Best movies like Rossini's Ghost

A workman finds a singing frog in the cornerstone of an old building being demolished. But when he tries to cash in on his discovery, he finds the frog will sing only for him, and just croak for the talent agent and the audience in the theater he's spent his life savings on.

Behind the Hollywood Bowl stage which is playing the opera The Barber of Seville, Bugs Bunny flees into the backstage area with Elmer Fudd in close pursuit. Seeing his opportunity to fight on his terms, Bugs raises the curtain on Elmer, trapping him on stage. As the orchestra begins playing, Bugs comes into play as the barber who is going to make sure that Elmer is going to get a grooming he will never forget.

A strange love story set in Las Vegas.

Sylvester sings opera and popular tunes while standing on a back alley fence; Elmer, who wants to sleep, tries to thwart him.

Dave, nineteen, has just graduated high school, with his 3 friends, The comical Cyril, the warm hearted but short-tempered Moocher, and the athletic, spiteful but good-hearted Mike. Now, Dave enjoys racing bikes and hopes to race the Italians one day, and even takes up the Italian culture, much to his friends and parents annoyance.

In Seville, Juan is starting to enjoy his weekends outside of prison when tragedy strikes: his little girl is killed in what looks like an accident.

A deep-sea salvage expert enacts an elaborate plan to infiltrate and take revenge on a criminal organization that dealt him a foul misdeed.

Twisted tale about a crazy, preaching redneck named Jake who kidnaps people off the highway and performs sick medical experiments on them. He then proceeds to sell their organs on the black market to Mr. Stone. Everything is fine until he kidnaps the handicapped April and finds that she is harder to control than the others.

When Christine Day accidentally discovers a rare piece of music, she brings back to life its composer, Erik Destler. Through her fascination with the music she is transported back to Destler's time, 1889, and is thrust into stardom by singing his opera as no one else can. But against the exciting backdrop of the opera lurks a hideous danger—the Phantom—and Christine soon finds herself the object of his relentless desire.

The Full Monteverdi follows the simultaneous break-up of six couples, from shocking revelation, vengeful anger and erotic longing for reconciliation, as an ensemble film. Vulnerable and disarming, it draws viewers into its emotional journey and intensely moving portrait of contemporary love.

The incredible tale of Mozart's Prague years.

Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. The film also included the overture to Verdi's opera La Forza del Destino.

Roger Daltrey of The Who stars as 19th century genius pianist Franz Liszt in this brash, loud and free-wheeling rock 'n' roll fantasia centered around an imagined rivalry between Liszt and composer Richard Wagner-- painted here as a vampiric harbinger of doom and destruction.

After he is rejected by the Great Poochini as an opening act, Mysto the Magician gets his revenge by conducting his next operatic performance.

Famed composer Gustav Mahler reflects on the tragedies of his life and failing marriage while traveling by train.

The corrupt Lord Ambrose D'Arcy steals the life's work of the poor musical Professor Petry. In an attempt to stop the printing of music with D'Arcy's name on it, Petry breaks into the printing office and accidentally starts a fire, leaving him severely disfigured. Years later, Petry returns to terrorize a London opera house that is about to perform one of his stolen operas.

Two disc jockeys have a friend's murder to solve in the fringe-group melting pot of 1977 London.

Opera singer Renee Dupree is in love with struggling composer Julian who falls very seriously ill. She goes to impresario Mueller for the money Julian needs but is saved from sacrificing her virtue when a jealous lover kills Mueller.

Old Jerusalem: Matathias, spiteful over his lover's illness, spits on Jesus along the road to Calvary, and is cursed to live endlessly until His return. The Crusades, 1150: Matathias, now an anonymous knight, competes for glory in combat and for the wife of a soldier. Palermo, 1290: Matteos Battadios witnesses the death of his young son, leading to conflict with his wife over whether to take comfort in Christianity. Seville, 1560: Dr Matteos Battadios dedicates himself to the treatment and comfort of the poor, but his life and work are endangered by the arrival of the Spanish Inquisition.

Jumah is about to turn 16 and is already in need of a fresh start. Burdened with the shameful legacy of a past as a child soldier in the Congo, he lives with his adoptive mother in west London, where he struggles to keep a lid on his history of violence. One night, enjoying a rare carefree evening out with a new friend, Jumah witnesses something that draws him seemingly inescapably into his old ways. As he and others around him begin to question whether he can ever stop being a soldier, he’s set on a path to find out who he truly wishes to be.

Composer Johann Strauss risks his marriage over his infatuation with a beautiful singer.

