Best movies like ¡Tango!

Carlos Gardel and guitars performing "Yira, yira", tango composed and written by Enrique Santos Discépolo.

Valentin, a 9-year-old boy living with his grandmother in late-1960s Buenos Aires, believes his family has problems that only he can solve. The youngster dreams of being reunited with his mother, who's separated from Valentin's abusive father.

One of Carlos Gardel's singing short films.

Many years ago, a young aristocrat wanted to marry a famous singer, but his father destroyed the marriage before twediing, believing that singer is not suitable wife for future diplomat. After several years their adult children now met in the theater of Buenos Aires.

Buenos Aires, Argentina. A failed reporter teams up with a Hungarian immigrant to set up a fake correspondence journalism school.

On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.

A dangerous love affair inspires a director to create the most spectacular and boldly seductive dance film ever made. 1998 Oscar Nominee Best Foreign Language Film.

Buenos Aires, November 2001. Argentina is embroiled in crisis, with the Peso plunging deeper and deeper. Julio Färber, the charismatic bandoneon player of the "Vecinos de Pompeya," a five-piece working-class tango band, is trying to keep his head above water, but every month he is earning less and less from their gigs as well as from the traditional shoe shop he inherited from his father. At the very moment he takes the decision to leave his beloved Buenos Aires forever, it clearly appears that life is conspiring against him: overnight, the government freezes all bank accounts in the whole country, preventing Julio from purchasing the flight tickets and sparking violent protests throughout the town. And Mariela, a witty young woman and feisty cab driver, bumps into his car at full speed, damaging Julio's last possession of value before stealing his heart.

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by

At age 13, a street kid known as "El Polaquito" makes his living mostly by singing tangos (originally sung by his namesake, the singer "El Polaco") on Buenos Aires commuter trains. He falls in love with a 16 year old prostitute, also working for the Mafia controlling child exploitation in one of Argentina's busiest train stations. He tries to rescue her from this cruel life with no future. But to do so, he must confront the ruthless adult gang leaders, as well as the young kids who protect them, believing that this Mafia is truly their only option. The story is supposedly based on a true story, which happened, and was discovered in Argentina in the late 90s, early 2000s. Written by Guy33134

Applause is a musical with a book by Betty Comden and Adolph Green, lyrics by Lee Adams, and music by Charles Strouse. The musical is based on the 1950 film All About Eve and the short story on which the movie is based, Mary Orr's "The Wisdom of Eve". The story centers on aging star Margo Channing, who innocently takes a fledgling actress under her wing, unaware that the ruthless Eve is plotting to steal her career and her man. The musical opened on Broadway on March 30, 1970 and ran for 896 performances. It won the Tony Award for Best Musical, and Lauren Bacall won the Tony for Best Actress in a Musical. The musical was later adapted for television, starring Bacall, with Larry Hagman replacing Len Cariou in the role of Bill Sampson. It aired in the United States on CBS on March 19, 1973.

The action occurs in Abasto Market in Buenos Aires, Argentina. A grown up single woman marries a mafia man who promised her he would change. After they've married, his past come to ruin the wife's life.

After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.

Some Argentinians, exiled in Paris, decide to put on a tango-ballet, dedicated to Carlos Gardel, a legendary Argentinian tango star.

Carlos Argüelles is the son of a wealthy man whose only interests in life are business and making money. While trying to succeed in show business he falls in love with a dancer and they elope to marry. But success is not easy to obtain.

Ricardo Fuentes (Carlos Gardel) leaves Buenos Aires after loosing in horse races to go to Barcelona, where he plans to open a tango bar, a new concept of tango dance show and dance saloon. On the ship he meets Laura Montalván (Rosita Moreno) who happens to be a thief working with a thief pal. Ricardo watches them robbing a lady's bracelet aboard but decides not to report them because he has fallen in love with Laura. Once in Barcelona, he opens the tango bar but Laura's partner tells him he sold the bracelet and now needs to recover it to avoid both Laura and him going to jail.

Two guys as different as a watchmaker and a television editor have to free Carlos Gardel's soul from a strange pact with the devil, who has it trapped. To break the spell, these fans of El Morocho del Abasto, and improvised exorcists, need to find a mythical figure of such popular force as Gardel: the great Diego Maradona.

o Jorge Cedrón this was an act of wistful and political affirmation. He could not explain why he made it, but stated: «It necessary to make it». The outcome, never screened publicly in Argentina, is of a joyous creative freedom, a musical collage here the history of tango and its roots get interwoven with Argentine political history. A Buenos Aires street reconstructed in Ariane Mnouchkine 's theatre, a European old man who can play the tunes the bandoneón was made for, but who does not know the tango, a friends gathering at Antonio Seguí's studio, the music of Cuarteto Cedrón, hobbyhorses and a disconcerted Indian are some of the many elements combined by the film-maker in this singular, unique work.

