riccardo Gatti, an Italian young tenor in Venice, meets a young woman who sneaks into the opera house to try and get her fiancé hired as the orchestra's pianist.

A street musician, Yui Kanzaki, and a stage actor, Junichi Nishi, meet one day at a street performance and are attracted to each other. Their relationship seems to be going well itself, but then Nishi gradually starts acting weird and then he disappeared. One day, after two years of searching for Nishi, Yui receives a letter from a person who claims to have Nishi's memories in custody. After visiting and watching the "Film of Memories," Yui learns about the secret that Nishi has been keeping from her.

Cruel revenge...a confession even crueler than that. Movie director Byeong-cheon invites high school student Se-yeong over to his house to interview her for a character in his next movie. He relives her nerves with some vodka and starts the interview on a good note but things change when Byeong-cheon brings out his real intentions.

I do not stand in the case of emergency! The beautiful married woman who knew the delicate trouble of virginity…. A case full of joys and sorrows that the virginity pervert man who I outrun an emergency brake of the reason, and dashes causes.

A celebration of the legendary band that revolutionized pop music, and the iconic, harmonious sound they created that personified the California dream, captivating fans for generations and generations to come.