Because of a bad investment, Captain and Mrs. Peabody are evicted from their home. Mrs. Peabody finds lodging at a retirement home, but as only single women are allowed, the Captain has to make other arrangements. However, after witnessing their tearful goodbye, the home's residents vote to allow the couple to move in together. The Captain is a reluctant lodger, uncomfortable at being surrounded by so much femininity, and bristles when his pals start referring to him as "Old Lady". The time has come for Captain Peabody to reassert his manhood!

When her father seemingly goes missing, divorcee Laura LeCrois is forced to return home after a 20-year hiatus. However, home is not the way Laura remembers it. Her father is in major debt with the bank, her ex-boyfriend is the town sheriff, and her ex-husband has quit his job as a world-renowned professor who is now suspiciously buying up swampland in the area. In an effort to save the swamp and to pass the time, Laura decides to work the dying family business giving boat tours of the Louisiana swamp. But on her first sunset tour, deep in the swamp, Laura and her passengers witness two Bayou swamp rats toss a squirming body into a gator pit, only the gators aren't the ones that feast on the flesh. Instead it's the most terrifying creature Laura has ever seen...(IMDB,com)

A woman from a "cursed" family is released from a mental facility, and soon dismembered corpses start turning up.

A restaurant owner falls in love with an opera singer and, desperate to impress her, travels to Italy to learn how to sing.

Take a roller coaster ride full of high octane adventure as 12 year old Sammy takes to the skies. With the help of a magical flying skateboard, Sammy ends up the hottest skateboarder in town. But a group of local thrashers don't like the extra competition. They plot to destroy any chance of Sammy competing against them in a local tournament. But they don't have a clue of what they're up against.

When a boy decides his father is spending too much time at work, he starts his own company and ends up buying a controlling interest in his father's company.

A television documentary produced for British Television directed by Peter Greenaway about Phillip Glass that is a recording of a performance of the Phillip Glass Ensemble in 1983 with interviews that go in depth of his style and music theory of his signature minimal sound.

Eleven Gilbert & Sullivan numbers are melded within the murder-mystery plot of "Girl on the Spot", with a result that either G&S and/or the plot are always seemingly on stage-wait or in the wings awaiting a cue. Lois Collier is the girl-on-the-spot of the title because she was on the scene of a murder. The police conclude she didn't do it and they use her to set a trap for the real killer, a G&S addict, by financing a Broadway production starring Collier.

When a container washes ashore the residents of a sleepy cul-de-sac are plunged into violence, terror and paranoia. Ring fenced by the military a single mother must overcome all the odds to save her daughter.

Able Seaman Dick Deadeye is charged by Queen Victoria to find the stolen Ultimate Secret. His ugliness means that his life has always been lonely but a buxom barmaid takes a shine to him. Together, they battle pirates and an evil magician before discovering that the Ultimate Secret is nothing but LOVE! Using songs based on the original works of Gilbert and Sullivan (but updated with modern lyrics), this film was created to commemorate the centenary anniversary of the first collaboration of the composers of the Savoy Operas.

When his father encounters insufferable hardship, Dwight Hawkins (real-life gospel singer Deitrick Haddon) is torn between Christian duty and his own desire to pursue his dreams as a gospel singer. But what does God really have planned for him? Sheryl Lee Ralph co-stars alongside gospel stars Karen Clark-Sheard, Kiki Sheard and Dr. Bobby Jones in this modern parable inspired by the biblical story of David and Saul.

Inspired by one of the twentieth century's greatest novels, composer Lorin Maazel evokes Orwell's totalitarian nightmare, where "Big Brother" is always watching, and those guilty of "thoughtcrime" are condemned to face their worst fears in the infamous "Room 101". Filmed during world premiere performances of Robert Lepage's spectacular and psychologically gripping Royal Opera production and conducted by the composer, an international cast brings George Orwell's dark vision to shattering operatic life.

Gallo Morales is the proud patriach returning home after a seven-year stint for manslaughter. Seeking to re-establish his legendary status as a champion breeder, he comes back for the rooster bred by his father. But it is Hector, his son who inherits the prize-winning bird and neither are about to give in. The fall-out from their conflict has consequences for the whole family, especially for Angela, the sensitive 14-year-old daughter unable to cope with the brutal world that surrounds her and her own emerging womanhood, despite the best efforts of Juana, her strong but long-suffering mother.

An aspiring composer, in the British Air Force for WWII, is downed in Italy and rescued by an Italian girl. He returns home to his wife, inspired to write an opera and aware that he's fallen in love with his rescuer.

A tomboyish juvenile delinquent, Paschal Draney, is sent to live in a foster home run by a well-known horse breeder where he befriends a Thoroughbred seemingly crippled by a congenital eye defect.

Getting an internship at NASA just to find out that space is fake on the first day, Barber has to navigate their family life, a cult preacher dad and complicated friendships in search of meaning and belonging.

