Movie Thriller
A vanity thriller set in Hollywood.
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A candidate for governor, eager Gerald Harperpersuades his equally ambitious wife Carol to enlist the aid of her friend Diana Casper, whose influence with political boss Jarvis Flint could help him win the election. Carol agrees to speak to Diana on condition that Gerald temporarily assume her work in the city's tenements.
Words and Music
Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers' collaboration - elaborately staged numbers from their plays, characters' visits to night clubs, and impromptu performances at parties. We also see Larry's scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard's successful wooing of Dorothy Feiner.
An Alan Smithee Film: Burn, Hollywood, Burn
Filmmaker Alan Smithee finds himself the unwilling puppet of a potentially bad big budget action film, for which he proceeds to steal the reels, and leaves the cast and crew in a frenzy.
Almost Hollywood
In this tasty blend of sleaze and thriller, a producer of exploitation and sex videos finds himself accused of killing his own mistress and the boyfriend of one of his most promising stars.
Memories of Murder
A woman who had been suffering from amnesia suddenly gets her memory back. However, she finds that she's now married to a man who she doesn't think she really loves, and she keeps having visions of a young woman who she believes is out to kill her--but she can't get anyone to listen.
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A serial killer is after hookers and strippers. A male detective and his female partner are assigned to stop him.
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Give Me Pity!
Sissy St. Claire graces the small screen for her first ever television special, an evening full of music and laughter, glamour and entertainment! But Sissy's live event quickly begins to curdle into a psychedelic nightmare of vanity, insecurity and delusional ambition, provoked by the glowering presence of a mysterious masked man.
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A former LA cop runs a top-flight private detective agency that caters to spoiled Hollywood types.
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Folly of Vanity
This drama had two directors: Maurice Elvey handled most of the film, but the fantasy sequence was directed by Henry Otto. Newlyweds Alice and Robert are already having differences over money. He gets angry at her extravagances, especially when she spends more than they can afford on an imitation pearl necklace. Ridgeway, a client of Robert's, invites the couple to a party. Robert wants to decline, but Alice insists that they go. Ridgeway loans Alice a real pearl necklace, to "restore their lustre," and everyone heads for his yacht. Ridgeway pays Alice a lot of attention, while a young widow tries to vamp Robert.
Earl Carroll Vanities
Broadway producer Earl Carroll was a Ziegfeld-like entrepreneur who staged lavish revues featuring attractive young ladies. Carroll's annual "Vanities" provided story material for three Hollywood films: Murder at the Vanities (34), A Night at Earl Carroll's (40) and Earl Carroll Vanities (45). This last film was produced by Republic Pictures, a bread-and-butter studio specializing in Westerns and serials; Republic had made musicals before, but few of them were expensive enough to allow for lavish production numbers. Earl Carroll Vanities is likewise rather threadbare, though some of the individual musical highlights aren't bad. The plot, such as it is, concerns financially strapped nightclub owner Eve Arden, who finagles Earl Carroll into staging one of his revues at her club.
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After having an affair with a married millionaire, Blair is driven by jealousy to get her way no matter what she must do.
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A family man being held captive in his own home by a psychotic homeless man he has befriended, struggles to free himself before his family is threatened.
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