Best movies like School for Coquettes

Madame Jouve, the narrator, tells the tragedy of Bernard and Mathilde. Bernard was living happily with his wife Arlette and his son Thomas. One day, a couple, Philippe and Mathilde Bauchard, moves into the next house. This is the accidental reunion of Bernard and Mathilde, who had a passionate love affair years ago. The relationship revives... A somber study of human feelings.

Robert Avranche, a middle-aged, alcoholic garage owner, is sitting on a train, reflecting on the emptiness of his life. An attractive young woman, Donatienne, suddenly enters the compartment and offers to make love to him. Robert accepts but, when the woman leaves the train afterwards, he decides to follow her...

It is 1830 in Paris and the rent is due, but the money is not there. An article here, a painting there and a monkey with a cup gives them enough money for the rent, but not for food. Fortunately, Musette from downstairs has enough food for everyone including Mimi - the poor little waif from next door who Rodolphe has met. But Count Paul also has his lusting eye on Mimi and uses her embroidery to get close to her. Rodolphe and Mimi fall in love and Mimi works endlessly to support Rodolphe who is writing his play with a new found passion. He does not know that he has been discharged from writing for 'Dog and Cat Fanciers'. Mimi wants to get his play produced and Count Paul offers to help, but there is a terrible fight when Rodolphe thinks that Mimi is faithless to him with Count Paul. After the fight, he seeks out a doctor as she is sick, but she has left when Rodolphe returns and will stay away until his play is finished.

In 1818, high-spirited young Fanny Brawne finds herself increasingly intrigued by the handsome but aloof poet John Keats, who lives next door to her family friends the Dilkes. After reading a book of his poetry, she finds herself even more drawn to the taciturn Keats. Although he agrees to teach her about poetry, Keats cannot act on his reciprocated feelings for Fanny, since as a struggling poet he has no money to support a wife.

Katherine "Kathy" is happily married to businessman Greg Norris and lives in his beautiful home with his about 18-year old daughter Tara. When suddenly a charming young man, who Tara first saw lurking around in the garden, turns up on their doorstep claiming he must be Jamie, the baby son she once gave up for adoption as a teenage mother on her parents' orders, the couple is delighted to meet him. They even take him in as they hear his adoptive parents have died in car accident and he's looking for a place to stay during his business studies just like Greg, to pay for which he held various jobs, even in Rio. The only one who remains suspicious is Tara, who doesn't want to be the kid sister and starts looking for holes is Jamie's story, going trough his things and having a friend examine his past- there are, since he didn't tell the Norris family about his lover who helps him unconditionally with his sinister hidden agenda.

Evelyn, an emotionally vulnerable and unstable woman, stays at the home of her doctor Dan Proctor. There she meets and falls in love with his brother, Douglas, who is happily married to Ann. Evelyn then sets forth to break up the happy marriage and win the love of Douglas.

Michel, who's crazy about jazz, has just found a rare album that he dreams of quietly listening to in his living room. But the world seems to have conspired against him: his wife chooses this moment to divulge an ill-timed revelation, his adult son makes a surprise visit, one of his friends knocks on the door, while his mother keeps calling him on his smartphone. Not to mention that today the residents in his apartment building are holding their annual House Party. Manipulative and a liar, Michel is ready to do anything to have a moment of peace and quiet. Is it still possible, in this day and age, to just have one hour of peace?

A lost film. Esmeralda, a simple farm girl is in love with country boy David, but her mother yearns for a high society city life. Ore is discovered on their farm and the money rolls in. The family is packed up and moved to the big city where Esmeralda is forced into an engagement with a wealthy Count. Suddenly the ore is depleted and a fresh supply is discovered on David's farm. Much to the delight of Esmeralda, her impending marriage to the Count is off and her mother happily consents to a marriage between Esmeralda and David.

Mathias Pascal, saddled with a stupid wife and a nagging mother-in-law, leaves home and is extremely lucky at several gambling resorts. He returns home and discovers that a drowned man, fished out of the river, bears an uncanny likeness to him and is being buried by his family as him. This, to him, is a pleasant turn of events and he goes to Rome, where he falls in love with Louise Paleari. Count Papiano, a jealous suitor of Louise's, threatens him with arrest unless he produces credentials to prove his identity.

