Tangos, the Exile of Gardel

Carlos Gardel and guitars performing "Yira, yira", tango composed and written by Enrique Santos Discépolo.

One of Carlos Gardel's singing short films.

The life of Roberto takes place in a suburban bar between singing and letters. There, along with his partner, as scamming unsuspecting lives falls into the table. One night she crosses paths a young piano teacher hear him sing and gives him the chance to do it professionally. The fame and love give Roberto a chance to redeem himself.

On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.

Carlos Argüelles is the son of a wealthy man whose only interests in life are business and making money. While trying to succeed in show business he falls in love with a dancer and they elope to marry. But success is not easy to obtain.

Ricardo Fuentes (Carlos Gardel) leaves Buenos Aires after loosing in horse races to go to Barcelona, where he plans to open a tango bar, a new concept of tango dance show and dance saloon. On the ship he meets Laura Montalván (Rosita Moreno) who happens to be a thief working with a thief pal. Ricardo watches them robbing a lady's bracelet aboard but decides not to report them because he has fallen in love with Laura. Once in Barcelona, he opens the tango bar but Laura's partner tells him he sold the bracelet and now needs to recover it to avoid both Laura and him going to jail.

Two guys as different as a watchmaker and a television editor have to free Carlos Gardel's soul from a strange pact with the devil, who has it trapped. To break the spell, these fans of El Morocho del Abasto, and improvised exorcists, need to find a mythical figure of such popular force as Gardel: the great Diego Maradona.

A film that brings together ten of the fifteen shorts that Carlos Gardel filmed in 1930 under the direction of Eduardo Morera, in the film studios of the pioneer Federico Valle.

Carlos Acosta (Carlos Gardel), tied to a flirty wife and in love with another girl, watches fate work out a solution that allows him to return to his real love after trips to Paris and New York City.

The life, hardships, love affairs, triumphs and failures of the world-renowned tango singer Carlos Gardel.

A young man is dedicated to singing, but only for his friends, and his godfather wants him to do it professionally.

The story of Tuco, an amateur singer who thinks he sings like Carlos Gardel and locks himself in his room, waiting for a group of musicians to accompany him in a hypothetical television debut.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

Obsessed by a Mexican singer, an Argentine doctor arrives in Paris; Far from his land he begins to find his true identity transforming into a singer of tangos.

Newsreels, songs and films by Gardel, real scenes with events and historical figures from Argentina and the world, images of the accident that took his life in Medellín and the funeral in Buenos Aires.

Of all the remarkable events of this century perhaps the most fascinating has been the spontaneous growth, flowering and then decay of a handful of great cities. These cities were places where art, culture and political liberties co-mingled with corruption, brutality and decadence. Everything and just about anyone could be bought and sold. The immigrant would struggle beside the artist. Gamblers, thieves and prostitutes co-habited with soul-savers, the rich and the powerful. The exhilarating combination of the seamy with the sublime made these places a magnet for all the lost souls and refugees of the world. Pushing the limits of tolerance and freedom, they defined the social, political and sexual culture of the 20th century. Their names ring out: Paris of the '20s, Berlin of the '20s and '30s and Shanghai of the '30s.

Follows a lawyer sentenced to prison and his life inside an Argentinian jail.

A young working-class man comes from Misiones (an Argentinian province) to Buenos Aires, with a fighting rooster, looking for his brother, and gets involved with low life characters, who introduce him to a world of crime.

When Lena Grisky, a Russian Princess and student at the Paris Opera Ballet School accidentally time travels to present day, she must quickly adapt if she hopes to keep her secret and hide from the dangerous Time Collectors.

The story about Argentinian boxer Carlos Monzón in his career and life in prison.

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An Argentinian millionaire who wanted to buy love - And succeeded. While looking for fame and popularity, he became an LGBTQ+ activist, the first local influencer, and a pioneer of gay parenthood. All in five years.

The women of the Vega family are full of debts, for this reason they decide to hire a group of male strippers and open a night club dedicated to the female audience.

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Returning to Paris after exile from Hollywood, Judith is intent of making a comeback with a new movie. However, her 16-year-old daughter falls in love with her much older dance teacher and Judith is forced to deal with personal ambition, maternal anxiety and the demons of her past with humor and disillusion.