Massenet composed his opera about Cenerentola nearly 80 years after Rossini did his. And if you are looking for the outburst of the non-stop hilarity and the musical jokes of Rossini, you won't find it here. Also, while the Cendrillon was highly successful and popular in its time, it does not reach up to the artistic and musical levels offered by Massenet's other operas, like Manon, or Thais or Werther. Nevertheless, this is a delightful opera and it is well presented by The Royal Opera. Laurent Pelly created a ingenious setting with movable walls which are covered [in French] with the story of Cinderella, and which open and close book-like.

Inspired by Wagner’s own tortured affair with the wife of his patron, this searing masterwork is based on Arthurian legend and tells of an illicit romance between a Breton nobleman and the Irish princess betrothed to his uncle and king. The composer’s larger-than-life sensibilities are on full display throughout the score: Along with intoxicating orchestral music that surges in tandem with the couple’s burgeoning passion and a chord left symbolically unresolved until the last moments of the opera, the opera also features one of the repertory’s most soaring and ecstatic final climaxes, as Isolde surrenders to a love so powerful that she transcends life itself.

Recorded at the Glyndebourne Festival Opera in 1995, this acclaimed presentation of composer Gioachino Rossini's epic opus ERMIONE is based on Jean Racine's play "Andromache." Set in Troy after the city fell to the Greeks, the production recounts the rancorous battle between widow Andromache and Helen of Troy's green-eyed daughter, Ermione for the love of Pyrrhus

La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]

Since its debut in 1934 the Glyndebourne Festival has put a focus on Mozart operas and developed a great competence in staging them. Mozart s operas seem to be made for the small but fine opera house in Glyndebourne and it's not surprising that the 1977 Don Giovanni, one of Mozart's great masterpieces, was a huge success. This production is conducted by Bernard Haitink, who holds the opinion, that no other composer had more opera in his blood than Mozart. It has been proven, for example, that Mozart had no overture for Don Giovanni until the evening before the premiere in Prague and wrote it down in just one night. Like the premiere's success of the opera in Prague in 1787 the Glyndebourne's version staged by Peter Hall was praised by audience and critics alike: We witness a lively and wide-awake ensemble piece that has easily survived all these decades, and still manages to teach many directors the art of playing theatre.

23-year-old Gioachino Rossini completed his masterpiece IL BARBIERE DI SIVIGLIA incredibly quickly – legend has it in just 13 days – which Rossini attributed to ‘facility and lots of instinct’. The opera, characterized by youthful energy and bold wit, has all the ingredients for comic chaos: an imprisoned young woman, her lecherous guardian and a young noble suitor. Skilfully plotting behind the scenes is Figaro, an irrepressible and inventive character in whom many have seen a resemblance to the young Rossini himself. The score fizzes with musical brilliance, from Figaro’s famous entrance aria to the frenzy of the Act I finale. This recording sees Joyce DiDonato (Rosina) bring literal meaning to the old theatrical motto Break a leg! She did just that in an earlier show but was determined to finish her commitment and was re-staged into the production to allow for the additional challenges that come when a leading lady in a lively physical role must wheel around the other performers...

A student nun falls in love with a Mexican singer starring in a cafe next door to her convent.

What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary. This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.

Passion, jealousy and betrayal take center stage at Londons Royal Opera House in a spectacular production of the worlds most popular opera. Bizets Carmen is packed with some of the best-loved and memorable music in all of opera. In this characteristically vivid and vibrant stage production by Francesca Zambello, beautifully filmed in 3D by Julian Napier, Seville is brought to life with ranks of soldiers, crowds of peasants, gypsies and bullfighters as well as a magnificent horse, a donkey and even some chickens! This spectacular RealD and Royal Opera House production features a supremely talented cast, gripping drama and Bizets energetic and passionate score. It is truly a musical event to remember!

A young girl and her uncle who run a traveling medicine show lend their efforts to salvage an old plantation.

A woman who believes a dead composer is in love with her falls in love with a man who constantly fights an imaginary man named Hank.

Young Gallito (Allan Forrest) wants very badly to become a matador. His sweetheart, Dolores (Priscilla Dean), does everything she can to help him and she wheedles Pedro, a renowned bullfighter (Matthew Betz), into helping him, too. Gallito becomes a success, but he is vamped by Ardita (Claire Delorez) after Pedro is killed in the ring.

Conceived as an electronic road movie, this documentary investigates cutting edge technologies and their influence on our culture as we approach the 21st century. It takes off from the idea that mankind's effort to tap the power of Nature has been so successful that a new world is suddenly emerging,an artificial reality. Virtual Reality, digital and biotechnology, plastic surgery and mood-altering drugs promise seemingly unlimited powers to our bodies, and our selves. This film presents the implications of having access to such power as we all scramble to inhabit our latest science fictions.