Pierre Belcroix and Marcel Blanc are violinists and lifelong friends living in Paris in the 1920s. While Marcel has become famous and Pierre has not, both are happy with their lives. Pierre is happily married to Romaine, a stylish young flapper. However, Marcel meets and falls in love with her, which Marcel little suspects.

A countess fleeing her husband mistakes a count for her hairdresser at a Monte Carlo casino.

Alan is a musician who leaves a busted-up band for New York, and a new musical voyage. He tries to stay focused and fends off all manner of distractions, including the attraction to his good friend's girlfriend.

Lea Lyon, the daughter of a rabbi, lives happily with her father in their Gulicinu village, but there are rumblings of war. Soon, the village is overrun with the Imperial troops of the Russian Czar, with Constantine in Imperial command. He is attracted by the beauty of Lea and commands her to come to his quarters. She refuses and he is outraged. He orders the townspeople barred behind their doors and the village burned. Though she loves her honor above everything else, she can not bear to see the villagers suffer, and makes the lonely walk through the village to the Inn.

Armand and Marie survive in the streets until charitable (and wealthy) scientist Pierre Marcel takes Armand in after a botched robbery. Marie, a fiery Apache, swears revenge on Marcel for taking her lover away from her.

Ismael and Julie, who in the hope of sparking their stalled relationship, enter a playful yet emotionally laced threesome with Alice. When tragedy strikes, these young Parisians are forced to deal with the fragility of life and love. For Ismael, this means negotiating through the advances of Julie's sister and a young college student – one of which may offer him redemption.

What was it about opera diva Grace Moore that attracted the attention of filmdom's top directors? Moore's 1937 American movie vehicle When You're in Love had been directed by Josef Von Sternberg; two years later, her French starrer Louise was helmed by no less than Abel Gance, who a decade earlier had revolutionized the "historical epic" genre with the awesome Napoleon. There was, however, little that was revolutionary in this cinemadaption of Gustave Charpentier's opera. Moore plays Louise, a poor seamstress who is led astray by the rakish Julien (Georges Thill). After falling from grace (no pun intended), our heroine is rescued by her understanding father (Andre Pernet), who demonstrates his forgiveness by singing to her (it is, after all, an opera). Though it played to enthusiastic crowds in both London and Paris, Louise turned out to be Grace Moore's final film; conversely, Abel Gance continued to make commercial potboilers well into the 1970s.

Nada, a beautiful French journalist on assignment in New York, records the life and work of an up and coming punk rock star, Billy. Soon she enters into a volatile relationship with him and must decide whether to continue with it, or return to her lover, a fellow journalist trying to track down the elusive Andy Warhol.

Esther is at the end of her career as Head Seamstress at Dior Avenue Montaigne workshop. One day, she gets her handbag stolen in the metro by a 20 years old girl, Jade. Instead of calling the police she decides to take care of Jade. She sees in her the opportunity to pass on her skills, the craft of dressmaking, her only wealth. In the frenetic world of Haute Couture, Esther will give Jade la beauté du geste, a way to reach beyond herself.

Vautier, a wealthy surgeon in his fifties, falls in love with Hélène, a young woman from a modest background. He allows her to have a string of short-lived lovers - but when Jean Trapeau, an old boyfriend, resurfaces, things get complicated.

Eric Randall, an author of bachelor lifestyle books, is left in charge of his young niece and nephew for the holidays. Eric turns to his neighbor April, a lover of all things Christmas, for help.

A young crook called Joë Caligula and his crew make war on a Parisian gang.

In 1955, on his report, a medical examiner wrote in the box: age, “about 53 years”. Charlie Parker nicknamed Bird just died, at 34. His death will be the ransom of a life that was not denied to the excesses or the consuming flame of genius. His wildest improvisations will open the door to future jazzmen. Between shadow and light this film will pay tribute to one of the greatest musicians of the 20th century.

A promising seamstress designs dresses for a Charity Ball hoping to impress the royal guest. Though the dresses seem destined for disaster, the two still may manage to find their happily ever after.