Experience the stunning spectacle of Coldplay’s record-breaking Music Of The Spheres world tour at your local cinema with this spectacular worldwide live broadcast of the band’s sold out concert at Buenos Aires’ River Plate stadium directly from Argentina in a stadium bursting with lights, lasers, fireworks and LED wristbands - all of which combine to make Coldplay’s concerts such a joyful and life-affirming experience.

Carlos Lopez is a handsome Argentine sportsman. Many women love him and he toys with them all. His days are filled with romance and intrigue and he manages to get himself feared and hated by most of the married men in Buenos Aires.

A film that brings together ten of the fifteen shorts that Carlos Gardel filmed in 1930 under the direction of Eduardo Morera, in the film studios of the pioneer Federico Valle.

Carlos Acosta (Carlos Gardel), tied to a flirty wife and in love with another girl, watches fate work out a solution that allows him to return to his real love after trips to Paris and New York City.

Various musical episodes make up this film-magazine in which Del Carril tried to merge his two great passions: cinema and tango.

The life, hardships, love affairs, triumphs and failures of the world-renowned tango singer Carlos Gardel.

A young man is dedicated to singing, but only for his friends, and his godfather wants him to do it professionally.

The story of Tuco, an amateur singer who thinks he sings like Carlos Gardel and locks himself in his room, waiting for a group of musicians to accompany him in a hypothetical television debut.

In the Buenos Aires of 1900, a man seeks to avenge the death of his brother, killed at the exit of a fight.

Helena is a talented singer in Buenos Aires. Just as she and her band get a residency at a prestigious theater in the city, the boyfriend she's mad about coldly announces that he doesn't love her any more. The film is punctuated by intense bursts of tango. Every song moves the story along, providing an insight into the characters and access to the protagonist's feelings: nostalgia, passion, sadness, and joy in turn. The lyrical and musical wealth of tango, brilliantly performed by Eugenia Ramírez Miori, unites the two stories, past and present. 'La cantante de tango' is a poignant auteur film about a woman trying to get back on her feet after a devastating break-up.

Newsreels, songs and films by Gardel, real scenes with events and historical figures from Argentina and the world, images of the accident that took his life in Medellín and the funeral in Buenos Aires.

Franco kills a tango singer, and the weight of his guilt pushes him to search for information about his victim. His quest leads him into an unknown and fascinating world, a true and deep place where the tango is still alive, habitat of the last real and authentic bohemian artists in Buenos Aires.

Romance starts in Rio between a Mexican tenor being wooed for a Buenos Aires production, and an Argentine gal who has won a soap contest and who he thinks is rich.

Luisa Soler, a young and wealthy lawyer, travels to the province of Buenos Aires with her aunt Totona and there she meets a humble composer of tangos, Martín Salazar. The meeting between them creates confusion for his girlfriend and, after several moments of tension and strong arguments, Martin asks Luisa to clarify the situation with her fiancée. But when the lawyer decides to do something, it changes for both of them. Both realize that they love each other and that, beyond the different lives they lead, they will fight to be together.

Three Argentines who live in Paris and dream of returning to Buenos Aires but lack resources for the passage, find their opportunity when a landowner, a business man and his daughter arrive in Paris. In a game of rigged poker the three anchors obtain the money for the passages from the newcomers; it happens however that the employer has made an embezzlement and will go to jail if he does not return the money. The character represented by Parravicini, who is the true father of his adopted daughter, gives him the money won to solve his problem and the three remain in Paris to see them in an end with the best poetry of Romero crossing a bridge under the mist , silent, once again anchored but with the happy sadness of recovered self-esteem.

A year after his father’s death, Victor returns to Buenos Aires in order to reconquer the life he was forced to abandon. He brings a new project with him for his former theater company: a radio-play of Shakespeare’s “Love’s Labour’s Lost”.

A group of friends in their 30's meet at a bar in Buenos Aires everyday. They used to hang here as students, laughing at the world, and now they still dream of changing the world from the cafe's table. Unable discuss politics or football, the only thing they can talk about is women. When one of their friends commits suicide, a female from his past shows up to confront old feelings.