Two unemployed musicians dress up as women to be hired by an all -female orchestra "Tulips from Holland"; they fall in love with two gorgeous musicians.

A ditzy American girl visiting Monte Carlo is hired by a tennis champ to be his "cardboard lover"--to pretend to be in love with him so he can teach his two-timing fiancé a lesson and win her back. What he doesn't realize is that the girl isn't pretending --she actually is in love with him, and she sets out to win him for herself.

Despite of (or perhaps because of ) its sparse production values and unpretentiousness, the Italian Gli Innamorati was feted at the 1956 Cannes Film Festival. The bulk of the story takes place in a single Roman neighborhood. In the manner of the 1925 German classic A Joyless Street, director Mauro Bolognini studies the hopes, dreams, successes and failures of the neighborhood's various and sundry denizens. No one subplot dominates the proceedings, though a bit of extra time is afforded the story of a fickle seamstress and her seemingly meek-and-mild boyfriend. The cast is dotted with such reassuringly familiar faces as Nino Manfredi and Gino Cervi. Released in the US as Wild Love, Gli Innamorati was instrumental in bringing international fame to director Bolognini, whose career soon shifted into high drive.

A delightfully classic French comedy of high sophistication and light hearted wit, that in the end suffers for it. This is immensely watchable simply for the presence of Maria De Medeiros, the central two of the film are captivating. What spoils it is the stereotypical and under developed second characters and an overly wistful outlook. But I defy any man watching this film not to fall madly for Aimee and everyone will cherish the scenes between Aimee and Maurice.

Diane is happily married. But, one day while travelling she meets a dashing architect. With some relief, she parts ways with him at the airport, her resistance to his alluring manner having been tested. She later discovers that she has his gloves, so she returns them in person, only to end up in bed with the man, and later falling in love. She now faces the toughest decision of her life.

In Normandy, Louise lives happily in the horse world. Suddenly, fate strikes. Louise left alone with his father and a family friend to Ferronnière the stud where she has always lived. Business is bad, they are on the verge of bankruptcy ... Fortunately there Marquise, a young mare Louise high. Against all odds, the girl and Marquise will fight against the fate that seems hell-bent ...

Abandoned by her lover Philippe, Michèle, a Parisian fashion designer, tries to kill herself. She is saved by her doctor and Ann, a young American nurse, who takes up residence in Michèle's apartment to keep an eye on her patient.

At Joe's Roadside, a popular but rundown New York roadhouse where the wealthy and not-so-wealthy hang out, a wealthy Manhattan girl and a struggling Brooklyn boy meet and fall in love. She marries him against the wishes of her family, believing that love can solve everything, but she soon wonders if she made the right choice when she finds herself living in a manner, and with the kinds of people, she hadn't counted on.

After cantankerous and miserly Herbert Kalness insults his daughter's fiance and prospective in-laws at a dinner party, Mrs. Kalness devises a scheme to teach her husband a lesson in good manners.

Vincenzo, a railwayman who works on the Rome-to-Paris line, has a wife in Italy and a mistress in France: Ginette, a widow with a four-year-old daughter. When he's offered a job in Paris he decides to move, but unfortunately his wife and petulant brother-in-law insist on accompanying him to Paris, and he must decide between the two women in his life.

A wealthy ex-bootlegger comes to the rescue of a formerly rich society girl after her gold-digging fiancé leaves her stranded when he finds out she's broke. The bootlegger proposes a deal: he will settle her debts if she teaches him how to be "a gentleman".

After raising her daughter, one would think that Julie's life was rather full. However, she recently got an offer from the French consul to a mission in Pondicherry, India to teach her skills to Indians. She can only do this if she gets her high-school diploma, something she neglected to do earlier. The idea of this new post motivates her to rectify her youthful omission, and she goes back to school in Montparnasse. Just before classes are to start, her current boyfriend's condescending ways prove too much for her, and she breaks up with him, reacting to that by getting drunk. Thus, when she has to take the subway to school on the first day, being unfamiliar with the route and somewhat the worse for wear, she gets lost. Fortunately, she meets an elderly man, a retired musician for the Paris Opera, who is headed for the very same destination. The two form a relationship of mutual encouragement and support.